The inspiration for this special issue on Biography and Economics was the realization that economic history often does not focus on individuals and what their personal testimonies can tell us about economics and economic relationships. The issue brings together five articles that address this theme in different ways; the first through the lens of Philip Quaque on the Gold Coast in the eighteenth century; the second the case of the Ologoudou family on the coast of the Bight of Benin; third through biographical perspectives on enslavement in the upper Guinea coast; fourth, through the memories of indentured women in Natal; and lastly through the autobiographical details found in the wills of freed Africans in Brazil.
Following the retirement of longtime editor Paul E. Lovejoy, African Economic History has appointed two new editors. Earlier this year, George Bob-Milliar and Chétima Melchisedek joined the existing editorial team of Mariana Candido, Toyin Falola, and Toby Green. Together, the editors recently launched a social media presence for African Economic History, posting about current events related to African economies as well as important research in the field. You can follow AEH on Facebook and Twitter. Read on to learn more about the journal’s new editors.
George M. Bob-Milliar is a senior lecturer in the Department of History and Political Studies, Kwame Nkrumah University of Science and Technology (KNUST), Kumasi, one of the most prestigious public universities in Ghana. He joined the faculty of KNUST in August 2013 and has been involved in research, teaching, and mentoring of students at all levels. He is currently serving as the director of KNUST’s Centre for Cultural and African Studies (CeCASt). In 2012, Bob-Milliar received his PhD from the Institute of African Studies at the University of Ghana, the oldest center for African Studies on the continent. Trained as an interdisciplinary scholar, his research lies at the intersection of history, political ethnography, and development studies. He has published in the preeminent journals in his field of specialization. Bob-Milliar has been a visiting fellow at the University of Cambridge, Uganda’s Makerere University, and the Danish Institute for International Studies (DIIS), as well as a guest lecturer at the Johannes Gutenberg University, Mainz, Germany. In 2010, he received the inaugural African Author Prize for the best article published in African Affairs by an author based at an African institution, and in 2012 he was awarded a prize for his contribution to research on African policy issues from the Centre for International Governance Innovation. He sits on the editorial boards of African Affairs, African Review of Economics & Finance, and the Journal of Political Economy and Development.
Chétima Melchisedek is a Banting Postdoctoral Fellow at York University. Before coming to York, Melchisedek was a senior lecturer at the University of Maroua; a fellow at the Nantes Institute for Advanced Studies; the Gordon Henderson Fellow at the Human Rights Research and Education Centre, University of Ottawa; and a postdoctoral fellow at the Center for African Studies at the University of Basel. He earned a PhD in history from the Université Laval and a master’s degree from the University of Ngaoundéré in Cameroon. Melchisedek is a member of the editorial advisory board of the Canadian Journal of African Studies. His articles have appeared in the Historical Journal, African Studies Review, Canadian Journal of African Studies, Journal of Asian and African Studies, Cambridge Archaeological Journal, and Afrique Contemporaine, among others. His article in Cahiers d’Études Africaines (2015) was awarded the Prize for the Best Paper on Central Africa by the Central Africa Studies Association, while his paper in Africa Spectrum (2018) won the UFS/AS Young African Scholar Award. Melchisedek guest edited a special issue of the Canadian Journal of African Studies on “Boko Haram beyond the Media” (Volume 54 Number 2, 2020) and is currently co-editing, with Paul Lovejoy, a volume on Boko Haram and Political Distancing (Trenton: Africa World Press, 2021). Chétima is an affiliate member of the African Academy of Sciences and a founding member of the Cameroon Academy for Young Scientists.
As populations are aging, governments around the world are looking for ways to stretch pension programs to accommodate large numbers of retirees. One option is to raise the minimum retirement age, as Germany did in 1999, upping the retirement age for women from 60 to 63. Economists Johannes Geyer and Clara Welteke analyze the impacts of this policy shift in a Journal of Human Resources preprint article. They wanted to know whether women over 60 changed their labor market status as a result of the reform. Did employed women stay in their jobs longer or use unemployment or disability benefits as a way to exit the labor market? Geyer and Welteke joined us to discuss their findings.
Why did you decide to pursue this topic?
Population aging is an enormous challenge for the financial sustainability of public pension systems of many OECD (Organisation for Economic Co-operation and Development) countries. Germany is facing a rapid increase in the old-age dependency ratio in the coming years. Already every second person in Germany is over 45 years old and every fifth person is over 66 years old. One way to increase the financial sustainability of the pay-as-you-go pension system is to increase the legal retirement age, thereby extending contribution periods whilst simultaneously decreasing pension expenditures. However, legal retirement age increases often have undesired distributional effects. Furthermore, workers may not be able or willing to work longer and may choose other exit routes from employment. Thus, it is of great importance to gain empirical evidence on the effects of pension reforms that increase retirement age thresholds. Our goal is to gain insights into the effects of this important question and inform policy makers.
What is one takeaway from this research that you’d
like to communicate to policy makers?
The increase in the early retirement age for women in Germany resulted in a large employment increase in the affected age group (60- to 63-year-olds). One could conclude that the reform was a success and recommend similar measures for other countries and groups. However, the reform was successful in increasing employment because the labor market was in a good state and women were able to continue their employment. We also find that inactive and unemployed women remain longer in their respective status due to the reform. Another factor was the early announcement of the reform, which gave enough time to adjust career plans.
As a main takeaway, we recommend early retirement age
increases as an effective tool to increase employment of the affected group, if
labor market perspectives and the health of workers enable such an extension of
their working life. Retirement age increases should be announced well in
advance and those who are not able to work longer should be offered appropriate
support, such as disability pension schemes.
What’s one question that emerged from your research that you’d like to follow up on, or that you hope someone else will explore in the future?
One of our results was that non-working women affected by the pension reform did not return to the labor market while employed women stayed in employment. In a follow-up project, we look at the distributional effects of the pension reform at the household level. More specifically, we wanted to know if the pension led to increased income inequality. Our results suggest that the distribution of available household income is not affected by the reform. One reason for this result is program substitution. The study is forthcoming in Labor Economics. In a current project, we look at health effects of the reform. We use administrative data from German health insurance that contain detailed information about individual diagnoses from medical practitioners’ records. Preliminary results suggest that the reform led to an increase of psychological symptoms.
What are some of the ways in which raising the retirement age could theoretically backfire on governments? Did you find any evidence that this is happening in the case of Germany?
The reform can be considered a success in retrospect. It did not lead to an increase in unemployment or large increases in disability pensions. However, the positive employment effect is strongly related to the good labor market performance at the time. Our results also show that women at this pre-retirement age do not react very flexibly to changing conditions. The results would have been different if Germany had experienced a large recession. Interestingly, this result is also found in other countries, like Australia and Austria. Therefore, governments should also invest more in labor market opportunities for older workers and develop better strategies to bring the older unemployed back to work.
Johannes Geyer is deputy head of the department of public economics at DIW Berlin. He earned his PhD in Economics in 2012. Between 2012 and 2016 he was a visiting professor at Humboldt-Universität Berlin, in addition to his work at the DIW Berlin. His research focuses on issues of social protection and demographic change. For this he uses empirical methods of microeconometrics and microsimulation.
Clara Welteke is an economist at the German Federal Ministry of Finance since April 2019. Her work focuses on pension provision and the sustainability of public finances. Previously, Clara was a researcher at the Public Economics Department and the Gender Economics Research Group at the DIW Berlin. Clara received her PhD from the Free University Berlin and the DIW Graduate Center in 2017. She holds a Bachelor’s degree in Philosophy & Economics from the University of Bayreuth and a Master’s degree in Econometrics and Mathematical Economics from the University of Amsterdam. After completing her Master’s degree, Clara worked as a consultant for the World Bank. During her doctoral studies, she worked for the OECD in Paris and the European Commission in Brussels.
Science fiction readers may be familiar with the giant sandworms of Frank Herbert’s Dune, or the pequeninos, small pig-like aliens from Speaker for the Dead by Orson Scott Card. These species and their surrounding ecosystems puzzle the human explorers that encounter them. In the article “Islands in the Aether Ocean: Speculative Ecosystems in Science Fiction” from Contemporary Literature, Elizabeth Callaway examines these two novels and their strange species, arguing that the authors propose a different way of relating to biodiversity. In this interview, Callaway explains how science fiction can help us question the conceptual frameworks that define our understanding of biodiversity on Earth.
How did you end up looking at science fiction through the lens of biodiversity?
Actually, the interest in biodiversity came first! I’m writing a book about representations of biodiversity, and a version of the article we’re discussing now appears as a chapter. When I was initially thinking about assembling a group of texts that tackle the challenge of representing species in their multitudes, science fiction seemed like a particularly fertile place to start. Within the genre are novels that describe entire planets of living variety. While other types of books mention hundreds of species (memoirs of competitive birders or the nonfiction of E. O. Wilson, for example) SF is really excellent at portraying entire planets of surprising and lively creatures. In addition, these planets can sometime feature what I call “speculative ecosystems,” or sets of interactions among living creatures that do not function the way Earth’s ecosystems do. They’re built on different, imaginative systems, and because they’re so unusual they model alternative stances toward biodiversity.
When it comes to depicting biodiversity, what makes these two novels different from other works of science fiction?
Their “speculative ecosystems” are a key part of what sets them apart. Unlike many worlds that are simple Earth analogues where the environment doesn’t make much of a difference to the story, and unlike novels which feature a planet seeded with Earth organisms (like Kim Stanley Robinson’s Mars trilogy), these are not systems that are analogous to Earth ecosystems or based on Earth species. They’re totally alien (if imagined) worlds. There are other examples that I would include as speculative ecosystems. The most well-known might be James Cameron’s Avatar. That world features ecosystems that work in ways that are very different from those on Earth. Animals can connect to each other with exposed nerve-type organs, there is a central tree that connects the entire planet in a type of neural net, and there’s abundant terrestrial bioluminescence. That said, Dune and Speaker for the Dead, unlike Avatar, do not make the speculative ecosystem into an object of worship or offer any old-school environmental readings having to do with rootedness, sense of place, or living on the land. Rather they explore the speculative variety of organisms on their planet in new ways.
You say that, while we are used to thinking about science fiction as a genre that shows us possible futures for our own planet, science fiction also works “by imagining things that could never be.” How can the “counterfactual” nature of science fiction help us to think about our own environmental challenges?
On one hand it seems like the science fiction texts that imagine Earth futures might be more useful for thinking through current environmental challenges. You think of stories that include biodiversity decline like Phillip K. Dick’s Do Android’s Dream of Electric Sheep or Margaret Atwood’s Oryx and Crake, and it’s clear how they’re interested in what animals mean to individual people and also to different human societies. They explore how these meanings might change as species decline. What is particularly interesting to me about science fiction that doesn’t imagine future Earths of declined species, however, is that they experiment with alternative ways to relate to biodiversity. In particular, I think it’s useful that Dune and Speaker for the Dead present a puzzled stance toward biodiversity where one is continually surprised by the way diverse nonhuman organisms interact with each other. I think the mechanics of science fiction itself—the way it explains how the fictional world works by casually throwing out hints rather than presenting sections of exposition—are fantastic for modeling a puzzled engagement that holds space open for recognizing the agency of nonhumans. In science fiction we’re always ready for that clue that changes what we had assumed to be true about the world, and this is especially true for the impossibly strange ecosystems of counterfactual worlds. If we’re curious about how the world works while aware that we can be surprised, then I think that can cultivate an attitude that more easily recognizes the liveliness of the material world including (but not limited to) nonhuman living creatures.
What are you reading right now? (For fun or for serious.)
Emily Dickinson has become my home quarantine inspiration. Whenever my socially-distanced world feels tiny and diminished, she makes me realize that my back yard is only as small as my mind. (Dickinson and I share the good fortune of having a yard.) After reading a few of her poems I see the details of the world as strange and new. In one of her more famous quotations she describes poetry as writing which makes her “feel physically as if the top of my head were taken off.” This is such a fabulously weird way of defining poetry, and it is how her poems make me feel except it is also as if my entire word has had a lid removed, and there’s more room to experience everything. I’m also reading How to Live Safely in a Science Fictional Universe by Charles Yu, which is beautiful, lonely, and a playful mashup of science fiction and narrative theory.
If you had to pick a favorite species from Arrakis or Lusitania, what would it be?
Given our current pandemic, I am more and more fascinated by the descolada virus that “unglues” DNA and wreaks havoc on the human community of Lusitania in Speaker for the Dead. While I wouldn’t want to characterize the descolada as my “favorite,” it has captured my attention anew. This is the virus that sculpted life on Lusitania, initially creating the plant/animal paired species while driving the vast majority of life extinct. Its world-remaking capabilities certainly feel especially real right now as my own world is being remade in different but comparable ways. Also, the way the descolada simplifies the planet (to put it mildly) is more and more striking to me. I now look at my article’s visualization of the stark ecosystem of Lusitania and imagine a similarly simple social network made of my interactions during social distancing. The story of a virus reshaping a world certainly feels increasingly relevant.
Elizabeth Callaway is an assistant professor in the Department of English at the University of Utah and affiliated faculty with the Environmental Humanities Graduate Program. She researches and teaches at the intersections of contemporary literature, environmental humanities, and digital humanities. Some of her most recent publications focus on climate change in Zadie Smith’s NW, diversity and inclusion in definitions digital humanities, and the speculative ecosystems of science fiction. Her current book project, titled Eden’s Endemics: Narratives of Biodiversity on Earth and Beyond, is forthcoming at the University of Virginia Press.
As the COVID-19 pandemic has rapidly reshaped political, economic, and personal realities worldwide, it’s easy to wonder how art will look back on this time. In honor of poetry month, we gathered articles from Contemporary Literature journal that discuss how poetry has grappled with past—and ongoing—national and international crises. From the AIDS epidemic, to 9/11, to environmental racism, to the global refugee crisis, these articles examine poetry that addresses the challenge of representing unimaginable circumstances and lost lives. The articles listed here are freely available until 5/31/20.
I read CITIZEN as the latest installment of Rankine’s twenty-year meditation on the “wasting body”—a figure that, in Rankine’s poetry, accounts for how certain bodies are attenuated or made sick under capitalism and the state, while simultaneously being regarded as surplus by these same structures. While the book is not ostensibly a work of ecological poetry or environmental criticism, one of CITIZEN’s most pointed critiques—a critique Rankine makes in her earlier books, too—concerns the difficulty of relating to or identifying with one’s environment when one has been othered by the dominant white society and, consequently, forced to live with greater amounts of environmental risk.
As war, regime change, wageless labor, and environmental degradation persist on a global scale, they magnify the vulnerability of the hundreds of millions of people who have long been displaced by capital accumulation…. In this essay, I contend that a poetics oriented toward social dispossession must wrestle with the perpetual violence waged on the representability of people themselves. In this way, lost histories―in their making and survival―are made visible in the act of bearing witness to dispossession across multiple generations and locales. Korean American poet Myung Mi Kim takes up this practice by turning to subjects without subjecthood, whose presence attends to granular scales of life hidden in plain sight.
[S]everal poems depict [the 9/11 attacks] in ways that draw attention to this problem of representing the “real.” But these poems do so indirectly; they consider the relation between the literal and the figurative through chronological instability, distance, indirection, and estrangement. These are features that trauma theory, following psychoanalysis, has associated with “belatedness,” a version of Freudian Nachträglichkeit, often translated as “deferred action” and described in terms of disruptions in the process of remembering traumatic events. Belatedness is often manifested for trauma victims in repetition, flashbacks, prolepsis, and other forms of temporal instability, and post–9/11 poems sometimes reveal these features…. Belatedness is here not a symptom, as in psychoanalysis, but rather a poetic strategy.
[Kevin Killian’s 2001 book of poems] ARGENTO SERIES might be a good contender as a contemporary version of Ezra Pound’s Gaudier-Brzeska. Like Pound mourning the Vorticist sculptor lost in the trenches of World War I, Killian pays homage to the coterie figures who welcomed and influenced his early writing. Among them are Sam D’Allesandro (d. 1988), Dlugos (d. 1990), Leland Hickman (d. 1991), Steve Abbott (d. 1992), David Wojnarowicz (d. 1992), and Joe Brainard (d. 1994). ARGENTO SERIES gives the impression that these writers were an avant-garde, or something like one, and raises for us the cogent question of what happens when an avant-garde does not develop according to the usual pattern of oppositionality followed by institutional assimilation…. For Killian’s avant-garde, however, one whose genealogy combines the two traditions of gay liberation and modernist experimentation, the neutralizing process happened because of AIDS rather than enticements like literary prizes, endowed chairs, commercial publishing contracts, or M.F.A. reading circuits.
In response to the COVID-19 crisis, volumes 41–56 (2004–present) of Luso-Brazilian Review are now freely available until May 31, 2020, on Project MUSE. In opening content, the journal joins a wider initiative led by Project MUSE to provide free access to many books and journals, in order to support scholars as they transition to remote teaching and learning. You can find a complete list of free resources on MUSE here.
Luso-Brazilian Reviewpublishes interdisciplinary scholarship on Portuguese, Brazilian, and Lusophone African cultures, with special emphasis on scholarly works in literature, history, and the social sciences. Each issue of the Luso-Brazilian Review includes articles and book reviews, which may be written in either English or Portuguese.
Each year, more high schools across the United States are integrating Advanced Placement (AP) classes into their course offerings, providing students with a cost-effective alternative to general college courses. AP scores are seen to indicate college readiness and a student’s ability to succeed in a specific subject. According to a study recently published ahead-of-print in the Journal of Human Resources, more than 70% of US high schools have adopted AP courses into their curriculum, some even requiring students to take them. In the first-ever experimental study of the AP program, authors Dylan Conger, Alec I. Kennedy, Mark C. Long, and Raymond McGhee Jr. found that the classes succeed in improving students’ skills but conversely may also lead to reduced confidence.
The study offered enrollment in AP biology or chemistry courses to randomly selected students from twenty-three US high schools. At the end of the semester, researchers measured AP- and non-AP students’ ability to analyze and develop arguments about science and participants were surveyed to assess their confidence in the subject, their interest in a future STEM degree, and their levels of stress. As many high schoolers could attest, students in AP science classes were found to have increased stress levels and lower grades due to pressure and rigor. Additionally, taking AP classes decreased students’ confidence that they could succeed in STEM courses in college. But despite the negative impacts, the study found that these classes do successfully increase students’ scientific skill levels and prepare them for college-level coursework, as well as increasing high schoolers’ interest in majoring in STEM in college.
My collaborator, Mark Long, and I had been studying advanced high school courses for a few years and we were struck by the lack of causal evidence in support of the AP program despite its near-ubiquitous presence in US schools. Determining how the AP program affects students is difficult because students self-select into the program and teachers often decide which students are allowed entry. We started to brainstorm about how we might successfully randomize access to AP courses. We landed on a research design that was ethical and that would minimize concerns among parents, students, and educators. We decided to focus on AP science courses in particular because these courses were being promoted by policymakers and educators as a key tool for improving the STEM workforce in the US.
Though AP courses are often seen as a tool for college preparedness, how would you explain the low confidence that AP science students have for achieving success college STEM courses?
We spent some time reading the literature from psychology and learned, perhaps somewhat intuitively, that reduced confidence doesn’t necessarily have a negative effect on student performance. In fact, some of the literature suggests that overconfidence can lead to academic failure. AP courses are very challenging and they cause some students to lower their estimation of their own ability. In our study, we found suggestive evidence that this loss of confidence did not interfere with their learning in the AP class itself. We found that the AP students gained more knowledge in science than the students in other honors and regular courses. How that affects learning in college is an open question.
What is one takeaway from your article that you’d like to communicate to a non-specialist?
The schools that participated in our study tend to have above-average shares of low-income students. Many of the students in our study were eligible for subsidized school meals. For these types of schools and students, our findings suggest that the AP program has both benefits and costs. For instance, we find that students appear to have learned more about science in the AP course than they would have learned in other regular and honors courses. At the same time, the AP courses led to worse grades, losses in confidence, and higher levels of stress.
Why did it make sense to publish in the Journal of Human Resources?
As one of the leading journals focusing on policies that promote human capital, the JHR was a natural fit for our paper. The JHR has also been intentional about disseminating the research to a broad audience.
What’s one question that emerged from your research that you’d like to follow up on, or that you hope someone else looks into in the future?
This paper focuses on the short-run impacts of the AP program on students’ cognitive and socioemotional outcomes. Ultimately, everyone wants to know how the AP program influences students’ college-going, and in particular, college-going at selective institutions. We are currently working on a follow-up paper that estimates the effect of AP science on these important life outcomes. We also plan to follow our cohorts for a few more years to determine whether and how the AP science program influences their college graduation.
Dylan Conger is a Professor of Public Policy at the George Washington University and a research affiliate at New York University’s Institute for Education and Social Policy. Conger’s research focuses on explaining disparities in achievement between social groups and evaluating policies aimed at reducing those disparities.
Pre-carnival parade of Céu na Terra. Photo by Andrew Snyder.
For the next five days, the streets of Rio de Janeiro will fill with the sounds of diverse musical traditions. The music of carnival has traditionally played an important role in Brazilian national identity, explains Andrew Snyder in “From Nationalist Rescue to Internationalist Cannibalism: The Alternative Carnivalesque, Brass, and the Revival of Street Carnival in Rio de Janeiro,” from the Luso-Brazilian Review. Snyder shows, however, how new movements are expanding Rio’s street carnival repertoires, creating diverse new affinities and identities. In the following interview, he describes the ethnographic fieldwork that led him to write the article, including his experience playing trumpet among the four hundred musicians of Orquesta Voadora (the Flying Orchestra) in Rio’s street carnival.
How did you decide to pursue this topic?
This Luso-Brazilian Review article was part of my dissertation research for my PhD in ethnomusicology, and it examines the national and international repertoires of the brass movement known as neofanfarrismo (“new brass band-ismo”) that emerged from Rio de Janeiro’s street carnival. I came very haphazardly to write my dissertation on this musical community and its engagements in local activism. Though I had always loved and played Brazilian music and had majored in music and Romance languages, my earliest graduate studies were focused elsewhere. In 2011, Occupy Wall Street exploded, and I found at those protests the Brass Liberation Orchestra (BLO), a brass band in the Bay Area that emerged to play solely for protests during the 2003 Iraq War and is still going strong. Though I was also a music major focused on guitar and piano, I hadn’t been playing trumpet much, but I was quickly swept up into playing in the BLO during those exciting political times. Now trumpet is my main performing instrument!
In 2012, we played at the HONK! Festival of Activist Street Bands in the Boston area, where alternative and activist brass bands play on the streets for free in support of social and political causes. Through that festival network, I learned of a vibrant musical world in Rio de Janeiro where brass ensembles historically connected to the street carnival were experimenting with diverse global repertoires and playing on the front lines of protest. In search of a dissertation topic, I first visited Rio de Janeiro for a preliminary fieldwork trip during the momentous 2013 June protests, which these bands were musically supporting. Still, I couldn’t grasp the full, massive scope of what goes on in the neofanfarrismo community until undertaking fieldwork in Rio de Janeiro between 2014 and 2016 spanning two carnival seasons. This was a fascinating eighteen months between the World Cup and the Olympics and, in retrospect, it was the beginning of the end of the Workers’ Party and the Pink Tide, which had helped set the conditions for the street carnival revival to explode in the early twenty-first century.
What is one part of your research that surprised you, and why?
It would be quite an understatement to say that the neofanfarrismo community “surprised me”—more that it stunned me—but I would say that the biggest thing that stuck with me is the difference between a musical scene and musical movement, the street carnival and neofanfarrismo communities most certainly being the latter. I had no concept of the level of dedication and organization that could be put into community-led mass street music events. The scale of carnival beyond the samba schools, which I also participated in and are also amazing, is bafflingly awe-inspiring. The main group I worked with, Orquestra Voadora, the band that really pushed the neofanfarrismo community beyond traditional repertoires like the marchinha (traditional carnival songs), is a band of about 15 people who organize around 400 people to play for over 100,000 people on carnival day. That’s not even a really big bloco (carnival music ensemble). The more traditional brass bloco Bola Preta brings two million to the streets!
Despite, or because of, this enormity, the neofanfarrismo community is incredibly close-knit and collaborative, with musicians actively working through oficinas (classes or workshops) to teach music to other people. The “-ismo” suffix really underlines the fact that the bands are not just a loosely-connected scene but a social movement. Though the Bay Area also has a vibrant musical scene, I can’t say that there is anything that comes close to neofanfarrismo in the United States; though the international HONK! movement and New Orleans come to mind as related phenomena, they seem quite small in comparison. I certainly believe that this difference between the countries is especially due to the availability of playing in, and yes also drinking in, public space. I have come to see the ways public space is regulated as being a crucial part of the abilities of social movements, especially culturally defined ones, to thrive. Scenes are what evolve in a more splintered cultural worlds like the Bay Area where we are bound to celebrate most often in private clubs.
How did your role as a musician combine with your role as an ethnomusicologist to guide the direction of your research?
As a professional trumpet player, I was immediately “dentro do cordão,” or inside the cords that separate bloco musicians from the crammed audiences that would follow the musicians. It would certainly be possible to study street carnival and neofanfarrismo from alternative perspectives (which some are doing), focusing, for example, on the experiences of the audience or what it is like to be a new musician learning in the movement’s oficinas. But certainly playing trumpet was an asset in accessing “key informants,” getting the insider perspectives, and being a “participant-observer.” That research methodology language really does not capture my experience with the community, however, which could be summed up, with all due respect to more “sober” disciplines, by what I would tell people at the time: if you can’t do academic research while playing music and drinking in the street, is it really worth doing?
As a trumpeter, I was able to play in almost all of the bands and blocos I wrote about. I taught trumpet in the oficinas and participated in their movement of mass musical education. In 2016, I went on tour with the Carioca band Bagunço for five weeks in France. I helped organize the very first HONK! Rio Festival de Fanfarras Ativistas, which Mission Delirium, a band I co-founded, attended in 2015. The HONK! festivals are grass-roots international street/brass band festivals that originated in the US in 2006 and are spreading around the world. There are now five HONK! Festivals in Brazil alone! During preparations for that first festival, I and some co-organizers were robbed at gunpoint in Santa Teresa, and I lost my trumpet, my most crucial “fieldwork tool.” The local community took it upon themselves to organize busking events to help me, an American researcher, with the finances of my loss. I can’t speak for my informants, but I felt known first and foremost as a musician who was firmly part of the movement, rather than a researcher. I wouldn’t want to have done it any other way.
Andrew Snyder’s research explores the political and social impacts of mass public festivity, especially focused on brass and percussion ensembles in diverse locations including Rio de Janeiro, New Orleans, San Francisco, and beyond. He completed a PhD in Ethnomusicology at UC Berkeley in 2018 with a dissertation focused on the carnival brass band community in Rio de Janeiro, the basis for his current book project with Wesleyan University Press. Beyond his article in the Luso-Brazilian Review, his research appears in Journal of Popular Music Studies, Latin American Review, Yearbook for Traditional Music, and Ethnomusicology, and he is co-editor of HONK! A Street Band Renaissance of Music and Activism (Routledge 2020). An avid trumpet player in diverse musical groups, he is co-founder of San Francisco’s Mission Delirium Brass Band, which has toured to Brazil and throughout Europe. Currently a Research Associate at UC Santa Cruz, he has taught at UC Berkeley, University of the Pacific, and UC Davis.
This week, the Press will be exhibiting at the annual Wetland Science Conference of the Wisconsin Wetlands Association in Elkhart Lake, WI. We’ve gathered a list of recommended readings on ecological restoration from our books and journals. The articles listed here are freely available to read until the end of February.
For all our fellow nerdy types out there, this Valentine’s Day, we’re highlighting scholarship from our journals on the literature and economics of love. The selection includes a study on falling divorce rates, an analysis of the courtly love lyrics of medieval Spain and Germany, an article on queer erotics and political action in poetry, and more. All articles listed here are freely available until the end of the month.
“My intention is to demonstrate the striking—even contradictory—attitude of the supplicant minstrel in both traditions to the object of his affection, viz., a noble but distant lady. Let us term this the ‘Platonic-Erotic Dilemma’: Is the beloved a distant, sublime, edifying force or a mere mortal capable of physical love?”
“American divorce rates rose from the 1950s to the 1970s peaked around 1980, and have fallen ever since. The mean age at marriage also substantially increased after 1970. I explore the extent to which the rise in age at marriage can explain the decrease in divorce rates for cohorts marrying after 1980.”
“The queerness I associate with Duncan’s poetic anarchism, then, is related to the emphasis he places on how eroticism facilitates subjects’ resistance to the liberalist attitudes promoted by the biopolitical state. Whereas many gay and lesbian thinkers and activists promoted sex and eroticism as a means of resisting the state, Duncan was preoccupied with how language is an erotic vehicle mediating embodied experience and promoting transformative passions.”
“There are several reasons why positive income shocks could affect marital decisions. For married couples, more generous cash transfers may have a stabilization effect and relax financial constraints and arguments that lead to divorce. . . . On the other hand, increased resources may enable unhappy couples to incur the costs associated with divorce.”
“Most critics will agree that the adjective cosmopolitan describes not just a way of organizing the world or a type of subject position but also a stance that pertains, in particular, to the ethical relation to the other. Few critics, however, in their explorations of the ethics of cosmopolitanism, inquire into what one might call the fundamental analytical category of ethics: love.”
“Fraser changes from writing through a poetic speaker as lover addressing her beloved to a transpersonal love writing, or a libidinized ‘field poetics’ (Translating 176). In the course of her career, Fraser comes to write an erotically charged prosody through a “projective” poetics that rejects individuated poetic speakers and cathects directly with her poems’ others and languages—engaging material aspects of language and of the page itself.”
