Author Archives: uwpress

Pilgrims’ Pronouns: Reflections on “We”


5533-165wIn November, we published Inspired Journeys: Travel Writers in Search of the Muse, edited by Brian Bouldrey. Here Bouldrey 
reflects on the varied uses of the collective “We,” tying them to the impulse for pilgrimage.

we handA couple of times a year, I get together with several friends who all once lived in the same neighborhood in San Francisco. We were sitting around at a recent reunion, and one friend mentioned that our old neighborhood (still hers), full of expensive wooden Victorian homes, has a firetruck that patrols at all times, always out of the barn. “We sure do love our firefighters, don’t we?” she asked us. I told her that since I hadn’t lived in San Francisco for fifteen years, I must forfeit the right to use The Municipal We.

I’ve been thinking about the pronoun “we” a lot lately. Where do you usually see it?  Often in declarations, and in manifestos, the difference being that declarations declare, calling out something that is already there, plain as the nose on your face—our Declaration of Independence stands on the sentence, “We hold these truths to be self-evident.” There’s that “we” again, the Patriot We, the Nationalist We, the Pep Rally We. We got spirit, yes we do, we got spirit, how about you?

WE the PeopleThe manifesto differs, for a manifesto makes something manifest that never existed before: the statements of all those artists, the futurists and surrealists, the modernists who wanted to “make it new,” and all the crazy ones, from the Unabomber’s caution about industrial society to Charlie Sheen’s 11-point manifesto for winning. Manifestos are more I than We, and a noisy, hilarious We at times, like a misfiring car alarm on a Saturday morning, waking up the neighborhood even if the neighborhood is not ready to be awakened.

I have bad memories of being knocked down by grade-school bullies who linked arms and ran me down while chanting “we don’t stop for traffic.” And I’m a bit terrified of the “We don’t like your kind coming around here,” which has become a troublingly common We of late. I will chant the Creed We of “We believe in one God, the Father, the Almighty.”

we_areI am surprised at how choked up I can get when I declare an Alma Mater We, as in We will sing thy praise forever. Northwestern University, my alma mater, has two fight songs, “Go U Northwestern,” which we sing when we get a touchdown, and one called “Push On,” which is what we sing when we don’t get a first down. “Push on, Northwestern, we’ll always stand by you,” we promise, like a legion of battered spouses whose partners have substance abuse problems.

We-MeThere is the Royal We of queens and popes and threatening law firms.  The Nuptial We of married couples is, as Joan Didion described it, the classic betrayal. When my mother tells my father, “We need to redecorate the guest room,” she doesn’t mean we, she means you, and when my father asks my mother, “Are we out of beer?,” he doesn’t mean we, he means I. Sometimes, there was never a We involved in the first place.

And there is the Memorial We.  The Memorial We is a We that connects the present and the absent. I feel the Memorial We most strongly around Arlington or the Vietnam Memorial or the AIDS quilt, where most of the We are far away, but the multitude of names surrounds us, where pronouns become proper nouns, thousands of names. I felt the Memorial We when I placed my hand into the worn stone of the central pillar of the Portico de la Gloria in Santiago’s cathedral, thinking of the millions of hands that have also been there over hundreds of years. The Memorial We seems the closest kin to the paradoxical “Pilgrim We.”

We-Button-911x1024My name appears as editor on a book recently published by the University of Wisconsin Press, with twenty contributors far more vital than I, each writing about what I would call secular pilgrimage. Inspired Journeys: Travel Writers in Search of the Muse includes attempts by travel writers to make a sort of “we” between the “I” of themselves and the he or she of some secular saint, some great original generosity of spirit. They tell of their trips to all of Laura Ingalls Wilder’s “little house” homesteads, Robert Scott’s Antarctic huts, the villages of the Grimm brothers’ fairy tales, and the grave of William McGonagall, the world’s worst poet.

It’s not coincidental, I think, that most of the secular and sacred saints we venerate now went charging against the grain of the Municipal We. They are the mad ones who make the manifestos. The Little Rock 9 were threatened for daring to integrate Arkansas schools, but now the high school that hated them is a museum in their honor and a place to which civil rights advocates make pilgrimages every year.

I have, as a Catholic, thought quite a bit about the saints of my religion. I imagine that in those early days of the Church there must have been in every village an especially marvelous person, a person who helped the We of us, maybe led the community, maybe would fix your ox-cart and wouldn’t accept payment, gave extra tomatoes from her garden, told a good story. Then that person would die and leave a huge, gaping hole in the fabric of the village, and the people would miss her so keenly that they just knew that person was close to God.we-566326_640

Perhaps we don’t want more.  Perhaps we just want to give thanks.  That is the essence of the Pilgrim We, I suppose.

I dream of a place where the “I” and the “we” are at peace with one another, where the spiritual and the religious, the left and the right, the We and the They, can all hang together in a great inclusive old-school democracy. This might have been the dream of a secular nation that our founding fathers tried to create.

Bouldrey-Brian-2016-cBrian Bouldrey has written eight books, including Honorable Bandit: A Walk across Corsica, and edited six anthologies, including Inspired Journeys and Traveling Souls. He teaches creative writing at Northwestern University and gave the 2016 keynote address to the American pilgrims on the Camino de Santiago de Compostela.

Readings on Syria and Cuba

2633Cleopatra’s Wedding Present: Travels through Syria
Robert Tewdwr Moss
Introduction by Lucretia Stewart

Robert Tewdwr Moss was a journalist of astonishing versatility who was murdered in London in 1996, the day after he finished this book. He left this lyrical gem as his legacy. Moss’s memoir of his travels through Syria resonates on many levels: as a profoundly telling vivisection of Middle Eastern society, a chilling history of ethnic crimes, a picaresque adventure story, a purely entertaining travelogue, a poignant romance—and now, a record of Syria in the late twentieth century, before the devastation of civil war.

 

5216-165wWinner, Luciano Tomassini International Relations Book Award, Latin American Studies Association
Cubans in Angola: South-South Cooperation and Transfer of Knowledge, 1976–1991
Christine Hatzky

“Hatzky convincingly argues that Cuba and Angola were not mere pawns in a proxy war between the Cold War superpowers, but that both countries worked as independent actors with their own specific interests in a relationship of equal partnership. . . . Well written and excellently translated.”American Historical Review

Angola, a former Portuguese colony in southern central Africa, gained independence in 1975 and almost immediately plunged into more than two decades of conflict and crisis. Fidel Castro sent Cuban military troops to Angola in support of the Movimento Popular de Libertação de Angola (MPLA), leading to its ascension to power despite facing threats both international and domestic. What is less known, and what Cubans in Angola brings to light, is the significant role Cubans played in the transformation of civil society in Angola during these years. Offering not just military support but also political, medical, administrative, and technical expertise as well as educational assistance, the Cuban presence in Angola is a unique example of transatlantic cooperation between two formerly colonized nations in the global South.

 

3495Transgression and Conformity: Cuban Writers and Artists after the Revolution
Linda S. Howe

“A brilliant synthesis of Cuba’s cultural production since the Revolution. Linda Howe offers the ultimate guide to understanding the cultural policies of the island. . . . Fascinating and comprehensive.”
—Cristina García, editor of Cubanísimo

Defining the political and aesthetic tensions that have shaped Cuban culture for over forty years, Linda Howe explores the historical and political constraints imposed upon Cuban artists and intellectuals during and after the Revolution. Focusing on the work of Afro-Cuban writers Nancy Morejón and Miguel Barnet, Howe exposes the complex relationship between Afro-Cuban intellectuals and government authorities as well as the racial issues present in Cuban culture.

 

 

Recounting Yaqui history as an outsider

Hu-DeHart-Yaqui-Resistance-and-Survival-cEvelyn Hu-DeHart, author of the new revised edition of  Yaqui Resistance and Survival: The Struggle for Land and Autonomy 1821-1910, comments on the difficulties of writing history as an outsider and the rewarding feedback she received from the Yaquis she met. The new edition was released by UWP in early November.

To prepare for the new edition of my book,  I wrote a preface entitled “Reading Yaqui History in the Twenty-First Century.” I did not, however, include in that preface two anecdotes about the reaction of some Yaquis to my work. These encounters have given me a lot of personal satisfaction, so here I share them with you, dear Potential Reader, in hope that the stories will spur you to pick up the book and read it.

Shortly after the book was first published in 1984, I was invited to give a talk at the University of Arizona. It was of course near the U.S.–Mexico border and the original Yaqui homeland in Sonora, Mexico, as Pascua Yaqui Tribewell as near Yaqui exile communities in Arizona that had become permanent over the years. After the talk, an older gentleman approached me to introduce himself as a Yaqui. He did not thank me; instead, he told me that his people would not have recounted their history chronologically as I did, because that is not how time plays out for them. Hearing that as a sharp rebuke, my heart began to sink, until he quickly added that perhaps I was a Yaqui in my previous life. I took that gratefully as a back-handed compliment.

Some fifteen years later, I was invited to give a talk on Yaqui history at Humboldt State University in northern California. Afterwards, while having a snack at the campus cafeteria, I was approached by a group of young men who identified themselves as Yaquis. They said that they had grown up in the American Southwest and had read my book. They knew only a few of the great events, they told me, and had not heard of the resistance leaders I wrote about. They then thanked me warmly for giving them back a history they had lost. I was grateful for this direct and sincere affirmation of the book’s worth to the very people it concerned and mattered to most.

Texas Yaqui 2Writing indigenous history as an outsider is a challenging and risky business.  The burden of responsibility to “get it right” for insiders can be balanced only by appreciation for the outsider historian’s craft and authority. When the older Yaqui and the younger Yaquis spoke truth to my power, I was simultaneously humbled and proud during both encounters.

Hu-DeHart-Evelyn-2016-cEvelyn Hu-DeHart is a professor of history, American studies, and ethnic studies, and a past director of the Center for the Study of Race in America, at Brown University. She is the author of Missionaries, Miners, and Indians: History of Spanish Contact with the Yaqui Indians of Northwestern New Spain, 1533–1830.

A brief history of the Irish Nationalist Movement

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Paul A. Townend, author of The Road to Home Rule: Anti-imperialism and the Irish National Movement, provides some background on the turbulent political landscape in Ireland in the late 1800s. The University of Wisconsin Press is publishing this book today in the book series History of Ireland and Irish Diaspora

The Road to Home Rule tracks the relationship of discontented Irish patriots with their place in the British imperial system. As “jingo” imperial policies drove the relentless and often violent imperial expansion of the British Empire of the 1870s and 1880s, Irish political entrepreneurs capitalized on a rising, visceral popular Irish rejection of that system. The story parallels in certain ways the striking current turn in Anglo-American political culture towards anti-globalist populism.

Then and now, an ambitious and rambunctious political minority worked tirelessly, successfully, and, in the minds of the political establishment, unscrupulously, to disturb what many saw as an inevitable progressive march away from the past. This past was bound by localism and resentful identity politics, and this minority sought to move towards a brighter, more prosperous, and mutually advantageous transnational and interconnected future. In Ireland in the 1870s, Anglo-Irish elites led by the lawyer Isaac Butt imagined a new Ireland, ruled by its own parliament but even more closely connected to the British Empire, the great globalizing force of the last quarter of the nineteenth century. By granting Ireland local autonomy in the form of “home rule,” Butt argued to anyone in England who would listen that Irish grievances could be settled quickly, and reconciled Irish energy and human capital could be harnessed to help build the rapidly expanding empire.

Identifying with Benjamin Disraeli’s efforts to lead a populist turn in British imperial culture, and to embrace the inspirational potential of imperial grandeur, Butt and others believed that, properly led, Irish soldiers, merchants, and emigrants could leverage their longstanding service to Empire into a genuine partnership for ordering the world’s less civilized peoples. The joint project of spreading Christianity, British law, and building a global economy dominated by British technology, capital markets, communications, and transport infrastructure—railroads, telegraphs, and steamships—would thus transcend generations of petty sectarian animosities and festering grievances. All of this would allow the intransigent “Irish problem” to fade into the history books, a curiosity of the past, overcome forever by the force of progress, prosperity, optimism, and mutual enterprise.

In Ireland, however, this vision was disturbed by unanticipated developments, and was then swallowed up by a wave of frustrated and angry Irish populism. The uncharacteristically unimaginative failure of Disraeli to seize the opportunity presented by Butt’s offer of collaborative partnership frustrated Butt and his Irish allies. Rising economic distress in Ireland occasioned by the disruption of global agricultural markets compounded popular discontent. The situation boiled over as Disraeli, and then his Liberal successor, William Ewart Gladstone, embarked between 1878 and 1885 on a spectacular series of bloody imperial campaigns against Afghans, Zulus, Boers, Egyptians, and Sudanese peoples unwilling to accept Pax Britannica and all its benefits, which they never asked for.

It took the political entrepreneurship of Charles Stewart Parnell, however, and a handful of cosmopolitan allies—many of them globetrotting journalists and foreign correspondents, like the Fenian J.J. O’Kelly or Parnell’s close associate, Cork native Justin McCarthy—to capitalize on the populist opportunity afforded by these wars and economic disruptions. Parnell caught the pulse of Irish disgust and rejected any embrace of British imperial ambition. He worked to marshal anti-imperial Irish public opinion, stirred as it was by imperial violence, appalled by the imposition of “Zulu-whipped” British soldiers on the Irish countryside, and quick to see parallels between Irish, African, and Indian experiences of British power.  Parnell superseded Butt by forging a powerful bond with nationalist sentiment, building a transformative and enormously consequential new Home Rule movement that demanded greater independence and rejected Irish support for the imperial project. He and others used the press, especially the new technologies that encouraged the insertion of political cartoons, to promote a vision of empire building as an exercise in hypocritical brutality.

Photo Credit: National Library, Ireland

“Look on this, and on this,” July 1882; comparing the occupation of Alexandria with “Coercion” during the Irish Land War. Photo Credit: National Library, Ireland

By strengthening for many in Ireland the connection between opposition to Union and opposition to empire, Parnell made it nearly impossible for himself or his successors to reconcile Irish independence with imperial citizenship. They alienated forever many imperially minded Britons who rightly diagnosed the threat Parnellism posed to the emerging British-dominated global system. As Flora Dixie, the shrewd pioneering war correspondent and sympathetic critic of Parnell, noted at the time, her English friends were disgusted by the apparent unwillingness of a Home Rule Irish parliament led by Parnell to “agree to any imperial policy of the ministry.” “What would be the result,” she wondered, of this fundamental disconnect on foreign policy, “if not political anarchy?”

In embracing nationalism and rejecting the transnational progressivism of their day, these Irish nationalists acted more out of opportunism than ideology. The leaders of the Parnell movement were neither parochial nor anti-modern, but they did enormously frustrate a seemingly inevitable march of history towards a future that many believed would subordinate local economic interests, as well as cultural and political identities, to new power structures and forces of globalization. To achieve their political goals, Parnellite Home Rulers had to stoke public opinion, graphically caricature British power, and work to remind Irish people of their historical grievances. While they often encouraged sympathy and solidarity with other imperial subjects, their sometimes cynical embrace of contemporary racial attitudes also led them to encourage the Irish people to expect political success where less “civilized” peoples failed to resist British power. In their struggle against what they understood to be overwhelmingly powerful political and economic forces, they adopted an opportunistic and ethically fluid approach to building their movement into a transformative revolution.

townend figure 2 blog

“Prophet and Loss.”; Satirizing the occupation of Egypt. Photo Credit: National Library, Ireland

How Brexit might be better understood by contemplating the Irish anti-imperialist campaign is too presentist an undertaking for this historian. But, it is interesting to note how contemptuous Butt and his contemporaries were about Parnell’s efforts, even while they acknowledged the potent destructive political force of charismatically led populist campaigns rooted in economic frustration, fiercely held “local” identities, and resentment of distant and unresponsive elites. As Mitchell Henry, one appalled ally of Butt, put it in a public letter in 1879, the new leadership was “revolutionary and criminal” in its rebranding of Irish patriotism as the rejection of empire. “The object of the Home Rule movement,” he insisted, was “to present Great Britain and Ireland as one empire, united together.”

The lessons of history are often invoked; one of the most important is that it can be very difficult to judge the likely verdict of the future on the choices made in a given present. Parnell remains a national hero in Ireland; his political genius is acknowledged by many who are less sure of the long term consequences of the political movement he led. But to the majority of his politically astute contemporaries, the savvy Irish elites of his day, Parnell was a demagogue who enabled the short-sighted and opportunistic rejection of the best way forward for the Irish people into a better future and a brighter era of cooperation. Because he refused to let go of the past and move on from bitterness and grievance, the argument went, his trading in the emotionally effective but short-sighted currency of anti-imperialism left the Irish outside of the power structures that self-interest dictated they accept and adapt to.

Townend-Paul-2016-cPaul A. Townend is a professor of British and Irish history at the University of North Carolina, Wilmington. He is the author of Father Mathew, Temperance, and Irish Identity and the coeditor of Ireland in an Imperial World.

 

 

University Press Week 2016! #FollowFriday blog tour

upweek2016_LogoSmallThe University Press Week blog tour concludes today, with the theme of #Follow Friday.

 

 

 

 University of California Press offers links to blogs and social channels, showing how they foster community through their publishing and dynamic outreach efforts.

 Seminary Co-op Bookstores provides links to all UP authors that spoke at the Seminary Co-op in November.

University of Nebraska Press congratulates recent literary contest winners.

University of Minnesota Press writes about an upcoming symposium titled Avant Museology.

University of North Carolina Press shares a #FollowFriday post connecting readers to many of their publishing partners.

MIT Press writes about the MIT Press bookstore’s move to a new location.

 

We invite you to follow news from the University of Wisconsin Press on these sites. Click through to find our home pages.

Twitter   “Follow” us here.

Facebook  “Like” us here.

Blog    Subscribe to the blog in the righthand sidebar.

Thanks for participating in University Press Week 2016!

 

UNIVERSITY PRESS WEEK 2016! THURSDAY BLOG TOUR: THROWBACK TO THE FUTURE

Throwback to the Future

On Day Four of University Press Week, visit these blog sites that highlight the past and future of university press publishing.

Yale University Press on mass media and the global village

Indiana University Press on Indiana’s Bicentennial Bookshelf

Seminary Co-op Bookstores reproduces their Fall 1983 newsletter

University of Michigan Press  introduce two major projects: a digital archaeology monograph about excavating a Roman city, built on a video game platform;  and a new digital publishing platform for information and data in multiple forms.

IPR License introduces its work as a fully transactional rights and licensing online marketplace

Columbia University Press on the South Asia Across the Disciplines series, a Mellon-funded collaborative project of Columbia University Press, the University of Chicago Press, and the University of California Press

University of Toronto Press Journals looks back and forward at online publishing platforms for journals

Also, plan to watch this event on Friday!

Scholars and Editors on Social Media
YouTube Live   Friday, November 18, 12PM ET
Communities of scholars and editors have always been essential to the work of university presses. Today these communities often form and find each other via social media. An AAUP Art of Acquisitions Hangout brings together editors and scholars to explore this. Watch the livestream >

And view an impressive gallery of university presses collaborating with partners to form communities.

 

The Art & Craft of Print

We are ce80th-logolebrating University Press Week with the theme of “community,” and from April 2016 to April 2017, we are blogging monthly about University of Wisconsin Press history to mark our eightieth year. On top of that, for this Wednesday blog tour of university presses, the theme is “university press staff spotlight.”

Terry Emmrich at the Overture Center galleries

Terry Emmrich at the Overture Center galleries in summer 2016

It is was an obvious choice, then, to shine that spotlight on Terry Emmrich, production manager in the books division of UWP. In addition to his expert knowledge of typesetting, composition, papers, offset printing, and binding (as well as digital files and production), Terry is a fine art printmaker. In that, he joins a large and historic community of Wisconsin artists.

He also has an impeccable production pedigree, hailing from Neenah in the heart of Wisconsin’s “Paper Valley.” He grew up among folks working in the paper industry, and after studying art and printmaking at the University of Wisconsin-Oshkosh, he was a sales rep for a printing company before joining UWP in 1989.

A linoleum block relief print by Terry Emmrich

A linoleum block relief print by Terry Emmrich

 

Nine of Terry’s linoleum block relief prints were chosen for a dual exhibition in summer 2016 in the galleries of the Overture Center for the Arts, Madison’s premier visual and performing arts venue.

As UWP production manager, Terry has also taken an important role in the documentation of Wisconsin and American printmaking. He has been either the manager or assistant production manager when UWP published significant books on printmaking that required the highest production quality.

Managing the production of our titles related to printmaking has been a special treat for me as it has allowed me to apply my professional knowledge to the publication of a subject in which I have had a lifelong interest. In the case of the books on Warrington Colescott’s prints, it also gave me an opportunity to work with an international giant in the field of printmaking and an artist whom I have long admired.

The most notable of the UWP publications on printmaking are these.

1943A Century of American Printmaking, 1880–1980 by James Watrous
In this sumptuously illustrated history, James Watrous captures the vast panorama of American printmaking in the past century. As he traces the roots and evolution of the art, the story becomes one of prints, people, and events—from the printmakers, their artistic conceptions, and works, to the curators, dealers. collectors, critics, printers, workshops, and exhibitions that played crucial supporting roles. The result is both a compelling cultural history and a seminal survey of a major American art form.
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The Print in the Western World: An Introductory History by Linda C. Hults
A history of  500 years of the fine-art print, including detailed treatment of the work of five master printmakers—Albrecht Dürer, Rembrandt van Rijn, Francisco Goya, Pablo Picasso, and Jasper Johns. More than 700 illustrations, forty-nine of them in color, show the evolution of the relief, intaglio, planographic, and stencil processes through the centuries.

0485Progressive Printmakers: Wisconsin Artists and the Print Renaissance by Warrington Colescott and Arthur O. Hove
Printmaking exploded on the American art scene after World War II, rapidly expanding from New York to the Midwest and beyond. Central to this movement and its development was the University of Wisconsin–Madison, where a group of talented young artists was making prints and developing a print curriculum. Progressive Printmakers documents, in words and stunning pictures, the breakthrough aesthetics and technical innovations that made the Madison printmakers a force in the art world.

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The Prints of Warrington Colescott: A Catalogue Raisonné, 1948–2008 by Mary Weaver Chapin
A satirist in the tradition of William Hogarth, Francisco Goya, Honoré Daumier, and George Grosz, Warrington Colescott interprets contemporary and historical events, from the personal to the public, the local to the international. He is noted for his exceptional command of complex printmaking techniques and for his innovative approach to intaglio printing. This book is the first fully illustrated catalogue of Colescott’s extensive and varied graphic career and accompanied a major retrospective exhibition at the Milwaukee Art Museum.  Colescott, also a UWP author as the co-writer of Progressive Printmakers, is still making art today at age 95.

To read more 80th Anniversary posts about publishing history at the University of Wisconsin Press, click here.

To read more “staff spotlights” from other university presses, visit here. 

University Press Week 2016! Tuesday blog tour: Booksellers We Love

Indie Bound!  Tuesday’s blog tour highlights the wonderful booksellers that partner with university presses to bring our books to the reading public.

University of Texas Press: Q&A with their sales manager about visiting indie bookstores along the West Coast  this fall.
University of Chicago Press :  a day in the life of sales rep Mical Moser.
Cornell University Press spotlights Buffalo Street Books, Ithaca’s cooperatively owned community bookstore.
University Press of Colorado looks back on the past year’s author events at their two local indies, Tattered Cover and Boulder Bookstore.
NYU Press features a re-cap of the Brooklyn Book Festival.
McGill Queens University Press offers an appreciation of Canada’s independent bookstores.
University Press of Kentucky features fun, revealing Q&As with indie booksellers across the state.
University Press of Kansas showcases The Raven Bookstore and KU Bookstore, two local shops that carry and promote their titles.

And don’t miss a post from one of the U.S.’s best indie bookstores, the Seminary Co-op in Chicago, where they’ll highlight what’s on their front table right now.

University Press Week 2016! Monday Blog Tour: The People in Our Neighborhood

One of the highlights of University Press Week is the blog tour, in which presses and bookstores celebrate the work of university presses with fascinating and diverse posts, with a different theme each day. Today’s theme is “The People in Our Neighborhood.” Begin today at Northwestern University Press. Rutgers University celebrated their 250th anniversary, and Rutgers University Press played a large role in the festivities—replete with fun photos. Check out Fordham University Press for another interesting post. The University of Toronto Press publishing blog features their history editor, who recounts her experiences running lectures at a nearby Jewish Community Centre in Toronto on Why History Matters Today, which showcases a string of their higher education authors. Their sister blog, University of Toronto Press Journals, spotlights one of their journal editors and the work they are doing in their own communities related to the journal. Seminary Co-op Bookstores shares a curated book list of favorite University Press titles from Haun Saussy, faculty member at the University of Chicago faculty and an author with both Columbia University Press and Fordham University Press. Athabasca University Press features members of their editorial committee. Be sure to return here tomorrow to continue the tour!

New books for November 2016

We are pleased to announce three new books arriving in November.

Hu-DeHart-Yaqui-Resistance-and-Survival-cPublication Date: November 1
YAQUI RESISTANCE AND SURVIVAL
The Struggle for Land and Autonomy, 1821-1910
Revised Edition
Evelyn Hu-DeHart

A landmark history of the Yaqui people of northern Mexico

Hu-DeHart-Evelyn-2016-c

Evelyn Hu-DeHart

“Still stands as the most comprehensive and rigorously researched history of the Yaqui in the nineteenth and early twentieth centuries. Hu-DeHart reminds us that in spite of the destruction wrought by the Spanish empire, the Mexican Revolution, and modernization on both sides of the border, the Yaquis resisted and survived.”
—Elliott Young, Lewis & Clark College

“Some works of history are timeless. Yaqui Resistance and Survival is such a book, reminding us never to forget just how brutal and vicious the history of colonialism has been. Here is the history of the Yaqui Indians, who resided in what became the northern Mexican states of Sinaloa and Sonora. From the eighteenth century to the twentieth, they faced missionaries seeking souls, miners demanding disposable labor, and entrepreneurs who wanted them wiped off the face of the earth. The Yaqui fought back to keep their lands, their culture, and ways of life.”—Ramón A. Gutiérrez, University of Chicago

Bouldrey-Inspired-Journeys-cPublication Date: November 22
INSPIRED JOURNEYS
Travel Writers in Search of the Muse
Edited by Brian Bouldrey

Bouldrey-Brian-2016-c

Brian Bouldrey

“The tremendously satisfying and uplifting sense of these essays is the ongoing nature of human pilgrimage, whether to the center of the self or the ends of the earth. After reading this book, I want to go on a journey myself! Highly recommended.”—Antonya Nelson, author of Bound

“Bouldrey has assembled a stellar collection of writers—  true storytellers all—who describe in the most human of terms their varied pilgrimages around the world in search of their elusive muses.”—Booklist

Townend-The-Road-to-Home-Rule-cPublication Date: November 22
THE ROAD TO HOME RULE
Anti-imperialism and the Irish National Movement
Paul A. Townend

Townend-Paul-2016-c

Paul Townend

“A bold and original interpretation in which empire emerges as the essential context—rather than a mere sideshow or backdrop—for the rise of Irish nationalism. To find the origins of Home Rule, we will now need to look not simply at the internal politics of the United Kingdom but at Irish responses to events in India, Egypt, Sudan, and South Africa.”—Kevin Kenny, Boston College