The University of Wisconsin Press
Film / Russia
The Magic Mirror
Moviemaking in Russia, 19081918
Denise J. Youngblood
"A compelling account of the social basis of the development of Russian cinema."
Vance Kepley, University of WisconsinMadison
Amid the instability and violence of turn-of-the-century industrialization and urbanization Russians embraced a revolutionary art form to reflect the aspirations and motivations of a new class. In The Magic Mirror Denise Youngblood portrays a newly urbanized entrepreneurial middle classnot the revolutionaries or imperialists of historiansand the movies they made and paid to see. Upon those screens they saw their lives depicted in all their variety and uncertainty.
Youngblood provides a cultural angle into an era most often viewed through a revolutionary lens. Film and the film industry illuminates and reflects the popular attitudes of the time.
The Magic Mirror is a study of the ten years of native film production through the Revolutions of 1917, based almost exclusively on Russian language primary sources. Topics examined include the organization and evolution of the industry followed by description and analysis of genres, motifs, and themes as exemplified in 65 of the most important surviving films.
Denise Youngblood is associate professor of history at the University of Vermont and the author of Movies for the Masses and Soviet Cinema in the Soviet Era.
Inquiries regarding review copies, events, and interviews can be directed to the publicity department at firstname.lastname@example.org or (608) 263-0734.
LC: 98-048706 PN
216 pp. 6 x 9 18 b/w photos
Paper $19.95 t
Cloth $49.95 s
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