Wisconsin Studies in Film
THIS SERIES IS COMPLETE
Original Series Description
This series offers works by emerging and eminent scholars focusing on deserving areas of film study. The series presents books whose fresh scholarship or perspective will make an enduring contribution to film literature, on all periods and national film cultures. Past books have included definitive monographs on classic Warner Bros. scripts, and authoritative studies of Soviet silent film and the French New Wave. The focus is on neglected figures and key films; and the history, styles, genres, trends, and politics of filmmaking, with a special interest in subjects with ties to Wisconsin, or to material in the Wisconsin Film and Theater Archives.
The series will consider a variety of formats, including broad overviews, specific topics, thematic volumes of essays (original or collected on related subjects), anthologies primarily for classroom use, and suggestions for reprinting classic or first-time paperback editions of major works in the field.
Also see the related series Wisconsin Film Studies.
Backlist
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The Magic Mirror
Moviemaking in Russia, 1908–1918
Denise J. Youngblood
Spring 1999
Reel Patriotism
The Movies and World War I
Leslie Midkiff DeBauche
Spring 1997
Post-Theory
Reconstructing Film Studies
Edited by David Bordwell and Noël Carroll
Spring 1996
Lovers of Cinema
The First American Film Avant-Garde, 1919–1945
Edited by Jan-Christopher Horak
Fall 1995
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