Category Archives: Books

New books, December & January

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We are pleased to announce these new and soon-to-be-published books.

Published December 6
Inside Rwanda’s Gacaca Courts: Seeking Justice after Genocide
Bert Ingelaere
“This masterful study provides a balanced, nuanced assessment of Rwanda’s local courts, showing how diverse social dynamics influenced both the operations of gacaca and its outcomes in different local communities. Essential reading for anyone interested in transitional justice and conflict resolution, in Rwanda and beyond.”—Catharine Newbury, Smith College
Critical Human Rights   Steve J. Stern and Scott Straus, Series Editors

 

To be published January 10Lamore-Reading-African-American-Autobiography-2016-c
Reading African American Autobiography: Twenty-First-Century Contexts and Criticism
Edited by Eric D. Lamore
“These provocative essays reveal the exciting state of African American autobiographical studies. The critical approaches explored here—from new-media studies and eco-criticism to reading the interplay between visual and verbal autobiographical acts—not only frame and interpret the life narratives proliferating within today’s digital and popular cultures, they enliven classic literary texts for a contemporary age.”—Angela Ards, author of Words of Witness
Wisconsin Studies in Autobiography   William L. Andrews, Series Editor

5526-165wTo be published January 10
American Autobiography after 9/11

Megan Brown
“Demonstrates how several American life-writing subgenres have reflected and responded to national and personal anxieties after 9/11. This accessible and well-argued book is an essential resource for understanding contemporary memoir.”—G. Thomas Couser, Hofstra University
Wisconsin Studies in Autobiography   William L. Andrews, Series Editor

 

To be published January 175415-165w
Understanding and Teaching the Cold War
Edited by Matthew Masur
“A superb collection of authoritative, imaginative, and even provocative essays on teaching the history of the Cold War, effectively merging historiography, methodology, and innovative use of primary documents.”—Jeremi Suri, author of Henry Kissinger and the American Century
The Harvey Goldberg Series for Understanding and Teaching History

John Day Tully, Matthew Masur, and Brad Austin, Series Editors

5493-165wTo be published January 17
Wisconsin Sentencing in the Tough-on-Crime Era: 
How Judges Retained Power and Why Mass Incarceration Happened Anyway
Michael O’Hear
“Serious students of modern sentencing reforms—as well as everyone eager to understand the roots of, and potential responses to, modern mass incarceration—must have this book on their reading list. O’Hear thoroughly canvasses the dynamic story of Wisconsin’s uniquely important sentencing reform history.”—Douglas Berman, author of the Sentencing Law and Policy Blog

 

 

Books to get snowed in with

Snowed InDennis’s picks  Because there’s nothing like carb-loading, thoughts of Florida, and engrossing reading to fend off frosty weather …
The Norske Nook Book of Pies by Jerry Bechard and Cindee Borton-Parker
Space: A Memoir by Jesse Lee Kercheval
Meet Me Halfway: Milwaukee Stories by Jennifer Morales
Lithium Jesus: A Memoir of Mania by Charles Monroe-Kane

Raphael’s picks  Definitely armchair travel when you’re housebound …
Inspired Journeys: Travel Writers in Search of the Muse  Edited by Brian Bouldrey
Honorable Bandit: A Walk across Corsica by Brian Bouldrey
Cleopatra’s Wedding Present: Travels through Syria  by Robert Tewdwr Moss
The Blind Masseuse: A Traveler’s Memoir from Costa Rica to Cambodia  by Alden Jones

Toni’s picks  A mystery series to curl up with …
Death Stalks Door County, Death at Gills Rock, and Death in Cold Water by Patricia Skalka
Murder in LascauxThe Body in Bodega Bay, and Death on a Starry Night by Betsy Draine and Michael Hinden

Gwen’s picks   Tasty wild foods, and stories from Norwegian-American and Polish-American immigrants …
Troutsmith: An Angler’s Tales and Travels by Kevin Searock
Wild Rice Goose and Other Other Dishes of the Upper Midwest by John G. Motoviloff
Wisconsin My Home by Thurine Oleson
My Sister’s Mother: A Memoir of War, Exile, and Stalin’s Siberia by Donna Solecka Urbikas

SM’s picks  More armchair travel, with bikes and boats …
Across America by Bicycle: Alice and Bobbi’s Summer on Wheels by Alice Honeywell and Bobbi Montgomery
Sailing to the Far Horizon: The Restless Journey and Tragic Sinking of a Tall Ship by Pamela Sisman Bitterman

Sheila L’s picks  Thinking of next summer’s gardening …
Birdscaping in the Midwest: A Guide to Gardening with Native Plants to Attract Birds by Mariette Nowak
Prairie Plants of the University of Wisconsin–Madison Arboretum by Theodore S. Cochrane, Kandis Elliot, and Claudia S. Lipke

Christmas Chemistry for 47 Years

bucky-bigEarlier this month, chemistry professor Bassam Shakhashiri and his crew staged their 47th presentation of “Once Upon a Christmas Cheery, in the Lab of Shakhashiri.” The popular family-friendly show of colorful and surprising chemical demonstrations, accompanied by live music and a visit from Santa, delivers a message that has long been Shakhashiri’s slogan: Science Is Fun!Girl_Scout_ThankYou-sm

Educating children, students, and the general public about science, and about chemistry in particular, is Shakhashiri’s passion. A past president of the American Chemical Society and founder of both the Institute for Chemical Education and the Wisconsin Initiative for Science Literacy at the University of Wisconsin-Madison, he is also the lead author of five world-renowned books on chemical demonstrations published by the University of Wisconsin Press.

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Shakhashiri_ChemDem_finalUWP published Volume 1 of CHEMICAL DEMONSTRATIONS: A HANDBOOK FOR TEACHERS OF CHEMISTRY in 1983.  That first volume offered 282 chemical demonstrations arranged in 11 chapters, setting the pattern for the following four volumes focused on different kinds of chemical phenomena. Each demonstration includes seven sections: a brief summary, a materials list, a step-by-step account of procedures to be used, an explanation of the hazards involved, information on how to store or dispose of the chemicals used, a discussion of the phenomena displayed and principles illustrated by the demonstration, and a list of references.

By 2011, the fifth volume was published. Although flames do not normally leap out of Volume 5 when opened, as they do in Shakhashiri’s holiday show, Volume 5 is distinctive from the other books in the series because it is printed in full color, to better convey the volume’s focus on the chemistry of color and light.

Nobel la80th-logoureate in chemistry Roald Hoffmann has pronounced the series, “The most comprehensive set of chemical demonstrations handbooks ever created.” Taken together, the five volumes constitute the bestselling publication in the University of Wisconsin Press’s eighty-year history.5480-165w

The success of the Chemical Demonstrations books led UW Press to work, as well, with UW-Madison physics professor Clint Sprott to create the book PHYSICS DEMONSTRATIONS: A SOURCEBOOK FOR TEACHERS OF PHYSICS and accompanying online videos. A review in Physics Today urged that Sprott’s Physics Demonstrations “should be placed in the libraries of all college physics departments and would be useful for many high school physics programs.”

Professor Sprott and other campus physicists have also presented public shows since 1984. The 2017 Wonders of Physics shows will be presented February 11, 12, 18, & 19 in conjunction with the annual Physics Fair.

The Wonders of Physics Show

The Wonders of Physics Show

 

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Pilgrims’ Pronouns: Reflections on “We”


5533-165wIn November, we published Inspired Journeys: Travel Writers in Search of the Muse, edited by Brian Bouldrey. Here Bouldrey 
reflects on the varied uses of the collective “We,” tying them to the impulse for pilgrimage.

we handA couple of times a year, I get together with several friends who all once lived in the same neighborhood in San Francisco. We were sitting around at a recent reunion, and one friend mentioned that our old neighborhood (still hers), full of expensive wooden Victorian homes, has a firetruck that patrols at all times, always out of the barn. “We sure do love our firefighters, don’t we?” she asked us. I told her that since I hadn’t lived in San Francisco for fifteen years, I must forfeit the right to use The Municipal We.

I’ve been thinking about the pronoun “we” a lot lately. Where do you usually see it?  Often in declarations, and in manifestos, the difference being that declarations declare, calling out something that is already there, plain as the nose on your face—our Declaration of Independence stands on the sentence, “We hold these truths to be self-evident.” There’s that “we” again, the Patriot We, the Nationalist We, the Pep Rally We. We got spirit, yes we do, we got spirit, how about you?

WE the PeopleThe manifesto differs, for a manifesto makes something manifest that never existed before: the statements of all those artists, the futurists and surrealists, the modernists who wanted to “make it new,” and all the crazy ones, from the Unabomber’s caution about industrial society to Charlie Sheen’s 11-point manifesto for winning. Manifestos are more I than We, and a noisy, hilarious We at times, like a misfiring car alarm on a Saturday morning, waking up the neighborhood even if the neighborhood is not ready to be awakened.

I have bad memories of being knocked down by grade-school bullies who linked arms and ran me down while chanting “we don’t stop for traffic.” And I’m a bit terrified of the “We don’t like your kind coming around here,” which has become a troublingly common We of late. I will chant the Creed We of “We believe in one God, the Father, the Almighty.”

we_areI am surprised at how choked up I can get when I declare an Alma Mater We, as in We will sing thy praise forever. Northwestern University, my alma mater, has two fight songs, “Go U Northwestern,” which we sing when we get a touchdown, and one called “Push On,” which is what we sing when we don’t get a first down. “Push on, Northwestern, we’ll always stand by you,” we promise, like a legion of battered spouses whose partners have substance abuse problems.

We-MeThere is the Royal We of queens and popes and threatening law firms.  The Nuptial We of married couples is, as Joan Didion described it, the classic betrayal. When my mother tells my father, “We need to redecorate the guest room,” she doesn’t mean we, she means you, and when my father asks my mother, “Are we out of beer?,” he doesn’t mean we, he means I. Sometimes, there was never a We involved in the first place.

And there is the Memorial We.  The Memorial We is a We that connects the present and the absent. I feel the Memorial We most strongly around Arlington or the Vietnam Memorial or the AIDS quilt, where most of the We are far away, but the multitude of names surrounds us, where pronouns become proper nouns, thousands of names. I felt the Memorial We when I placed my hand into the worn stone of the central pillar of the Portico de la Gloria in Santiago’s cathedral, thinking of the millions of hands that have also been there over hundreds of years. The Memorial We seems the closest kin to the paradoxical “Pilgrim We.”

We-Button-911x1024My name appears as editor on a book recently published by the University of Wisconsin Press, with twenty contributors far more vital than I, each writing about what I would call secular pilgrimage. Inspired Journeys: Travel Writers in Search of the Muse includes attempts by travel writers to make a sort of “we” between the “I” of themselves and the he or she of some secular saint, some great original generosity of spirit. They tell of their trips to all of Laura Ingalls Wilder’s “little house” homesteads, Robert Scott’s Antarctic huts, the villages of the Grimm brothers’ fairy tales, and the grave of William McGonagall, the world’s worst poet.

It’s not coincidental, I think, that most of the secular and sacred saints we venerate now went charging against the grain of the Municipal We. They are the mad ones who make the manifestos. The Little Rock 9 were threatened for daring to integrate Arkansas schools, but now the high school that hated them is a museum in their honor and a place to which civil rights advocates make pilgrimages every year.

I have, as a Catholic, thought quite a bit about the saints of my religion. I imagine that in those early days of the Church there must have been in every village an especially marvelous person, a person who helped the We of us, maybe led the community, maybe would fix your ox-cart and wouldn’t accept payment, gave extra tomatoes from her garden, told a good story. Then that person would die and leave a huge, gaping hole in the fabric of the village, and the people would miss her so keenly that they just knew that person was close to God.we-566326_640

Perhaps we don’t want more.  Perhaps we just want to give thanks.  That is the essence of the Pilgrim We, I suppose.

I dream of a place where the “I” and the “we” are at peace with one another, where the spiritual and the religious, the left and the right, the We and the They, can all hang together in a great inclusive old-school democracy. This might have been the dream of a secular nation that our founding fathers tried to create.

Bouldrey-Brian-2016-cBrian Bouldrey has written eight books, including Honorable Bandit: A Walk across Corsica, and edited six anthologies, including Inspired Journeys and Traveling Souls. He teaches creative writing at Northwestern University and gave the 2016 keynote address to the American pilgrims on the Camino de Santiago de Compostela.

Readings on Syria and Cuba

2633Cleopatra’s Wedding Present: Travels through Syria
Robert Tewdwr Moss
Introduction by Lucretia Stewart

Robert Tewdwr Moss was a journalist of astonishing versatility who was murdered in London in 1996, the day after he finished this book. He left this lyrical gem as his legacy. Moss’s memoir of his travels through Syria resonates on many levels: as a profoundly telling vivisection of Middle Eastern society, a chilling history of ethnic crimes, a picaresque adventure story, a purely entertaining travelogue, a poignant romance—and now, a record of Syria in the late twentieth century, before the devastation of civil war.

 

5216-165wWinner, Luciano Tomassini International Relations Book Award, Latin American Studies Association
Cubans in Angola: South-South Cooperation and Transfer of Knowledge, 1976–1991
Christine Hatzky

“Hatzky convincingly argues that Cuba and Angola were not mere pawns in a proxy war between the Cold War superpowers, but that both countries worked as independent actors with their own specific interests in a relationship of equal partnership. . . . Well written and excellently translated.”American Historical Review

Angola, a former Portuguese colony in southern central Africa, gained independence in 1975 and almost immediately plunged into more than two decades of conflict and crisis. Fidel Castro sent Cuban military troops to Angola in support of the Movimento Popular de Libertação de Angola (MPLA), leading to its ascension to power despite facing threats both international and domestic. What is less known, and what Cubans in Angola brings to light, is the significant role Cubans played in the transformation of civil society in Angola during these years. Offering not just military support but also political, medical, administrative, and technical expertise as well as educational assistance, the Cuban presence in Angola is a unique example of transatlantic cooperation between two formerly colonized nations in the global South.

 

3495Transgression and Conformity: Cuban Writers and Artists after the Revolution
Linda S. Howe

“A brilliant synthesis of Cuba’s cultural production since the Revolution. Linda Howe offers the ultimate guide to understanding the cultural policies of the island. . . . Fascinating and comprehensive.”
—Cristina García, editor of Cubanísimo

Defining the political and aesthetic tensions that have shaped Cuban culture for over forty years, Linda Howe explores the historical and political constraints imposed upon Cuban artists and intellectuals during and after the Revolution. Focusing on the work of Afro-Cuban writers Nancy Morejón and Miguel Barnet, Howe exposes the complex relationship between Afro-Cuban intellectuals and government authorities as well as the racial issues present in Cuban culture.

 

 

Recounting Yaqui history as an outsider

Hu-DeHart-Yaqui-Resistance-and-Survival-cEvelyn Hu-DeHart, author of the new revised edition of  Yaqui Resistance and Survival: The Struggle for Land and Autonomy 1821-1910, comments on the difficulties of writing history as an outsider and the rewarding feedback she received from the Yaquis she met. The new edition was released by UWP in early November.

To prepare for the new edition of my book,  I wrote a preface entitled “Reading Yaqui History in the Twenty-First Century.” I did not, however, include in that preface two anecdotes about the reaction of some Yaquis to my work. These encounters have given me a lot of personal satisfaction, so here I share them with you, dear Potential Reader, in hope that the stories will spur you to pick up the book and read it.

Shortly after the book was first published in 1984, I was invited to give a talk at the University of Arizona. It was of course near the U.S.–Mexico border and the original Yaqui homeland in Sonora, Mexico, as Pascua Yaqui Tribewell as near Yaqui exile communities in Arizona that had become permanent over the years. After the talk, an older gentleman approached me to introduce himself as a Yaqui. He did not thank me; instead, he told me that his people would not have recounted their history chronologically as I did, because that is not how time plays out for them. Hearing that as a sharp rebuke, my heart began to sink, until he quickly added that perhaps I was a Yaqui in my previous life. I took that gratefully as a back-handed compliment.

Some fifteen years later, I was invited to give a talk on Yaqui history at Humboldt State University in northern California. Afterwards, while having a snack at the campus cafeteria, I was approached by a group of young men who identified themselves as Yaquis. They said that they had grown up in the American Southwest and had read my book. They knew only a few of the great events, they told me, and had not heard of the resistance leaders I wrote about. They then thanked me warmly for giving them back a history they had lost. I was grateful for this direct and sincere affirmation of the book’s worth to the very people it concerned and mattered to most.

Texas Yaqui 2Writing indigenous history as an outsider is a challenging and risky business.  The burden of responsibility to “get it right” for insiders can be balanced only by appreciation for the outsider historian’s craft and authority. When the older Yaqui and the younger Yaquis spoke truth to my power, I was simultaneously humbled and proud during both encounters.

Hu-DeHart-Evelyn-2016-cEvelyn Hu-DeHart is a professor of history, American studies, and ethnic studies, and a past director of the Center for the Study of Race in America, at Brown University. She is the author of Missionaries, Miners, and Indians: History of Spanish Contact with the Yaqui Indians of Northwestern New Spain, 1533–1830.

A brief history of the Irish Nationalist Movement

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Paul A. Townend, author of The Road to Home Rule: Anti-imperialism and the Irish National Movement, provides some background on the turbulent political landscape in Ireland in the late 1800s. The University of Wisconsin Press is publishing this book today in the book series History of Ireland and Irish Diaspora

The Road to Home Rule tracks the relationship of discontented Irish patriots with their place in the British imperial system. As “jingo” imperial policies drove the relentless and often violent imperial expansion of the British Empire of the 1870s and 1880s, Irish political entrepreneurs capitalized on a rising, visceral popular Irish rejection of that system. The story parallels in certain ways the striking current turn in Anglo-American political culture towards anti-globalist populism.

Then and now, an ambitious and rambunctious political minority worked tirelessly, successfully, and, in the minds of the political establishment, unscrupulously, to disturb what many saw as an inevitable progressive march away from the past. This past was bound by localism and resentful identity politics, and this minority sought to move towards a brighter, more prosperous, and mutually advantageous transnational and interconnected future. In Ireland in the 1870s, Anglo-Irish elites led by the lawyer Isaac Butt imagined a new Ireland, ruled by its own parliament but even more closely connected to the British Empire, the great globalizing force of the last quarter of the nineteenth century. By granting Ireland local autonomy in the form of “home rule,” Butt argued to anyone in England who would listen that Irish grievances could be settled quickly, and reconciled Irish energy and human capital could be harnessed to help build the rapidly expanding empire.

Identifying with Benjamin Disraeli’s efforts to lead a populist turn in British imperial culture, and to embrace the inspirational potential of imperial grandeur, Butt and others believed that, properly led, Irish soldiers, merchants, and emigrants could leverage their longstanding service to Empire into a genuine partnership for ordering the world’s less civilized peoples. The joint project of spreading Christianity, British law, and building a global economy dominated by British technology, capital markets, communications, and transport infrastructure—railroads, telegraphs, and steamships—would thus transcend generations of petty sectarian animosities and festering grievances. All of this would allow the intransigent “Irish problem” to fade into the history books, a curiosity of the past, overcome forever by the force of progress, prosperity, optimism, and mutual enterprise.

In Ireland, however, this vision was disturbed by unanticipated developments, and was then swallowed up by a wave of frustrated and angry Irish populism. The uncharacteristically unimaginative failure of Disraeli to seize the opportunity presented by Butt’s offer of collaborative partnership frustrated Butt and his Irish allies. Rising economic distress in Ireland occasioned by the disruption of global agricultural markets compounded popular discontent. The situation boiled over as Disraeli, and then his Liberal successor, William Ewart Gladstone, embarked between 1878 and 1885 on a spectacular series of bloody imperial campaigns against Afghans, Zulus, Boers, Egyptians, and Sudanese peoples unwilling to accept Pax Britannica and all its benefits, which they never asked for.

It took the political entrepreneurship of Charles Stewart Parnell, however, and a handful of cosmopolitan allies—many of them globetrotting journalists and foreign correspondents, like the Fenian J.J. O’Kelly or Parnell’s close associate, Cork native Justin McCarthy—to capitalize on the populist opportunity afforded by these wars and economic disruptions. Parnell caught the pulse of Irish disgust and rejected any embrace of British imperial ambition. He worked to marshal anti-imperial Irish public opinion, stirred as it was by imperial violence, appalled by the imposition of “Zulu-whipped” British soldiers on the Irish countryside, and quick to see parallels between Irish, African, and Indian experiences of British power.  Parnell superseded Butt by forging a powerful bond with nationalist sentiment, building a transformative and enormously consequential new Home Rule movement that demanded greater independence and rejected Irish support for the imperial project. He and others used the press, especially the new technologies that encouraged the insertion of political cartoons, to promote a vision of empire building as an exercise in hypocritical brutality.

Photo Credit: National Library, Ireland

“Look on this, and on this,” July 1882; comparing the occupation of Alexandria with “Coercion” during the Irish Land War. Photo Credit: National Library, Ireland

By strengthening for many in Ireland the connection between opposition to Union and opposition to empire, Parnell made it nearly impossible for himself or his successors to reconcile Irish independence with imperial citizenship. They alienated forever many imperially minded Britons who rightly diagnosed the threat Parnellism posed to the emerging British-dominated global system. As Flora Dixie, the shrewd pioneering war correspondent and sympathetic critic of Parnell, noted at the time, her English friends were disgusted by the apparent unwillingness of a Home Rule Irish parliament led by Parnell to “agree to any imperial policy of the ministry.” “What would be the result,” she wondered, of this fundamental disconnect on foreign policy, “if not political anarchy?”

In embracing nationalism and rejecting the transnational progressivism of their day, these Irish nationalists acted more out of opportunism than ideology. The leaders of the Parnell movement were neither parochial nor anti-modern, but they did enormously frustrate a seemingly inevitable march of history towards a future that many believed would subordinate local economic interests, as well as cultural and political identities, to new power structures and forces of globalization. To achieve their political goals, Parnellite Home Rulers had to stoke public opinion, graphically caricature British power, and work to remind Irish people of their historical grievances. While they often encouraged sympathy and solidarity with other imperial subjects, their sometimes cynical embrace of contemporary racial attitudes also led them to encourage the Irish people to expect political success where less “civilized” peoples failed to resist British power. In their struggle against what they understood to be overwhelmingly powerful political and economic forces, they adopted an opportunistic and ethically fluid approach to building their movement into a transformative revolution.

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“Prophet and Loss.”; Satirizing the occupation of Egypt. Photo Credit: National Library, Ireland

How Brexit might be better understood by contemplating the Irish anti-imperialist campaign is too presentist an undertaking for this historian. But, it is interesting to note how contemptuous Butt and his contemporaries were about Parnell’s efforts, even while they acknowledged the potent destructive political force of charismatically led populist campaigns rooted in economic frustration, fiercely held “local” identities, and resentment of distant and unresponsive elites. As Mitchell Henry, one appalled ally of Butt, put it in a public letter in 1879, the new leadership was “revolutionary and criminal” in its rebranding of Irish patriotism as the rejection of empire. “The object of the Home Rule movement,” he insisted, was “to present Great Britain and Ireland as one empire, united together.”

The lessons of history are often invoked; one of the most important is that it can be very difficult to judge the likely verdict of the future on the choices made in a given present. Parnell remains a national hero in Ireland; his political genius is acknowledged by many who are less sure of the long term consequences of the political movement he led. But to the majority of his politically astute contemporaries, the savvy Irish elites of his day, Parnell was a demagogue who enabled the short-sighted and opportunistic rejection of the best way forward for the Irish people into a better future and a brighter era of cooperation. Because he refused to let go of the past and move on from bitterness and grievance, the argument went, his trading in the emotionally effective but short-sighted currency of anti-imperialism left the Irish outside of the power structures that self-interest dictated they accept and adapt to.

Townend-Paul-2016-cPaul A. Townend is a professor of British and Irish history at the University of North Carolina, Wilmington. He is the author of Father Mathew, Temperance, and Irish Identity and the coeditor of Ireland in an Imperial World.

 

 

UNIVERSITY PRESS WEEK 2016! THURSDAY BLOG TOUR: THROWBACK TO THE FUTURE

Throwback to the Future

On Day Four of University Press Week, visit these blog sites that highlight the past and future of university press publishing.

Yale University Press on mass media and the global village

Indiana University Press on Indiana’s Bicentennial Bookshelf

Seminary Co-op Bookstores reproduces their Fall 1983 newsletter

University of Michigan Press  introduce two major projects: a digital archaeology monograph about excavating a Roman city, built on a video game platform;  and a new digital publishing platform for information and data in multiple forms.

IPR License introduces its work as a fully transactional rights and licensing online marketplace

Columbia University Press on the South Asia Across the Disciplines series, a Mellon-funded collaborative project of Columbia University Press, the University of Chicago Press, and the University of California Press

University of Toronto Press Journals looks back and forward at online publishing platforms for journals

Also, plan to watch this event on Friday!

Scholars and Editors on Social Media
YouTube Live   Friday, November 18, 12PM ET
Communities of scholars and editors have always been essential to the work of university presses. Today these communities often form and find each other via social media. An AAUP Art of Acquisitions Hangout brings together editors and scholars to explore this. Watch the livestream >

And view an impressive gallery of university presses collaborating with partners to form communities.

 

The Art & Craft of Print

We are ce80th-logolebrating University Press Week with the theme of “community,” and from April 2016 to April 2017, we are blogging monthly about University of Wisconsin Press history to mark our eightieth year. On top of that, for this Wednesday blog tour of university presses, the theme is “university press staff spotlight.”

Terry Emmrich at the Overture Center galleries

Terry Emmrich at the Overture Center galleries in summer 2016

It is was an obvious choice, then, to shine that spotlight on Terry Emmrich, production manager in the books division of UWP. In addition to his expert knowledge of typesetting, composition, papers, offset printing, and binding (as well as digital files and production), Terry is a fine art printmaker. In that, he joins a large and historic community of Wisconsin artists.

He also has an impeccable production pedigree, hailing from Neenah in the heart of Wisconsin’s “Paper Valley.” He grew up among folks working in the paper industry, and after studying art and printmaking at the University of Wisconsin-Oshkosh, he was a sales rep for a printing company before joining UWP in 1989.

A linoleum block relief print by Terry Emmrich

A linoleum block relief print by Terry Emmrich

 

Nine of Terry’s linoleum block relief prints were chosen for a dual exhibition in summer 2016 in the galleries of the Overture Center for the Arts, Madison’s premier visual and performing arts venue.

As UWP production manager, Terry has also taken an important role in the documentation of Wisconsin and American printmaking. He has been either the manager or assistant production manager when UWP published significant books on printmaking that required the highest production quality.

Managing the production of our titles related to printmaking has been a special treat for me as it has allowed me to apply my professional knowledge to the publication of a subject in which I have had a lifelong interest. In the case of the books on Warrington Colescott’s prints, it also gave me an opportunity to work with an international giant in the field of printmaking and an artist whom I have long admired.

The most notable of the UWP publications on printmaking are these.

1943A Century of American Printmaking, 1880–1980 by James Watrous
In this sumptuously illustrated history, James Watrous captures the vast panorama of American printmaking in the past century. As he traces the roots and evolution of the art, the story becomes one of prints, people, and events—from the printmakers, their artistic conceptions, and works, to the curators, dealers. collectors, critics, printers, workshops, and exhibitions that played crucial supporting roles. The result is both a compelling cultural history and a seminal survey of a major American art form.
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The Print in the Western World: An Introductory History by Linda C. Hults
A history of  500 years of the fine-art print, including detailed treatment of the work of five master printmakers—Albrecht Dürer, Rembrandt van Rijn, Francisco Goya, Pablo Picasso, and Jasper Johns. More than 700 illustrations, forty-nine of them in color, show the evolution of the relief, intaglio, planographic, and stencil processes through the centuries.

0485Progressive Printmakers: Wisconsin Artists and the Print Renaissance by Warrington Colescott and Arthur O. Hove
Printmaking exploded on the American art scene after World War II, rapidly expanding from New York to the Midwest and beyond. Central to this movement and its development was the University of Wisconsin–Madison, where a group of talented young artists was making prints and developing a print curriculum. Progressive Printmakers documents, in words and stunning pictures, the breakthrough aesthetics and technical innovations that made the Madison printmakers a force in the art world.

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The Prints of Warrington Colescott: A Catalogue Raisonné, 1948–2008 by Mary Weaver Chapin
A satirist in the tradition of William Hogarth, Francisco Goya, Honoré Daumier, and George Grosz, Warrington Colescott interprets contemporary and historical events, from the personal to the public, the local to the international. He is noted for his exceptional command of complex printmaking techniques and for his innovative approach to intaglio printing. This book is the first fully illustrated catalogue of Colescott’s extensive and varied graphic career and accompanied a major retrospective exhibition at the Milwaukee Art Museum.  Colescott, also a UWP author as the co-writer of Progressive Printmakers, is still making art today at age 95.

To read more 80th Anniversary posts about publishing history at the University of Wisconsin Press, click here.

To read more “staff spotlights” from other university presses, visit here. 

University Press Week 2016! Tuesday blog tour: Booksellers We Love

Indie Bound!  Tuesday’s blog tour highlights the wonderful booksellers that partner with university presses to bring our books to the reading public.

University of Texas Press: Q&A with their sales manager about visiting indie bookstores along the West Coast  this fall.
University of Chicago Press :  a day in the life of sales rep Mical Moser.
Cornell University Press spotlights Buffalo Street Books, Ithaca’s cooperatively owned community bookstore.
University Press of Colorado looks back on the past year’s author events at their two local indies, Tattered Cover and Boulder Bookstore.
NYU Press features a re-cap of the Brooklyn Book Festival.
McGill Queens University Press offers an appreciation of Canada’s independent bookstores.
University Press of Kentucky features fun, revealing Q&As with indie booksellers across the state.
University Press of Kansas showcases The Raven Bookstore and KU Bookstore, two local shops that carry and promote their titles.

And don’t miss a post from one of the U.S.’s best indie bookstores, the Seminary Co-op in Chicago, where they’ll highlight what’s on their front table right now.