The University of Wisconsin Press


Slavic Studies / Literature & Criticism / Art / Film Studies


 

Fast Forward
The Aesthetics and Ideology of Speed in Russian Avant-Garde Culture, 1910–1930
Tim Harte

“Presents a fresh and insightful approach to the whole phenomenon of avant-garde art forms in Russia.”
—Barry P. Scherr, Dartmouth College

Life in the modernist era not only moved, it sped. As automobiles, airplanes, and high-speed industrial machinery proliferated at the turn of the twentieth century, a fascination with speed influenced artists—from Moscow to Manhattan —working in a variety of media. Russian avant-garde literary, visual, and cinematic artists were among those striving to elevate the ordinary physical concept of speed into a source of inspiration and generate new possibilities for everyday existence.

Although modernism arrived somewhat late in Russia, the increased tempo of life at the start of the twentieth century provided Russia’s avant-garde artists with an infusion of creative dynamism and crucial momentum for revolutionary experimentation. In Fast Forward Tim Harte presents a detailed examination of the images and concepts of speed that permeated Russian modernist poetry, visual arts, and cinema. His study illustrates how a wide variety of experimental artistic tendencies of the day—such as “rayism” in poetry and painting, the effort to create a “transrational” language (zaum’) in verse, and movements seemingly as divergent as neo-primitivism and constructivism —all relied on notions of speed or dynamism to create at least part of their effects.

Fast Forward reveals how the Russian avant-garde’s race to establish a new artistic and social reality over a twenty-year span reflected an ambitious metaphysical vision that corresponded closely to the nation’s rapidly changing social parameters. The embrace of speed after the 1917 Revolution, however, paradoxically hastened the movement’s demise. By the late 1920s, under a variety of historical pressures, avant-garde artistic forms morphed into those more compatible with the political agenda of the Russian state. Experimentation became politically suspect and abstractionism gave way to orthodox realism, ultimately ushering in the socialist realism and aesthetic conformism of the Stalin years.

Tim Harte is assistant professor of Russian language and literature at Bryn Mawr College.

A Mellon Slavic Studies Initiative Book
This book is part of a five-year initiative for publishing first books by scholars in the fields of Russian, East European, and Central Asian Studies, supported by the Andrew W. Mellon Foundation.

For more information regarding publicity and reviews contact our publicity manager, phone: (608) 263-0734, email: publicity@uwpress.wisc.edu

Of related interest:
Cover of book has black and white image of people in the background with a red flag with yellow writing.Russia's Rome
Imperial Visions, Messianic Dreams, 1890-1940
Judith E. Kalb

A wide-ranging study of empire, religious prophecy, and nationalism in literature, Russia’s Rome provides the first examination of Russia’s self-identification with Rome during a period that encompassed the revolutions of 1905 and 1917 and the rise of the Soviet state.

The cover of Fast Forward is black and red, with a cubistic illustration of a cyclist featured.

November 2009
LC: 2009013797 N
330 pp.   6 x 9
8 color, 15 b/w illus.

Book image
Paper $29.95 s
ISBN 978-0-299-23324-2
E-book logo eBook $19.95 s
ISBN 978-0-299-23323-5
  Adobe Digital Edition (PDF)
About our e-books
Printing and cut/paste allowed, access on six different devices.
Shopping cart ADD TO CART
  Review cart contents
Secure checkout
Click here for a further explanation of the shopping cart feature.


 

 

 

Home | Books | Journals | Events | Textbooks | Authors | Related | Search | Order | Contact

If you have trouble accessing any page in this web site, contact our Web manager.
E-mail: webmaster@uwpress.wisc.edu

Updated December 6, 2012

© 2012, The Board of Regents of the University of Wisconsin System