The University of Wisconsin Press
Classics / Art History / Archaeology / Art
Couched in Death
Klinai and Identity in Anatolia and Beyond
Elizabeth P. Baughan
Wisconsin Studies in Classics
Patricia A. Rosenmeyer, Laura McClure, and Mark Stansbury-O’Donnell, Series Editors
“A tour de force of meticulous research, broad reach, and thoughtful interpretation. Couched in Death will remain the definitive publication of klinai and kline tombs for decades to come. An invaluable contribution to scholarship of archaic and classical Greece and a must have for everyone interested in these societies.”
—Elspeth R.M. Dusinberre, author of Aspects of Empire in Achaemenid Sardis
In Couched in Death, Elizabeth P. Baughan offers the first comprehensive look at the earliest funeral couches in the ancient Mediterranean world. These sixth- and fifth-century BCE klinai from Asia Minor were inspired by specialty luxury furnishings developed in Archaic Greece for reclining at elite symposia. It was in Anatolia, however—in the dynastic cultures of Lydia and Phrygia and their neighbors—that klinai first gained prominence not as banquet furniture but as burial receptacles. For tombs, wooden couches were replaced by more permanent media cut from bedrock, carved from marble or limestone, or even cast in bronze. The rich archaeological findings of funerary klinai throughout Asia Minor raise intriguing questions about the social and symbolic meanings of this burial furniture. Why did Anatolian elites want to bury their dead on replicas of Greek furniture? Do the klinai found in Anatolian tombs represent Persian influence after the conquest of Anatolia, as previous scholarship has suggested?
Bringing a diverse body of understudied and unpublished material together for the first time, Baughan investigates the origins and cultural significance of kline-burial and charts the stylistic development and distribution of funerary klinai throughout Anatolia. She contends that funeral couch burials and banqueter representations in funerary art helped construct hybridized Anatolian-Persian identities in Achaemenid Anatolia, and she reassesses the origins of the custom of the reclining banquet itself, a defining feature of ancient Mediterranean civilizations. Baughan explores the relationships of Anatolian funeral couches with similar traditions in Etruria and Macedonia as well as their “afterlife” in the modern era, and her study also includes a comprehensive survey of evidence for ancient klinai in general, based on analysis of more than three hundred klinai representations on Greek vases as well as archaeological and textual sources.
Elizabeth P. Baughan is associate professor of classics and archaeology at the University of Richmond. Since 2009 she has served as field supervisor for the Hacimusalar Höyük excavations in southwestern Turkey.
“A fascinating study of cultural hybridity that provides new insight into the complex questions of expression, self-representation, and cultural identity within regional populations of the Persian Empire. Baughan provides a richly textured, delicately nuanced, and judicious account of the kline as the fulcrum between symposion culture and funerary practice in Iron Age Anatolia.”Media & bookseller inquiries regarding review copies, events, and interviews can be directed to the publicity department at firstname.lastname@example.org or (608) 263-0734. (If you want to examine a book for possible course use, please see our Course Books page. If you want to examine a book for possible rights licensing, please see Rights & Permissions.)
—Margaret C. Miller, author of Athens and Persia in the Fifth Century BC
Of Related Interest:
Hellenistic Architectural Sculpture
Figural Motifs in Western Anatolia and the Aegean
Pamela A. Webb
"Webb's grasp of the scholarship and coverage of the monuments seem all but total, and her careful and judicious critiques of previous opinion are most valuable."Andrew F. Stewart, University of California, Berkeley
LC: 2012040082 GT
512 pp. 8 x 10 162 b/w illus., 12 color illus., 4 maps, 2 tables
Cloth $65.00 s
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