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Catalog Archive / Spring 2021

Lyric Complicity
Poetry and Readers in the Golden Age of Russian Literature

Publications of the Wisconsin Center for Pushkin Studies
David M. Bethea, Series Editor

“We need this book. It addresses a number of important issues that most literary critics and scholars have been aware of, but that no one has attempted to bring together. Moreover, it offers a bold cumulative interpretation of Russian poetic culture of the so-called Golden Age.”
—Ilya Vinitsky, Princeton University

For many nineteenth-century Russians, poetry was woven into everyday life—in conversation and correspondence, scrapbook albums, and parlor entertainments. Blending close literary analysis with social and cultural history, Daria Khitrova shows how poetry lovers of the period all became nodes in a vast network of literary appreciation and constructed meaning. Poetry during the Golden Age was not a one-way avenue from author to reader. Rather, it was participatory, interactive, and performative.

Lyric Complicity helps modern readers recover Russian poetry’s former uses and functions—life situations that moved people to quote or perform a specific passage from a poem or a forgotten occasion that created unforgettable verse.

 

Portrait of the author Daria Khitrova is an associate professor of Slavic languages and literatures at Harvard University. Her areas of specialization include nineteenth-century Russian literature and culture, Formalist poetics, twentieth-century theater and dance, and Russian and European modernism. She has published articles and book chapters on the poetry of Evgeny Baratynsky, Mikhail Kuzmin, and Alexander Pushkin.

 

 

Praise

“Engaging and lucid prose.”
Choice

“Khitrova is a sensitive reader, and she writes provocatively, incisively, at times even wittily. She is extremely knowledgeable about both primary literature and secondary sources.”
—Michael Wachtel, author of A Commentary to Pushkin’s Lyric Poetry, 1826–1836

 

Resources

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Lyric Complicity: the cover is split into three sectios of torn paper, the top and largest strip of paper is green, the middle piece is pink, and the bottom piece is blue. The title text is written in black font, combining the organic form of hand written text and the even lines of typed text. On the right side of the cover there are simple drawings of various people, facing the other size of the page, as well as scribbled and crossed out handwriting.

Larger images

New in Paperback!
June 2021
LC: 2018046040 PG
312 pp. 6 x 9
1 b/w photo

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Paper $21.95 S
ISBN 9780299322144
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Casebound $79.95 S
ISBN 9780299322106
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