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African & African Diaspora Studies / Literature & Criticism / Women’s Studies

 

Rising Anthills
African and African American Writing on Female Genital Excision, 1960–2000
Elisabeth Bekers


Women in Africa and the Diaspora
Stanlie James and Aili Mari Tripp, Series Editors


"A major contribution to African literary scholarship."Obioma Nnaemeka, Indiana University-Purdue University Indianapolis

Female genital excision, or the ritual of cutting the external genitals of girls and women, is undoubtedly one of the most heavily and widely debated cultural traditions of our time. By looking at how writers of African descent have presented the practice in their literary work, Elisabeth Bekers shows how the debate on female genital excision evolved over the last four decades of the twentieth century, in response to changing attitudes about ethnicity, nationalism, colonialism, feminism, and human rights.

Rising Anthills (the title refers to a Dogon myth) analyzes works in English, French, and Arabic by African and African American writers, both women and men, from different parts of the African continent and the diaspora. Attending closely to the nuances of language and the complexities of the issue, Bekers explores lesser-known writers side by side with such recognizable names as Ngugi wa Thiong'o, Flora Nwapa, Nawal El Saadawi, Ahmadou Kourouma, Calixthe Beyala, Alice Walker, and Gloria Naylor. Following their literary discussions of female genital excision, she discerns a gradual evolution—from the 1960s, when writers mindful of its communal significance carefully "wrote around" the physical operation, through the 1970s and 1980s, when they began to speak out against the practice and their societies' gender politics, to the late 1990s, when they situated their denunciations of female genital excision in a much broader, international context of women's oppression and the struggle for women's rights.

Elisabeth Bekers is lecturer in British and postcolonial literatures at the Free University of Brussels (VUB) and research affiliate at the University of Antwerp.

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The cover of Rising Anthills is orange and red, with a blue-toned painting of six female figure embracing or oonsoling each other.s

August 2010

LC: 2009041892 PL
360 pp.    6 x 9

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"A profound contribution to the task of complicating and problematizing the
critical issue of female genital excision."

—Stanlie James and Aili Mari Tripp, Series Editors
   

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