The University of Wisconsin Press
Literature & Criticism
The City Staged
Jacobean Comedy, 1603-1613
Theodore B. Leinwand
In this highly original and energetic study, Theodore B. Leinwand views Jacobean theater—particularly Jacobean city comedy—as a measure of the way Londoners of the time perceived each other. In forming a sophisticated view of the relations between Jacobean comedy and life, Leinwand makes a solid contribution not only to Jacobean theater, but, more broadly, to our understanding of the cultural, social, and political contexts within which all literature is produced.
Leinwand turns to the plays of Thomas Middleton, Thomas Dekker, John Webster, George Chapman, John Fletcher, and Ben Jonson to see the ways in which Jacobean theater was bound up with contemporary social relations. He measures the attitudes implicit or expressed in the plays toward various London types of the day. These same figures appeared in the commentary of the time and Leinwand raises the question of how realistic stage portrayals were meant to be, and how they were likely to have been received by their audiences. He suggests that most sophisticated playwrights, by making their audiences aware of stereotype, urged them to think beyond it to a fuller sense of their own and other people's identities.
When this book was published, Theodore B. Leinwand was assistant professor at the University of Maryland. His work has appeared in several scholarly journals, including CLIO, Women's Studies, and Shakespeare Studies.
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LC: 86-001683 PR
240 pp. 5 1/2 x 8 1/2
Cloth $29.95 s
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