The University of Wisconsin Press


Film / Eurasian Studies / Slavic & Eastern European Studies / Gay & Lesbian Interest




The Cinema of Sergei Parajanov
James Steffen

A Choice Outstanding Academic Book

Wisconsin Film Studies
Patrick McGilligan, Series Editor

“In the temple of cinema, there are images, light, and reality. Sergei Parajanov was the master of that temple.”
—Jean-Luc Godard

Sergei Parajanov (1924–90) flouted the rules of both filmmaking and society in the Soviet Union and paid a heavy personal price. An ethnic Armenian in the multicultural atmosphere of Tbilisi, Georgia, he was one of the most innovative directors of postwar Soviet cinema. Parajanov succeeded in creating a small but marvelous body of work whose style embraces such diverse influences as folk art, medieval miniature painting, early cinema, Russian and European art films, surrealism, and Armenian, Georgian, and Ukrainian cultural motifs.

The Cinema of Sergei Parajanov is the first English-language book on the director’s films and the most comprehensive study of his work. James Steffen provides a detailed overview of Parajanov’s artistic career: his identity as an Armenian in Georgia and its impact on his aesthetics; his early films in Ukraine; his international breakthrough in 1964 with Shadows of Forgotten Ancestors;his challenging 1969 masterpiece, The Color of Pomegranates, which was reedited against his wishes; his unrealized projects in the 1970s; and his eventual return to international prominence in the mid-to-late 1980s with The Legend of the Surami Fortress and Ashik-Kerib. Steffen also provides a rare, behind-the-scenes view of the Soviet film censorship process and tells the dramatic story of Parajanov’s conflicts with the authorities, culminating in his 1973–77 arrest and imprisonment on charges related to homosexuality.

Ultimately, the figure of Parajanov offers a fascinating case study in the complicated dynamics of power, nationality, politics, ethnicity, sexuality, and culture in the republics of the former Soviet Union.

James Steffen is film and media studies librarian at Emory University in Atlanta and a historian of Soviet and post-Soviet cinema. For more information, visit www.jamesmsteffen.net.

View a video discussion with author James Steffen and Carla Garapedian (Armenian Film Foundation) about Parajanov’s film, The Color of Pomegranates, at the Billy Wilder Theater, Hammer Museum, University of California Los Angeles.


A Mellon Slavic Studies Initiative Book
This book is part of a five-year initiative for publishing first books by scholars in the fields of Russian, East European, and Central Asian Studies, supported by the Andrew W. Mellon Foundation.



Praise:

“The Cinema of Sergei Parajanov not only includes a biographical account of the famous filmmaker and a narrative and stylistic analysis of his films, but also offers a well-researched, multilayered study of the social, cultural, and ideological context in which Parajanov was making his films and the factors that shaped the director’s style and identity as a filmmaker. . . . Culture and film historians and scholars in the field of Russian, East European, and Central Asian Studies will find Steffen’s book especially useful in their own teaching and research on auteur cinema, the relationships between the state and cultural producers (especially in totalitarian societies), and the role of the national aspect in culture.”
Slavic and East European Journal

“A masterful new study. . . . A godsend for people teaching or studying film, as well as those who have come away from watching Parajanov inspired and intrigued, but also overwhelmed by the wealth of elements in his films seemingly never to be fully understood or contextualised. As a result of this meticulous study, his films can now be discussed with sufficient contextual knowledge.”
Senses of Cinema

“A book to celebrate. James Steffen has written the first full-length critical study of the films of Sergei Parajanov in any language. . . . Steffen provides extensive information about norms and practices in film production studios in Ukraine, Georgia, Armenia, and to some extent Russia during the decades in which Parajanov made his movies, the early 1960s through the mid-1980s. To read this book is thus also to get a splendid review of Soviet cinema for its last two decades.”
Russian Review

“The first career-length, English-language study of one of the most important directors of art cinema from the Soviet Union. [Parajanov] has gradually amassed a reputation second only to Andrei Tarkovsky for providing a rich and intoxicating poetic vision. . . . Exemplifies how an auteur study can offer a nexus point to illuminate larger questions of industrial structure and cultural production.”
The Velvet Light Trap

“No Soviet-era film career presents greater intellectual challenges to western film scholars and cinephiles. . . . Steffen admirably succeeds in guiding the reader a long way down the road [in this] well-researched chronological account of Paradianov’s life and career.”
Slavic Review

“A book to celebrate. James Steffen has written the first full-length critical study of the films of Sergei Parajanov in any language. . . . Steffen provides extensive information about norms and practices in film production studios in Ukraine, Georgia, Armenia, and to some extent Russia during the decades in which Parajanov mad his movies, the early 1960s through the mid-1980s. To read this book is thus also to get splendid review of Soviet cinema for its last two decades.”
—Stephanie Sandler, Harvard University, The Russian Review

“Steffen has managed to capture Parajanov’s unique style in a language that is simple and elucidating, making you want to watch his films again and again.”
—Birgit Beumers, editor of Studies in Russian and Soviet Cinema



Media & bookseller inquiries regarding review copies, events, and interviews can be directed to the publicity department at publicity@uwpress.wisc.edu or (608) 263-0734. (If you want to examine a book for possible course use, please see our Course Books page. If you want to examine a book for possible rights licensing, please see Rights & Permissions.)


Of Related Interest
The Magic Mirror
Moviemaking in Russia, 1908–1918
Denise J. Youngblood

"A compelling account of the social basis of the development of Russian cinema." —Vance Kepley, University of Wisconsin–Madison

 


Parajanov's four major films on DVD: http://www.kinolorber.com/video.php?product_id=1089

 



PAPERBACK ORIGINAL
October 2013
LC: 2013010422 PN
326 pp.   6 x 9   43 b/w illus.,
1 table

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