Monthly Archives: March 2020

Luso-Brazilian Review Is Now Free to Read on Project MUSE

In response to the COVID-19 crisis, volumes 41–56 (2004–present) of Luso-Brazilian Review are now freely available until May 31, 2020, on Project MUSE. In opening content, the journal joins a wider initiative led by Project MUSE to provide free access to many books and journals, in order to support scholars as they transition to remote teaching and learning. You can find a complete list of free resources on MUSE here.


Luso-Brazilian Review

Luso-Brazilian Review publishes interdisciplinary scholarship on Portuguese, Brazilian, and Lusophone African cultures, with special emphasis on scholarly works in literature, history, and the social sciences. Each issue of the Luso-Brazilian Review includes articles and book reviews, which may be written in either English or Portuguese.

A Cinema of Obsession

In honor of global celebrations for International Women’s Day, we share a guest post from Mariah Larsson. Her recent book, A Cinema of Obsession, is the first to focus on the life and career of notable Swedish director and auteur Mai Zetterling.

As representations of women in film have been heatedly debated, Mai Zetterling’s life and career provide important perspectives. When Zetterling’s first feature film, Loving Couples, premiered in 1964, she was one of very few women filmmakers in the world. After having worked as an actress for more than twenty years, she entered into the European art cinema scene and struggled to claim a space as an auteur, a film director who was also considered a great artist. During the 1960s, 1970s, and 1980s, she would break a long and winding path, beginning in the male-dominated art cinema institution, continuing into television and documentary, feminist film festivals and filmmaking, and commercial television as well as feature films, ending with ceaseless struggles to finance various projects during the final years of her life.

Provoking controversy and scandal on several occasions until her untimely death in 1994, Zetterling was prolific in her work on documentary, short film, feature fiction films, and television, while also writing novels and short stories. Politically, she claimed to belong within a leftist intellectual tradition, and she was for a while under investigation by the MI5 (the United Kingdom’s counterintelligence and security agency). Nevertheless, the ideology expressed in her films dealt with a deep romanticization of cultures on the margins of mainstream Western society. Her films are visually striking and their narratives often controversial, focusing on gender relations and alienation. Representations of sexuality and gender were both conservative and radical at the same time; paradoxical, often strongly symbolic.

Zetterling made many of her films in her native land of Sweden, though for the majority of her life she lived abroad. She is associated with the country of Ingmar Bergman and films with adult material. Her years as a film star in Sweden were brief, as she moved to England in 1947 shortly after a successful guest appearance playing the titular role in Basil Dearden’s Frieda (1947). In contrast to Ingmar Bergman, with whom Zetterling had worked (starring in Music in Darkness in 1948) and with whom she was often compared, there has been very little or even near to nothing written about her for an international audience.

One reason for Zetterling’s overlooked position in film history is that her work, to a large extent, seems to have fallen between the stools. It is no coincidence that the feature films she made within her native art cinema institution are the ones of her oeuvrebest recorded in film history: Loving Couples, Night Games (1966), The Girls (1968). Feature films were for a long time considered the highest form of moving image storytelling, and European art films were categorized in accordance to nationality. In addition, as the women’s movement in film began to highlight Zetterling’s work in the 1970s and 1980s, her films featuring female protagonists were the ones that were screened and remembered. However, Zetterling’s career was independent of national borders—as well as independent of genres and formats. She worked in Denmark, Greenland, the UK, France, and Canada. Her various productions focus alternately on male and female protagonists and Doctor Glas (1968), Vincent the Dutchman (1972), or her contribution to the 1972 Munich Olympics documentary, Visions of Eight (1973), are no less engaging than The Girls or Scrubbers (1983).

Zetterling navigated the changing industrial and contextual structures of the film and television industries during her career, sometimes successfully, at other times less so. Her path was, indeed, winding, but it mirrors the experiences of several other women directors, even today.

[Note: A collection of Mai Zetterling’s films with English subtitles is now available in a DVD box set: Mai Zetterling’s samlade verk, released by Swedish Studio S Entertainment (region 2).]

Mariah Larsson is a professor of film and literature at Linneaus University. She is the author of The Swedish Porn Scene: Exhibition Contexts, 8mm Pornography and the Sex Film, and the coeditor of Swedish Cinema and the Sexual Revolution: Critical Essays.

Advanced Placement Classes Improve Skills, Increase Anxiety, Study Finds

Each year, more high schools across the United States are integrating Advanced Placement (AP) classes into their course offerings, providing students with a cost-effective alternative to general college courses. AP scores are seen to indicate college readiness and a student’s ability to succeed in a specific subject. According to a study recently published ahead-of-print in the Journal of Human Resources, more than 70% of US high schools have adopted AP courses into their curriculum, some even requiring students to take them. In the first-ever experimental study of the AP program, authors Dylan Conger, Alec I. Kennedy, Mark C. Long, and Raymond McGhee Jr. found that the classes succeed in improving students’ skills but conversely may also lead to reduced confidence.

The study offered enrollment in AP biology or chemistry courses to randomly selected students from twenty-three US high schools. At the end of the semester, researchers measured AP- and non-AP students’ ability to analyze and develop arguments about science and participants were surveyed to assess their confidence in the subject, their interest in a future STEM degree, and their levels of stress. As many high schoolers could attest, students in AP science classes were found to have increased stress levels and lower grades due to pressure and rigor. Additionally, taking AP classes decreased students’ confidence that they could succeed in STEM courses in college. But despite the negative impacts, the study found that these classes do successfully increase students’ scientific skill levels and prepare them for college-level coursework, as well as increasing high schoolers’ interest in majoring in STEM in college.

Study author Dylan Conger discussed with us these surprising findings, as well as the origins of tracking AP performance effects. To learn more, read the full Journal of Human Resources preprint article, “The Effect of Advanced Placement Science on Students’ Skills, Confidence and Stress.”


How did you decide to pursue this topic?

My collaborator, Mark Long, and I had been studying advanced high school courses for a few years and we were struck by the lack of causal evidence in support of the AP program despite its near-ubiquitous presence in US schools. Determining how the AP program affects students is difficult because students self-select into the program and teachers often decide which students are allowed entry. We started to brainstorm about how we might successfully randomize access to AP courses. We landed on a research design that was ethical and that would minimize concerns among parents, students, and educators. We decided to focus on AP science courses in particular because these courses were being promoted by policymakers and educators as a key tool for improving the STEM workforce in the US.

Though AP courses are often seen as a tool for college preparedness, how would you explain the low confidence that AP science students have for achieving success college STEM courses?

We spent some time reading the literature from psychology and learned, perhaps somewhat intuitively, that reduced confidence doesn’t necessarily have a negative effect on student performance. In fact, some of the literature suggests that overconfidence can lead to academic failure. AP courses are very challenging and they cause some students to lower their estimation of their own ability. In our study, we found suggestive evidence that this loss of confidence did not interfere with their learning in the AP class itself.  We found that the AP students gained more knowledge in science than the students in other honors and regular courses. How that affects learning in college is an open question.

What is one takeaway from your article that you’d like to communicate to a non-specialist?

The schools that participated in our study tend to have above-average shares of low-income students. Many of the students in our study were eligible for subsidized school meals. For these types of schools and students, our findings suggest that the AP program has both benefits and costs. For instance, we find that students appear to have learned more about science in the AP course than they would have learned in other regular and honors courses. At the same time, the AP courses led to worse grades, losses in confidence, and higher levels of stress.

Why did it make sense to publish in the Journal of Human Resources?

As one of the leading journals focusing on policies that promote human capital, the JHR was a natural fit for our paper. The JHR has also been intentional about disseminating the research to a broad audience.  

What’s one question that emerged from your research that you’d like to follow up on, or that you hope someone else looks into in the future?

This paper focuses on the short-run impacts of the AP program on students’ cognitive and socioemotional outcomes. Ultimately, everyone wants to know how the AP program influences students’ college-going, and in particular, college-going at selective institutions. We are currently working on a follow-up paper that estimates the effect of AP science on these important life outcomes. We also plan to follow our cohorts for a few more years to determine whether and how the AP science program influences their college graduation.


Dylan Conger is a Professor of Public Policy at the George Washington University and a research affiliate at New York University’s Institute for Education and Social Policy. Conger’s research focuses on explaining disparities in achievement between social groups and evaluating policies aimed at reducing those disparities. 

Announcing the Results of the Wisconsin Poetry Prize Competition

Out of nearly 900 entrants, Diane Kerr and Carlos Andrés Gómez have been selected as recipients of the Brittingham and the Felix Pollak Prizes in Poetry by Natasha Tretheway, nineteenth U.S. Poet Laureate. Three runners-up have also been identified by Trethewey and selected by series editors Ron Wallace and Sean Bishop to have their collections published by the University of Wisconsin Press next spring: Carlina Duan, Anna Leigh Knowles, and Christopher Nelson.

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Diane Kerr (photo: Ruth Hendricks)

Diane Kerr mentors poets through the Madwomen in the Attic Creative Writing Program at Carlow University and is the author of the collection, Butterfly. Her work has appeared in the Alaska Quarterly Review, Mississippi Review, and Pearl, among others. She holds an MFA from the Program for Writers at Warren Wilson College. Kerr’s forthcoming Perigee follows a speaker’s emotional reckoning with a traumatic secret she felt pressured to keep during her girlhood. In varied lyric narratives, these poems reinforce that shock and suffering have no statute of limitations.

Carlos Andrés Gómez (photo: Friends & Lovers Photography)

Carlos Andrés Gómez is the author of the memoir Man Up: Reimagining Modern Manhood. His work has been featured in numerous publications, including New England Review, Beloit Poetry Journal, and BuzzFeed Reader. A graduate of the MFA Program for Writers at Warren Wilson College, Gómez is originally from New York City. Fractures, Gómez’s debut collection, is composed of poignant poems produced by a speaker at the breaking point, casting an uncompromised eye toward both brutality and tenderness. This collection navigates the realm of identity, interrogating race, gender, sexuality, fatherhood, and violence.

Carlina Duan

Carlina Duan teaches at the University of Michigan and authored the collection I Wore My Blackest Hair. She earned her MFA from Vanderbilt University. Jasmine An praises her forthcoming Alien Miss, “Duan wields her craft with keen intellect and infinite generosity in this ambitious collection that tenderly ushers into existence a glorious host of voices. Hailing the collective grit that undergirds racialized womanhood in America, her poetry becomes a radical invitation to celebrate clear-eyed and unflinching joy.”

Anna Leigh Knowles (photo: Michelle Elliott)

Conditions of the Wounded is Anna Leigh Knowles’s debut collection. Originally from Colorado, she teaches in Quito, Ecuador, and holds an MFA from Southern Illinois University–Carbondale. Judy Jordan says, “A poetry of narrative tension, lyrical beauty, and incredible, breath-stealing, imagination. These poems show place as a reliquary of trauma but they also show how joy and love can rise in even the most broken places. Grief struck and haunted, these are points of hope and light in a way only poems can be.”

Christopher Nelson

Christopher Nelson, founder and editor of Under a Warm Green Linden and Green Linden Press, will also have his collection, Blood Aria, published as part of the series. According to Boyer Rickel, “In meditations ranging from a child’s incomprehension of a father’s violence to the suffering of those cast out for their sexual desires to the horror of mass shootings, the poems of Blood Aria pulse with an urgency that is both anguished and exalted. And transformative. To experience poems as passionate, as charged with wisdom as these is to enter into a kind of spiritual quest.”

Submissions for the next competition will be accepted between July 15 and September 15, 2020.

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About the University of Wisconsin Press
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For more information on the Wisconsin Poetry Prizes, please visit https://uwpress.wisc.edu/series/wi-poetry.html