Cleopatra’s Wedding Present: Travels through Syria
Robert Tewdwr Moss
Introduction by Lucretia Stewart
Robert Tewdwr Moss was a journalist of astonishing versatility who was murdered in London in 1996, the day after he finished this book. He left this lyrical gem as his legacy. Moss’s memoir of his travels through Syria resonates on many levels: as a profoundly telling vivisection of Middle Eastern society, a chilling history of ethnic crimes, a picaresque adventure story, a purely entertaining travelogue, a poignant romance—and now, a record of Syria in the late twentieth century, before the devastation of civil war.
Winner, Luciano Tomassini International Relations Book Award, Latin American Studies Association
Cubans in Angola: South-South Cooperation and Transfer of Knowledge, 1976–1991
“Hatzky convincingly argues that Cuba and Angola were not mere pawns in a proxy war between the Cold War superpowers, but that both countries worked as independent actors with their own specific interests in a relationship of equal partnership. . . . Well written and excellently translated.”—American Historical Review
Angola, a former Portuguese colony in southern central Africa, gained independence in 1975 and almost immediately plunged into more than two decades of conflict and crisis. Fidel Castro sent Cuban military troops to Angola in support of the Movimento Popular de Libertação de Angola (MPLA), leading to its ascension to power despite facing threats both international and domestic. What is less known, and what Cubans in Angola brings to light, is the significant role Cubans played in the transformation of civil society in Angola during these years. Offering not just military support but also political, medical, administrative, and technical expertise as well as educational assistance, the Cuban presence in Angola is a unique example of transatlantic cooperation between two formerly colonized nations in the global South.
“A brilliant synthesis of Cuba’s cultural production since the Revolution. Linda Howe offers the ultimate guide to understanding the cultural policies of the island. . . . Fascinating and comprehensive.”
—Cristina García, editor of Cubanísimo
Defining the political and aesthetic tensions that have shaped Cuban culture for over forty years, Linda Howe explores the historical and political constraints imposed upon Cuban artists and intellectuals during and after the Revolution. Focusing on the work of Afro-Cuban writers Nancy Morejón and Miguel Barnet, Howe exposes the complex relationship between Afro-Cuban intellectuals and government authorities as well as the racial issues present in Cuban culture.