Tag Archives: Autobiography & Memoir

New Books, December 2017

December 12, 2017
Prisoner of Pinochet: My Year in a Chilean Concentration Camp
Sergio Bitar

“A compelling account, a best seller in Chile … and an important contribution to the country’s understanding of itself.”
Foreign Affairs

“Democracy is fragile, and only fully appreciated when it is lost. Sergio Bitar, now one of the most prominent political leaders in Chile, recounts the story of the 1973 military coup and his imprisonment in a direct, unsentimental style that sharply highlights the dramatic events he narrates.”
—Isabel Allende Llona

Critical Human Rights Series
Steve J. Stern and Scott Straus, Series Editors

 

December 19, 2017
Truth’s Fool: Derek Freeman and the War over Cultural Anthropology
Peter Hempenstall

Truth’s Fool documents an intellectual journey that was much larger and more encompassing than Freeman’s criticism of Mead’s work. It peels back the prickly layers to reveal the man in all his complexity. Framing this story within anthropology’s development in Britain and America, Peter Hempenstall recounts Freeman’s mission to turn the discipline from its cultural-determinist leanings toward a view of human culture underpinned by biological and behavioral drivers. Truth’s Foolengages the intellectual questions at the center of the Mead–Freeman debate and illuminates the dark spaces of personal, professional, and even national rivalries.

“A perceptive intellectual biography of Freeman’s evolving character, enthusiasms, and academic career that led to his fateful pursuit of Margaret Mead.”
—Lamont Lindstrom,author of Knowledge and Power in a South Pacific Society

 

AIDS Readings

December 1 is World AIDS Day. HIV/AIDS has wrought enormous suffering worldwide and caused more than 35 million deaths. The nine books that follow are testimony to that devastation.

Anne-christine d’Adesky
A personal history of the turbulent 1990s in New York City and Paris by a pioneering American AIDS journalist, lesbian activist, and daughter of French-Haitian elites. Anne-christine d’Adesky remembers “the poxed generation” of AIDS—their lives, their battles, and their determination to find love and make art in the heartbreaking years before lifesaving protease drugs arrived.
“Never far from the mad joy of writing, loving, and being alive, even as it investigates our horribly mundane capacity for horror, this book is a masterpiece.” —Michelle Tea, author of Black Wave
Kenny Fries
Kenny Fries embarks on a journey of profound self-discovery as a disabled foreigner in Japan, a society historically hostile to difference. When he is diagnosed as HIV positive, all his assumptions about Japan, the body, and mortality are shaken, and he must find a way to reenter life on new terms.
“Fries writes out of the pure hot emergency of a mortal being trying to keep himself alive. So much is at stake here—health, affection, culture, trauma, language—but its greatest surprise is what thrives in the midst of suffering. A beautiful book.”—Paul Lisicky, author of The Narrow Door
David Caron
The deluge of metaphors triggered in 1981 in France by the first public reports of what would turn out to be the AIDS epidemic spread with far greater speed and efficiency than the virus itself.
“Literary and cultural analysis come together here as Caron casts brilliant light on the disastrously inadequate public response to the AIDS pandemic in France. . . . He shows how literature supplied the communitarian voice that would otherwise have been lacking.”—Ross Chambers, author of Facing It: AIDS Diaries and the Death of the Author
David Gere
“Anyone interested in dance or in gay culture or in art and politics should, as I did, find this a fascinating book, impossible to put down.”—Sally Banes, editor of Reinventing Dance in the 1960s
Edited by Edmund White
In Cooperation with the Estate Project for Artists with AIDS
“A poignant reminder of the devastating impact of the AIDS epidemic on the arts.”—Library Journal
“A searing, and often bitingly funny collection of personal essays by almost two dozen writers—John Berendt, Brad Gooch, Allan Gurganus, and Sarah Schulman among them—Loss within Loss remembers over twenty creative artists lost to AIDS.”— The Advocate
Severino J. Albuquerque
Co-winner of the 2004 Roberto Reis BRASA Book Award
 “Albuquerque’s work . . . provides an archaeology of theatrical representations of homosexuality in Brazil, an alternative history of Brazilian theater from the margins, a critical analysis of canonical and non-canonical plays infused with the insights of feminist and queer theory, as well as a history of the representation of AIDS in Brazilian culture.”—Fernando Arenas, University of Minnesota
Michael Schiavi
The biography of gay-rights giant Vito Russo, the man who wrote The Celluloid Closet: Homosexuality in the Movies, commonly regarded as the foundational text of gay and lesbian film studies. A founding member of the Gay and Lesbian Alliance Against Defamation (GLAAD) and cofounder of the AIDS Coalition to Unleash Power (ACT UP), Russo lived at the center of the most important gay cultural turning points in the 1960s, 1970s, and 1980s.
G. Thomas Couser    Foreword by Nancy Mairs
A provocative look at writing by and about people with illness or disability—in particular HIV/AIDS, breast cancer, deafness, and paralysis—who challenge the stigmas attached to their conditions by telling their lives in their own ways and on their own terms.
Lesléa Newman
“Although pain plays a part in this volume, many of the tales celebrate with warmth and good humor the courageous maintenance of the Jewish tradition in radical relationships. . . . Contemporary characters confront both timely issues, like AIDS, and eternal ones, such as a lovers’ quarrel or a mother-daughter misunderstanding.”—Publishers Weekly

Tanizaki’s Yaichi: A Japanese disabled character as hero, outcast, and metaphor

Today, the University of Wisconsin Press is pleased to publish Kenny Fries’s account of a journey of profound self-discovery as a disabled foreigner in Japan, IN THE PROVINCE OF THE GODS. Here he comments on some of the “outtakes” from early drafts of the book.

Fifteen years ago, I first traveled to Japan to look at its historical and cultural relationship to otherness, to difference. More specifically, I wanted to learn about how the Japanese viewed and represented disability. During my first stay in Japan, much of this eluded me for reasons I write about in In the Province of Gods,

Three years later on my second trip, I found what I was looking for. But, as my book’s focus shifted, this research became more background than foreground. Though some of what I found in Japan about representation of disability remains in the book, much of it is now only in what I call the “outtakes.”

I did include in my book observations about the disability representation in Japanese writer Tanizaki Junichiro’s novel Portrait of Shunkin.  Most notably, I write about the way that Tanizaki’s story of Shunkin, a blind samisen singer, illuminates my meeting two of the surviving Hiroshima Maidens, the twenty-five hibakusha (atomic bomb survivors) who traveled from Japan to the United States for medical treatment in 1955.

But another of Tanizaki’s blind characters is not represented in my own book. In A Blind Man’s Tale, Tanizaki tells the familiar story of the siege of Osaka Castle and historical figures Nobunaga and his successor Hideyoshi. He recounts this history through the voice of Yaichi, who like Shunkin is a blind samisen singer. Yaichi is also a masseur. (Samisen singer and masseur are traditional occupations for the blind in Japan.) Yaichi is in the service of Lady Oichi, sister of Nobunaga. She is married to Lord Nagamasa, an ally of Nobunaga until they have a falling out.

Many familiar tropes of blindness attend the tale of Yaichi, especially that of a blind man’s unrequited love. Because of his blindness, he goes unnoticed by the men but is taken into the confidence of a beautiful woman above his station. There is also the unfortunate metaphor of “blind devotion.” But what is singular about this tale comes at the story’s climactic moment.

During a siege of the castle, Yaichi entertains Lady Oichi along with a visitor, the warrior priest Choroken. As a master samisen player himself, Yaichi notices that Choroken’s playing includes embellishments of a tune with “queer phrases, twice-repeated.”   Yaichi informs us,

Now, there is a secret code that all of us blind samisen players know very well. Since each string of the samisen has sixteen stops, the three strings together have forty-eight: when you teach a beginner how to play the instrument you help him memorize these stops by marking them with the forty-eight characters of the alphabet.  Everyone who studies the samisen learns this system; but we blind musicians, since we can’t see the characters, have to learn it by heart, we associate each note with its proper letter quite automatically, as soon as we hear it.  So when blind musicians want to communicate secretly they can do it by playing on the samisen, using this system as a code.

Tanizaki Junichiro

Yaichi realizes Choroken’s “queer phrases” are communicating that the servant needs to save his mistress, and he perceives the plan Choroken is secretly transmitting. Yaichi’s blindness is a crucial asset in this covert exchange.

Tellingly, in the popular Kabuki theater version of the story, this original element is left out, leaving the story to emphasize the comparison between the “blind” love of Yaichi with that of those who court the widowed Lady Oichi and her beautiful daughter “whose voice sounded just the same” as her mother.  Lady Oichi affections are won over by Hideyoshi, even though he killed her family.  In the end of the Kabuki version, Yaichi is left on stage, remembering his Lady, who appears in the distance playing her koto.  She disappears, leaving Yaichi decidedly alone and crying.

In Tanizaki’s story we are shown how disability can, in certain contexts, be advantageous, as well as how the nondisabled use disability for their own purposes. But, as in much of Japanese culture, the story simultaneously conveys opposing ideas.  In A Blind Man’s Tale, we are given the blind man as hero, outcast, and metaphor.

Kenny Fries is the author of Body, Remember: A Memoir and The History of My Shoes and the Evolution of Darwin’s Theory,  and editor of Staring Back: The Disability Experience from the Inside Out. He teaches in the MFA in Creative Writing Program at Goddard College and is the recipient of a prestigious Creative Capital grant. He lives in Berlin.

Author’s website: https://www.kennyfries.com/

Q&A with a Self-Made Woman

Today, the University of Wisconsin Press publishes SELF-MADE WOMAN, the story of one individual’s intense struggle to accept her true self. In this post, Denise DuBois (who grew up as Dennis Dubis in 1960s Milwaukee) answers some questions about her book and gender today.

1. Was there one defining moment that inspired you to write Self-Made Woman?

It was one defining place that inspired me to write my story. The island of Kauai. I had rented a little private studio on the north shore, just off this epic beach in a place called Haena, which means “wilderness” in Hawaiian. There’s something magical about Kauai. I really suspect that there’s more oxygen in the air out there in the middle of the Pacific, no kidding, and more oxygen for the brain means increased alertness and creativity. I wrote the entire 650- page manuscript, every word, on Kauai from 2010 to 2014. I felt like Mozart composing a symphony at my keyboard, which I likened to a piano. I went into the”zone” every afternoon. That was so wonderful!

2. What was an experience you absolutely knew had to be in this book?

It’s just as hard for me to answer this question as it was for me to write about it in the book. Being honest with myself. Not being afraid to put it all out there on the page for the reader. There were things that happened to me in life that just had to be told, much of it self-inflicted. It was painful for me to recount those experiences and put that into writing. Many times during the writing of my book, I broke down in front of my screen, just devastated to be living this all over again. It was like I was there all over again. Very hard to write, but I always rallied. Kauai had a way of refreshing me.

3. How did you approach writing your memoir? Were there parts that were harder to write than others?

My approach was straightforward. It was all in my head, all 650 pages. Each day I worked off a yellow legal pad that I had next to my desktop. It was full of handwritten notes from the previous day of writing and ideas that popped into my head when I went running and  swimming every morning. I got up at 4:30 am everyday.  I wrote from noon to 6 pm, in bed by 9 pm, without fail. There were excruciatingly painful moments of writing, and other parts that were a refreshing relief to write, but in either case I knew early on in the writing process that I was onto something really good, even with the difficult stories. My story had to be told.

My approach was straight forward. It was all in my head. All 650 pages. Click To Tweet

4. Do you think the struggles you overcame were necessary to make you who you are today?

We all have struggles to overcome in life. Mine were no different than anyone else’s. But, I did come close to death many times and was at the door. Being that close to death does, in my humble opinion, have something to do with who I am today. I am a survivor, and I am thankful that I still have my mind intact and wonderful physical health so that I’ve been able to convey my life story. In that sense, it made me who I am today.

5. What kept you going through it all? Was there a specific dream or thought that you held on to?

In the deepest, darkest moments of my life, most specifically when my crystal meth addictions bubbled up like a witch’s brew from hell, when all seemed lost and hopeless, when my moments of complete and utter loneliness surrounded me, I just always thought,  I can pull out of this somehow and not lose faith in myself. Many times I felt so lost that it seemed I could never survive, but I did. For those who find themselves in that horrible place, just know that you can survive, too.

6. “The American Dream” has undoubtedly changed over the years. Would you say your story is your personal American Dream? Does everyone have a different conception of the American Dream, or is there a common thread that unites us?

“Patience, young grasshopper,” said the Master in Kung Fu. I suspect that has always been my own personal American Dream. If you wait for something long enough it will come to you, if you want it badly enough (and I wanted this book very badly for many years), it will come to you. Humanity is the common theme that unites us all. We don’t need countries for that. 100,000 years ago Humanity walked out of the African Savannah and colonized the world for better or worse. I still have faith in Humanity that it’s for the better. I will never lose that faith.

I still have faith in Humanity that it’s for the better. I will never lose that faith. Click To Tweet

7. How do you feel people today view gender nonconformity? Is it getting easier to re-identify oneself or are there more issues many of us aren’t even aware of?

Gender nonconformity has become very fluid and is changing right before our eyes, nationwide. Oregon is now the first state to allow a third gender option on driver’s licenses. People who identify as gender nonbinary—neither male nor female—can list their sex as “X” instead of “F” or “M.” This is a huge win for the LGBTQ community as some people gravitated towards this option and other states are expected to follow very soon. Many universities across the country already have this in place on their application forms too. Such a change from when I transitioned in 2003!

8. What advice would you give to someone who is struggling with how to identify?

Be true to yourself, accept yourself, learn to love yourself first, so that you can learn to love others! Talk to your friends about this, talk to your family, but only if they are accepting of you. Do not isolate yourself as I did. Do not feel ashamed as I did. Do not do crystal as I did, do not drink as I did, do not take other drugs as I did. Escape from all that and save yourself a boatload of misery. I did drugs and alcohol to numb my true self, to run away from my true self, and to forget about my true self. Just remember, in the end you can never run away from who you truly are, from your true self.

Denise Chanterelle DuBois is an actress, environmentalist, and businesswoman. A native of Milwaukee, Wisconsin, she lives in Portland, Oregon.

Author’s website: https://selfmadewomanbook.com/

Book trailer for Self-Made Woman.

The Land Remembers: Refreshing the Memory

This summer, the University of Wisconsin Press released the Ninth Edition of Ben Logan’s beloved memoir, THE LAND REMEMBERS: The Story of a Farm and Its People, with a new introduction by Curt Meine. In this post, Meine reveals a different side of author Ben Logan.

When the University of Wisconsin Press invited me to write an introduction for a new edition of Ben Logan’s beloved memoir The Land Remembers, I thought immediately of the several opportunities I had to meet, talk, and share a podium with Ben. Ben died in 2014 at the age of 94. I did not know Ben well. On those occasions when we did meet I was struck by his easygoing demeanor, understated humor, and quiet intelligence. He seemed a man quite at p  eace with himself.

Although we had only those few direct personal interactions, Ben and I shared a connection through the work and legacy of conservationist Aldo Leopold. Ben had studied with Leopold at the University of Wisconsin in the early 1940s, an experience that would prove to have a durable impact on Logan’s life and writing. I had written a biography of Leopold, and over the years had met and interviewed many of Leopold’s former students. Ben stood out by pursuing a career as a writer, not in conservation. Although Ben never mentions Leopold in the body of The Land Remembers, he briefly alluded to Leopold’s influence in an afterword to a 2006 (eighth!) edition:

“[H]umans are not separated from all the other living parts and places and mysteries of what Aldo Leopold called THE LAND—all things on, over, and in the earth. When I first heard him say that in a University of Wisconsin classroom, it was a moment of great discovery. His definition of land included me, made a place for me in the immense mosaic of life.”

Humans are not separated from all the other living parts and places and mysteries of THE LAND Click To Tweet

Ben Logan

Ben was only twenty years old at the time. His sensitivity to the land, and to the human and natural relationships inherent in land, has many sources in his life, education, and career. But that “great discovery” on campus in Madison would lend a unity to the narrative of Ben’s life and to the story he would ultimately commit to the pages of The Land Remembers. It would also give the book a universality that allowed it to appeal to readers far removed from the Kickapoo Valley ridgetop farm in southwestern Wisconsin where it is set. In remembering his own childhood on the land, Ben tapped into the widely shared human need to re-member ourselves.

In the introduction for the new University of Wisconsin Press edition I sought to fill in some of the details of the story behind the story. Late in life Ben became more open about his painful World War II experience. In particular he was traumatized by the loss in December 1943 of nineteen of his Navy shipmates when their craft hit a floating mine near Naples, Italy. Ben was spared only because he was in a nearby military hospital at the time. The Land Remembers was fundamentally a consequence, decades later, of that tragedy and his resolve to “live both for myself and for those who died.” To pull together a life dislocated by war, Ben returned to the land in his memory, publishing The Land Remembers in 1975—and then returned in his person in 1986 when he and his wife Jacqueline purchased back the family farm.

Preparing the introduction for this new edition thus refreshed my own memory. What I had recalled as Ben’s steadiness and composure gained an edge that I had not appreciated before. Beneath his outer calm I now saw a core of courage: a determination to come to terms with one’s life experience through the power of story.

Curt D. Meine is director for conservation biology and history with the Center for Humans and Nature, senior fellow with the Aldo Leopold Foundation, research associate with the International Crane Foundation, and associate adjunct professor at the University of Wisconsin–Madison. He is the author of Aldo Leopold: His Life and Work  and coeditor of The Essential Aldo Leopold, both also published by the University of Wisconsin Press.  With Keefe Keeley, he has coedited The Driftless Reader, which UWP will publish in late September 2018.

New books in June 2017

We are pleased to announce six new books to be published in late June.

June 20, 2017
WRITTEN IN BLOOD

Revolutionary Terrorism and Russian Literary Culture, 1861–1881
Lynn Ellen Patyk

In March 1881, Russia stunned the world when a small band of revolutionaries calling themselves “terrorists” assassinated Alexander II. Horrified Russians blamed the influence of European ideas, while shocked Europeans perceived something new and distinctly Russian in a strategy of political violence that became known as “the Russian method” or “terrorism”.

“A superb model of interdisciplinary scholarship: highly original, subtle, thought-provoking, and a pleasure to read. Analyzing both word and deed, Patyk rewrites the history of modern terrorism showing why the Russian case was pivotal. A gripping story.”—Susan Morrissey, author of Suicide and the Body Politic in Imperial Russia

 

June 27, 2017
THE POX LOVER
An Activist’s Decade in New York and Paris
Anne-christine d’Adesky

Memories of the turbulent 1990s in New York City and Paris told by a pioneering American AIDS journalist, lesbian activist, and daughter of French-Haitian elites.

“In a voice both powerful and cool, The Pox Lover takes on a sprawling personal history, deeply aware throughout that it is the politics of anyone’s day—and how we respond to it—that shapes a life. Never far from the mad joy of writing, loving, and being alive, even as it investigates our horribly mundane capacity for horror, this book is a masterpiece.”—Michelle Tea, author of Black Wave

 

June 27, 2017
YOOPER TALK

Dialect as Identity in Michigan’s Upper Peninsula
Kathryn A. Remlinger

Yooper Talk explains linguistic concepts with entertaining examples for general readers and also contributes to interdisciplinary discussions of dialect and identity in sociolinguistics, anthropology, dialectology, and folklore.

“Although humorous songs poke fun at Yoopers’ words and customs, Remlinger takes this place and its people very seriously. She explains how history, ethnicity, environment, economic changes, tourism, and especially language have created a colorful and distinctive regional dialect and identity.”—Larry Lankton, Hollowed Ground: Copper Mining and Community Building on Lake Superior

Languages and Folklore of the Upper Midwest
Series Editor(s) Joseph Salmons and James P. Leary

 

June 27, 2017
THE LIMA INQUISITION

The Plight of Crypto-Jews in Seventeenth-Century Peru
Ana E. Schaposchnik

The Lima Inquisition reveals the details of the Americas’ most alarming Inquisitorial crackdown: the ‘Great Complicity’ and subsequent Auto de Fe of Lima in 1639. Schaposchnik convincingly shows that it was not an aberration or just another Baroque-era spectacle—it was the essence of what the Inquisition was and had been all about, from inception to abolition.”—Kris Lane, Tulane University

“An in-depth look at the trials of the Great Complicity in the 1630s, during which almost 100 people, overwhelmingly men and women of Portuguese origin, were accused of being crypto-Jews and detained and tried by the Inquisition. Recommended.”Choice

 

June 27, 2017
9XM TALKING 
WHA Radio and the Wisconsin Idea

Randall Davidson

This is the fascinating history of the innovative work of Wisconsin’s educational radio stations, from the first broadcast by experimental station 9XM at the University of Wisconsin to the network of stations known today as Wisconsin Public Radio. Randall Davidson provides the first comprehensive history of the University of Wisconsin radio station.

“An engaging, even engrossing, narrative about the station’s pioneering work in broadcasting. … A reader witnesses … the struggles that small and educational broadcasters faced in the early years in what was nearly a constant battle to maintain a foothold in the frequency spectrum.” Journalism History

 

 

June 27
FROM WAR TO GENOCIDE
Criminal Politics in Rwanda, 1990–1994
André Guichaoua, Translated by Don E. Webster, Foreword by Scott Straus

“A landmark in the historiography of the Rwandan genocide. No serious scholar writing about the genocide can afford to ignore this trailblazing contribution.”—René Lemarchand, author of The Dynamics of Violence in Central Africa

Critical Human Rights   Steve J. Stern and Scott Straus, Series Editors

New books in May 2017

We are pleased to announce six new books to be published in May.

May 9, 2017
WHISPERS OF CRUEL WRONGS
The Correspondence of Louisa Jacobs and Her Circle, 1879-1911
Edited by Mary Maillard

Louisa Jacobs was the daughter of Harriet Jacobs, author of the famous autobiography Incidents in the Life of a Slave Girl. That work included a heartbreaking account of Harriet parting with six-year-old Louisa, taken away to the North by her white father. Now, rediscovered letters reveal the lives of Louisa and her circle and shed light on Harriet’s old age.

“A rich and fascinating portrait of Philadelphia’s and Washington D.C.’s black elite after the Civil War. Even as the letters depict the increasingly troubled political status and economic fortunes of the correspondents, they offer rare glimpses into private homes and inner emotions.”—Carla L. Peterson,author of Black Gotham

Wisconsin Studies in Autobiography
William L. Andrews, Series Editor

May 16, 2017
TO OFFER COMPASSION
A History of the Clergy Consultation Service on Abortion
Doris Andrea Dirks and Patricia A. Relf

“Conservative Christianity has become synonymous with opposition to abortion, but before the 1973 Roe v. Wade Supreme Court decision that legalized it in the U.S., clergy organized to protect pregnant women and direct them to safe abortions. Dirks and Relf explore this extraordinary and little-known history through detailed first-person interviews and extensive research with Protestant, Catholic, and Jewish clergy who, between 1967 and 1973, created a pregnancy counseling service and national underground network to provide women with options for adoption, parenting assistance, and pregnancy termination. . . . Critically important social history that too many in today’s abortion wars have never known or chosen to forget.”—Publishers Weekly, starred review

 

May 23, 2017
SPIRIT CHILDREN
Illness, Poverty, and Infanticide in Northern Ghana
Aaron R. Denham

“A brilliant, sensitive, and moving book about the heartbreaking phenomenon of infanticide. This is a book to be taken seriously by hospital personnel, public health policymakers, NGO workers, and anyone interested in the fate of the world’s most vulnerable young children.”—Alma Gottlieb, coauthor of A World of Babies

“A skillful ethnography of the spirit child phenomenon in northern Ghana—children who fail to thrive, are feared to harm their families, and therefore should be ‘sent back.’ This insightful, theoretically rich analysis offers a nuanced ecological, economic, and cultural explanation of maternal attachment.”—John M. Janzen, author of The Quest for Therapy in Lower Zaire

Africa and the Diaspora: History, Politics, Culture
Thomas Spear, Neil Kodesh, Tejumola Olaniyan, Michael G. Schatzberg, and James H. Sweet, Series Editors

 

May 23, 2017
THE LAND REMEMBERS

The Story of a Farm and Its People  9th Edition
Ben Logan
With an introduction by Curt Meine

“Ben Logan is strikingly successful in recalling his own boyhood world, a lonely ridge farm in southwestern Wisconsin. . . . He reviews his growing-up years in the 1920s and ’30s less with nostalgia than with a naturalist’s eye for detail, wary of the distortions of memory and sentiment.”—Christian Science Monitor

“A book to be cherished and remembered.”—Publishers Weekly

 

 

May 30, 2017
PINERY BOYS
Songs and Songcatching in the Lumberjack Era
Edited by Franz Rickaby with Gretchen Dykstra and James P. Leary

As the heyday of the lumber camps faded, a young scholar named Franz Rickaby set out to find songs from shanty boys, river drivers, and sawmill hands in the Upper Midwest. Pinery Boys now incorporates, commemorates, contextualizes, and complements Rickaby’s 1926 book. It includes annotations throughout by folklore scholar James P. Leary and an engaging biography by Rickaby’s granddaughter Gretchen Dykstra. Central to this edition are the fifty-one songs that Rickaby originally published, plus fourteen additional songs selected to represent the

Franz Rickaby

varied collecting Rickaby did beyond the lumber camps.

“[Rickaby] was the first to put the singing lumberjack into an adequate record and was of pioneering stuff. … His book renders the big woods, not with bizarre hokum and studied claptrap … but with the fidelity of an unimpeachable witness.”—Carl Sandburg

Languages and Folklore of the Upper Midwest Series
Joseph Salmons and James P. Leary, Series Editors

 

May 23, 2017
The second book in the Dave Cubiak Door County Mystery Series
DEATH AT GILLS ROCK
Patricia Skalka

“In her atmospheric, tightly written sequel, Skalka vividly captures the beauty of a remote Wisconsin peninsula that will attract readers of regional mysteries. Also recommended for fans of William Kent Krueger, Nevada Barr, and Mary Logue.”
Library Journal, starred review

“Three World War II heroes about to be honored by the Coast Guard are all found dead, apparent victims of carbon monoxide poisoning while playing cards at a cabin. . . . The second installment of this first-rate series (Death Stalks Door County, 2014) provides plenty of challenges for both the detective and the reader.”Kirkus Reviews

“Skalka captures the . . . small-town atmosphere vividly, and her intricate plot and well-developed characters will appeal to fans of William Kent Krueger.”Booklist

The Other Side of the Scarf

Alden Jones, author of The Blind Masseuse: A Traveler’s Memoir from Costa Rica to Cambodia, comments on honesty in encounters with other cultures and viewpoints. The recipient of multiple honors for travel writing, essays, and memoir, her book is new in paperback and published today.

One of the central questions of my memoir is whether it is possible to divorce ourselves from our own cultural norms when we encounter something shocking, exotic, or simply foreign. Recently, a professor of French history approached me with concerns that his university students were resistant to, almost angry about, the idea of Muslim women wearing hijab. A strong feminist sentiment among his students rejected the head scarf as a symbol of misogyny; my professor friend was concerned that this led to feelings of hostility about Islam. How, he wondered, could he get non-Muslim young men and women in New England to consider the hijab from the point of view of the person wearing it—to put aside the cultural norms they take for granted?

It seems easy now, as a seasoned teacher, to turn to theory and philosophy to combat this kind of resistance among young people, or any people. But the truth is, we human beings react to difference, and we react to the foreign, because of the visceral feelings they inspire. We have good feelings about those ideas that make us feel powerful or validated. We reject those symbols that make us feel threatened. This is the human condition. We are a fragile, emotional species.

 When I first started writing The Blind Masseuse, I wanted to believe that I had it all figured out, that I was a humanist, a “traveler,” rather than an ethnocentric tourist. But writing this book taught me that if I were being honest, the opposite was often true: I had a lot left to learn when it came to how to cross cultures the “right” way, and sometimes it was impossible to avoid assuming the role of the tourist. It didn’t take long to realize that if I wanted to write a book that encouraged a humanistic approach to travel, I would have to be honest about my own struggles when confronted with difference. I wrote The Blind Masseuse to explore my own gut reactions over the years—and to see how experience, reason, intellect, and even humor might combat those gut reactions. If we are not honest about our emotional truths as individuals, we will never eradicate xenophobia, racism, misogyny, and nationalism.

In our suddenly ultra-hostile political environment, and a U.S. government that through policy has embraced an “Us vs. Them” dynamic, seeing the world through the humanist perspective is more important than ever. In the end, my professor friend’s students may reject the idea of the head scarf as anti-feminist. First, they need to provide some rational basis upon which to land at this conclusion. Beyond the scarf is an intricate set of social and religious rules that require thought and context. The important thing is that they have considered—truly imagined themselves on—the other side of the scarf.

Alden Jones

 Alden Jones has lived, worked, and traveled in more than forty countries, including as a WorldTeach volunteer in Costa Rica, a program director in Cuba, and a professor on Semester at Sea. Her work has appeared in AGNI, Time Out New York, Post Road, The Barcelona Review, The Iowa Review, Prairie Schooner, Gulf Coast, and The Best American Travel Writing. She teaches writing at Emerson College in Boston.

New publications, April 2017

We are pleased to announce four new books to be published in April.

April 11, 2017
A HISTORY OF BADGER BASEBALL
The Rise and Fall of America’s Pastime at the University of Wisconsin
Steven D. Schmitt

“A remarkable and outstanding achievement. Here is Badger baseball season by season, the highlights, the heroes, and the drama from more than one hundred years of baseball. ”
—Bud Selig, former Commissioner of Baseball, from the foreword

“A celebration of the history, tradition, and legacy of the now extinct Wisconsin Badgers baseball program that will ensure its spirit lives on for decades to come.”
—William Povletich, author of Milwaukee Braves: Heroes and Heartbreak

April 18, 2017
MONEY, MURDER, AND DOMINICK DUNNE
A Life in Several Acts
Robert Hofler

“Sweeping in scope and intimate in tone, this biography of Dominick Dunne is truly a life and times story, filled to bursting with notorious crimes and glam parties, high-society doyens and spats, Hollywood celebrities minor and major, and, beneath it all, the tragedies and mysteries that made this singular man tick.”
—Patrick McGilligan, author of Young Orson

“The life of Dominick Dunne as recounted by Robert Hofler is as entertaining as it is tragic. Hofler digs in to reveal each telling detail and scandalous anecdote, which no one would appreciate more than Dunne himself. It’s a knowing read about fame, the upper class, sexuality, and the struggle for immortality.”
—Sharon Waxman, author of Rebels on the Backlot

April 18, 2017
FORCE OF NATURE
George Fell, Founder of the Natural Areas Movement
Arthur Melville Pearson

“The inspiring story of the innovative conservation institutions and legislation instigated by George Fell and his wife, Barbara, highlighted by the Nature Conservancy, arguably the largest environmental organization in the world.”
—Stephen Laubach, author of Living a Land Ethic

“George Fell sparred with fellow naturalists and politicians to bring into being organizations that are models for today’s worldwide conservation efforts. Pearson documents this extraordinary life with a wide range of sources, including interviews over two decades with both Fell’s partners and his doubters.”
—James Ballowe, author of A Man of Salt and Tree

April 25, 2017
THE BLACK PENGUIN
Andrew Evans

“The exterior and interior landscapes are meticulously described, moving and often totally unexpected. Compulsive reading.”
—Tim Cahill,author of A Wolverine Is Eating My Leg,

“A traveler of boundless curiosity and compassion, Evans spins a globe-trotting tale of daring and discovery. His expedition proves that our inner and outward journeys can take us everywhere we need to go, from happiness at home to elation at the ends of the Earth.”
—George W. Stone, editor in chief, National Geographic Traveler

Living Out: Gay and Lesbian Autobiographies
David Bergman, Joan Larkin, and Raphael Kadushin, Series Editors

 

New publications, March 2017

We are pleased to announce five new books to be published in March.

March 7, 2017
PARTIALLY EXCITED STATES
Charles Hood

“Simultaneously dazzling, playful, witty, goofy, hilarious, and profound, Partially Excited States carries us through our past into the present and even into our future somewhere in outer space. This is a mature book that manages to be idiosyncratic in its thinking but universal in its concerns.”
—Susan Mitchell

“These poems give us reality entire, ablaze with fires at once heavenly and infernal. This is a poet whose ecstasy and despair present two sides of the same blade, sharpened on a grim and gorgeous world.”
—Katharine Coles

Wisconsin Poetry Series
Ronald Wallace, Series Editor

March 7, 2017
YOU, BEAST
Nick Lantz

“Lantz gives us what we could least have anticipated, then makes it seem the most natural thing in the world.”
—John Burnside

“Poem by poem, book by book, Nick Lantz is becoming one of our time’s best poets. He knows the blades and shrieks and pleasures and sweet sick twists in our human hearts, and this bestiary forces us to look, hard and long, in our own mirrors. ‘Polar Bear Attacks Woman … Horrifying Vid (Click to Watch)’ is a poem for this moment in the way Auden and Yeats and Rich and Dickey and Komunyakaa gave us poems for their moments.”
—Albert Goldbarth

Wisconsin Poetry Series
Ronald Wallace, Series Editor

March 7, 2017
THE APOLLONIA POEMS
Judith Vollmer

Winner of the Four Lakes Prize in Poetry

“This book is a trip, or many trips. Here is the creative mind at work and play—its geological layers uncovered, lifetimes and cultures revisited, offered to us in Judith Vollmer’s characteristic voice: curious, tender, and flinty, with its own grave and ethereal music.”
—Alicia Ostriker

“Judith Vollmer’s dwelling-in-traveling poems follow the ‘salt-sweet restless soul’ into labyrinths of mirrors, walls, shrouds, veils, membranes, through portals sussurant with transatlantic chants, through a palimpsest of echoes caught in the undersong of women suffering over the quickness of life.”
—Mihaela Moscaliuc

Wisconsin Poetry Series
Ronald Wallace, Series Editor

March 14, 2017
THE BLIND MASSEUSE
A Traveler’s Memoir from Costa Rica to Cambodia
Alden Jones

New in Paperback

  • Finalist, Travel Book or Guide Award, North American Travel Journalists Association
    Gold Medal for Travel Essays, Independent Publisher Book Awards
    Gold Medal, Travel Essays, ForeWord’s IndieFab Book of the Year
    Winner, Memoir/Biography, Bisexual Book Award
    Longlist of eight, PEN/Diamonstein Spielvogel Award for the Art of the Essay
    Finalist, Nonfiction, Housatonic Book Award

“It’s smart and thoughtful, but also Jones is cackle-for-days hilarious and the book is a page-turner from second one, when she’s out walking in the dark in her village and bumps into a cow. Please, everyone, read this book!”
Huffington Post

“Wise, witty, and well traveled, Alden Jones has given us a beautifully written book that honors the wandering spirit in all of us. Take this journey with her and return newly alive to the pleasure of moving through the world.”
—Ana Menéndez, author of Adios, Happy Homeland!

March 14, 2017
UNDERSTANDING AND TEACHING U.S. GAY, LESBIAN, BISEXUAL, AND TRANSGENDER HISTORY

Edited by Leila J. Rupp and Susan K. Freeman

  • Best Special Interest Books, selected by the American Association of School Librarians
    Best Special Interest Books, selected by the Public Library Reviewers
    Winner of the Lambda Literary Award for Best LGBT Anthology
    A Choice Outstanding Academic Book

“An excellent and sturdy resource that offers high school and college teachers an entry point into LGBT history. . . . Contributors deftly tie LGBT content to the broader goals of teaching history, not simply making visible the lives of everyday queer people but prompting critical engagement.”
Publishers Weekly, starred review

“Groundbreaking and readable. . . . Essential for college and university libraries supporting teacher training degree programs and curricula in American history, LGBT studies, and the social sciences. Essential, undergraduates and above; general readers.”
Choice

The Harvey Goldberg Series for Understanding and Teaching History
John Day Tully, Matthew Masur, and Brad Austin, Series Editors