Peerless
Rouben Mamoulian, Hollywood, and Broadway
Kurt Jensen
Spring 2024

Somerset Maugham and the Cinema
Robert Calder
Fall 2023

Jean-Luc Godard
The Permanent Revolutionary
Bert Rebhandl
Translated by Edward Maltby
Spring 2023

Life and Afterlife of Swedish Biograph
From Commercial Circulation to Archival Practices
Jan Olsson
Fall 2022

Continental Films
French Cinema under German Control
Christine Leteux
Fall 2022

Colonial Tactics and Everyday Life
Workers of the Manchuria Film Association
Yuxin Ma
Fall 2022

French Film History, 1895–1946
Richard Neupert
Spring 2022

Making Hollywood Happen
The Story of Film Finances
Charles Drazin
Spring 2022

The Film Music of John Williams
Reviving Hollywood's Classical Style
Emilio Audissino
Spring 2021

A Cinema of Obsession
The Life and Work of Mai Zetterling
Mariah Larsson
Fall 2019

Six Turkish Filmmakers
Laurence Raw
Fall 2017

Giant
George Stevens, a Life on Film
Marilyn Ann Moss
Fall 2015

The Many Lives of Cy Endfield
Film Noir, the Blacklist, and Zulu
Brian Neve
Spring 2015

I Thought We Were Making Movies, Not History
Walter Mirisch
Forewords by Sidney Poitier and Elmore Leonard
Spring 2008

A History of the French New Wave Cinema: Second Edition
Richard Neupert
Spring 2007

Depth of Field
Stanley Kubrick, Film, and the Uses of History
Geoffrey Cocks, James Diedrick, and Glenn Perusek
Spring 2006

Marked Women
Prostitutes and Prostitution in the Cinema
Russell Campbell
Fall 2006

The Autobiographical Documentary in America
Jim Lane
Spring 2002

Early American Cinema in Transition
Story, Style, and Filmmaking, 1907–1913
Charlie Keil
Fall 2001

Magic Mirror
Moviemaking in Russia, 1908–1918
Denise J. Youngblood
Spring 1999

Lovers of Cinema
The First American Film Avant-Garde, 1919–1945
Edited by Jan-Christopher Horak
Spring 1998

Film Essays and Criticism
Rudolf Arnheim, Translated by Brenda Benthien
Spring 1997

Post-Theory
Reconstructing Film Studies
Edited by David Bordwell and Noël Carroll
Spring 1996

Settling the Score
Music and the Classical Hollywood Film
Kathryn Kalinak
Fall 1992

Narration in the Fiction Film
David Bordwell
Fall 1985

American Film Industry
Edited by Tino Balio
Spring 1985

White Heat
Edited, with an Introduction by Patrick McGilligan, Tino Balio, Series Editor
Spring 1984

Sea Hawk
Edited by Rudy Behlmer, Tino Balio, Series Editor
Spring 1982

To Have and Have Not
Edited by Bruce F. Kawin, Tino Balio, Series Editor
Spring 1980

Adventures of Robin Hood
Edited, with an Introduction by Rudy Behlmer, Tino Balio, Series Editor
Fall 1979

High Sierra
Edited, with an Introduction by Douglas Gomery, Tino Balio, Series Editor
Fall 1979

Jazz Singer
Edited, with an Introduction by Robert L. Carringer, Tino Balio, Series Editor
Spring 1979

Treasure of the Sierra Madre
Edited with an Introduction by James Naremore, Foreword by Tino Balio
Spring 1979