University of Wisconsin Press Blog

The Most Read Articles of 2022

Explore the most read article of the year for each of our journals, available for free until the end of January.

Samanta Schweblin’s Fever Dream: Watery Toxicity, Percolating Disquietude by Olivia Vázquez–Medina, Contemporary Literature volume 62, issue 1

The Rise of Non-Native Invasive Plants in Wooded Natural Areas in Southwestern Ohio by Denis G. Conover and Robert D. Bergstein, Ecological Restoration volume 40, issue 2

Labor Market Concentration by José Azar, Ioana Marinescu and Marshall Steinbaum, Journal of Human Resources volume 57, supplement

Property Values, Water Quality, and Benefit Transfer: A Nationwide Meta-analysis by Dennis Guignet, Matthew T. Heberling, Michael Papenfus and Olivia Griot, Land Economics volume 92, issue 2

Invisible Labor: Precarity, Ethnic Division, and Transformative Representation in Landscape Architecture Work by Michelle Arevalos Franco, Landscape Journal volume 41, issue 1

An Early Encounter in the Global South by Ali Kulez, Luso-Brazilian Review volume 58, issue 2

Jean Paul’s Acoustic Romanticism and Aeolian Soundscapes in Vorschule der Ästhetik and Titan by Meryem Deniz, Monatshefte volume 114, issue 2

Seed collection, storage, and germination practices may affect Viola reintroduction outcomes by Sam Kilgore, Kayri Havens, Andrea Kramer, Ashlyn Lythgoe, Linda MacKechnie and Marcello De Vitis, Native Plants Journal volume 23, issue 1

Remembering former Associate Director Ezra (Sam) Diman, upon his passing

We recently learned of the passing of former UW Press Associate Director Ezra (“Sam”) Diman IV. Sam retired in 1995, after roughly thirty-five years on staff. Following time in the U.S. Armed Services and a brief stint working in publishing in Louisiana, Sam was hired into an entry-level job by then director Thompson Webb. He spent the next several decades working in progressively senior positions at the Press, serving as production manager and eventually associate director.

Sam was particularly fond of the outdoors, and his broad knowledge of natural history served him (and UW Press) well; he was particularly proud of his work on such books as Mammals of Wisconsin (1961), Trout Stream Therapy (1993), and Crunching Gravel (1993), as well as Stanley Temple’s Bird Conservation series (1980s). He even appeared in the book Gone Fishin’. Former colleagues remember that he handled contracts and business and financial decisions; was a great advocate for the Press, on campus and off; and provided generous mentorship and friendship to his colleagues. He was also very involved in the AUPresses (then AAUP) community. Fluent in German and Spanish and literate in French, he is remembered as a broad-minded thinker.

“He was from another age in all the best ways and very forward thinking in other ways,” said John Motoviloff, a UW Press author, employee from 1992 to 2000, and R3 Coordinator for the National Wild Turkey Federation. “Sam was a gentleman of the old school. As comfortable in the company of deans and regents as he was on a duck marsh or trout stream, he knew both a life of the mind and how to work with his hands. He served the Press with dignity for more than three decades. Dry wit, an affable nature, and a firm handshake were just a few of his trademarks. He will be missed by all those who knew him, and would be missed by those who did not have that good fortune.”

Following his retirement, Sam fulfilled his long-held dream of building a house in the Driftless region, married Perry L. Nesbitt, and spent countless hours outdoors. His full obituary can be found here.

UW Press announces personnel changes and the creation of a combined EDP department

After thirty-four years at the University of Wisconsin Press, most of them spent in the role of production manager, Terry Emmrich retired this summer. His steady hand in that position was instrumental in helping us navigate some challenging transitions over the decades, both internally and endemic to the industry. It would be impossible to replace him, so we’re not going to try. Instead, we have merged the production and editorial departments, and Adam Mehring has been named the first editorial, design, and production (EDP) manager in the history of UW Press.

Adam started at UW Press in the 1990s as an undergraduate intern responsible for a number of tasks, including writing catalog and jacket copy. After graduating from the University of Wisconsin with a bachelor’s degree in English, he worked part-time in our marketing department for a few years before transitioning to the editorial department. He was named editor in 2001 and managing editor in 2006.

Joining Adam in the new EDP department is Sheila McMahon, who has been at UW Press since 1999, most recently serving as senior project editor and now taking on the managing editor position. Sheila began her career as a marketing student intern before moving over to the acquisitions department and finally into the editorial department in 2005. She earned a bachelor’s degree in English–creative writing and Latin American studies from UW–Madison. Sheila is also a freelance copyeditor and proofreader for several university presses.

We are also happy to announce that we hired Jessica Smith (she/they) as a project editor in May. Jessica comes to us after five years in trade book publishing at Sourcebooks, where she most recently worked as lead production editor for the Sourcebooks Casablanca imprint, shepherding multiple New York Times and USA Today best sellers to print. She was most proud to work on diverse and LGBTQIA+ titles and is an advocate for sensitivity, accessibility, and inclusion in publishing. She graduated summa cum laude from Illinois State University with a degree in English–publishing studies and a political science minor. Jessica currently works remotely from Illinois with two lap cats, Kya and Samwise.

Jennifer Conn joined the UW Press production department as art director in 2017, and is now with us full time. She’s been designing for a couple of decades, for a publisher of special ed curriculum, as a cofounder of a start-up, and for various freelance clients over the years. She enjoys combining her love of books and art and collaborating with designers, authors, and the press team. Her favorite spot is art journaling in a hammock in Door County and she’s ambivalently looking forward to her imminent empty nest.

*From left*: Sheila McMahon, Jessica Smith, Terry Emmrich, Jennifer Conn, Adam Mehring

We also want to take this opportunity to belatedly announce some other recent hires at UW Press.

Last fall, we hired Alison (Allie) Shay as our new publicity manager. Allie comes to UW Press following stints at UNC Press and Syracuse University Press, where she served as publicist and acquisitions editor, respectively. Before starting her publishing career in 2011, Allie spent five years as a bookseller and earned her bachelor’s degree in journalism from UNC. She works remotely from North Carolina with her two dogs, Mason and Daisy, who have been known to pop up on our social media from time to time.

In our journals division, Dan Bennett joined us last fall as our new customer service and business development associate, coming from the International Dairy Deli Bakery Association, where he was a member services specialist.

Our journals production manager, Erica Teal, joined us last fall from the California Pharmacists Association, where she was managing editor of their journal. She began her publishing career at the Mathematical Association of America, working on two of their journals.

Finally, we recently welcomed our new journals marketing manager, David Bulgerin. David is completing his MBA from Colorado State University and has varied marketing experience, working in the provost’s communications office at Texas A&M, at Bryan Research & Engineering, and at Texas A&M Transportation Services.

With the restructuring of our EDP department and these new hires in journals and marketing, we are back up to full staffing for the first time since just before the pandemic began.

Submissions now open for Wisconsin Poetry Prizes!

The Wisconsin Prize for Poetry in Translation

Submissions are now open for the first annual Wisconsin Prize for Poetry in Translation! Our inaugural judge will be Forrest Gander, a Pulitzer Prize–winning writer and the translator of more than twenty books. Gander is also a winner of the Best Translated Book Award and grants from the PEN Translation Fund.

Translators or original authors are invited to submit a book-length manuscript, including all poems in both their original language and their English translation. The translations submitted must be previously unpublished in book form. Simultaneous submissions are permitted as long as the applicant withdraws the manuscript if it is accepted elsewhere. The winning manuscript will be awarded $1,500 and will be published by the University of Wisconsin Press in the spring of 2024, alongside the winners of our annual Brittingham & Felix Pollak Prizes in Poetry. Submissions will remain open until September 15, 2022, through Submittable (click here).

Applicants are asked to confirm they hold the rights to their translations before preparing a manuscript in pdf format, including the following:

A simple title page, which should include the names of the original author(s) and translator(s).
A table of contents, with accurate page numbers indicated.
75 to 150 pages of poetry, including all poems in both their original language and translated into English, with numbered pages.
A biography page, including 50- to 250-word bios for each author and translator.
A project description that addresses the book’s historical, cultural, and/or artistic significance.
An acknowledgments page (optional, if any translations are previously published).

Submit to the Brittingham & Felix Pollak Prizes

The Brittingham & Felix Pollak Prizes in Poetry are now open for submission as well! This year’s $1,500 prizes will be judged by National Book Award long-lister and Yale Series of Younger Poets prizewinner Eduardo C. Corral. Any poet with an original, full-length, yet-to-be-published collection is eligible, and each submitted manuscript will be considered for both prizes. The winners and up to four other finalists will have their books published as part of the University of Wisconsin Press’s Wisconsin Poetry Series. This year’s submission deadline is Thursday, September 15.

Before visiting our Submittable page, please assemble a single pdf including a title page, a table of contents, your poems, and (optionally) an acknowledgments page listing any magazines or journals where the submitted poems may have first appeared. Your name and contact info should not appear anywhere in the document, or in the pdf file name. Manuscripts should be fifty to ninety pages in length on 8.5″ x 11″ pdf pages.

Simultaneous submissions are permitted as long as the author agrees to withdraw the manuscript via the submissions manager if it is accepted elsewhere. If you have any questions, please first consult our FAQ. If you don’t find your answer, query series editors Sean Bishop and Jesse Lee Kercheval at poetryseries@english.wisc.edu.

About This Year’s Judges

Forrest Gander, a Pulitzer Prize–winning writer and translator with degrees in geology and literature, was born in the Mojave Desert and lives in northern California. His most recent book is Twice Alive: An Ecology of Intimacies. Among his recent translations are It Must Be a Misunderstanding by Coral Bracho, Names and Rivers by Shuri Kido (with Tomoyuki Endo), Then Come Back: The Lost Neruda Poems, and Spectacle & Pigsty by Kiwao Nomura, winner of the Best Translated Book Award. Gander’s essays have appeared in The Nation, the Boston Review, and the New York Times Book Review. He is the recipient of fellowships from the Library of Congress, the National Endowment for the Arts, and the Guggenheim, Howard, United States Artists, and Whiting Foundations.

Eduardo C. Corral is the author of Guillotine, longlisted for the National Book Award, and Slow Lightning, which won the Yale Series of Younger Poets Competition. He’s the recipient of a Guggenheim Fellowship, a Lannan Foundation Literary Fellowship, a Whiting Writer’s Award, a National Endowment for the Arts Fellowship, and a Hodder Fellowship from Princeton University. He teaches in the MFA program at North Carolina State University.

About the University of Wisconsin Press

The University of Wisconsin Press is a not-for-profit publisher of books and journals. With nearly 1,500 titles and over 8,000 peer-reviewed articles in print, its mission embodies the Wisconsin Idea by publishing work of distinction that serves the people of Wisconsin and the world.

For more information on the Wisconsin Poetry Prizes, please visit https://uwpress.wisc.edu/series/wi-poetry.html.

Submission period now open for George L. Mosse First Book Prize

The University of Wisconsin Press and the George L. Mosse Program in History are pleased to announce that the submission period is now open for this year’s Mosse First Book Prize.

The prize was established in 2020 to honor Mosse’s commitment to scholarship and to mentoring new generations of historians. Winning books are published as part of the George L. Mosse Series in the History of European Culture, Sexuality, and Ideas, and the winning author receives a $5,000 prize, payable in two installments. An honorable mention winner may also be selected to receive a $1,000 prize and publication.

“George L. Mosse was a prolific and innovative scholar who significantly enriched our understanding of multiple aspects of European history: cultural symbolism and intellectual history, fascism and gender, Jewish and LGBTQ+ history. He was also a legendary mentor to aspiring scholars,” says series advisor David Sorkin. “This prize perpetuates George’s dual legacy of scholarship and mentorship by rewarding the next generation of historians with the opportunity to publish an outstanding monograph with the University of Wisconsin Press.”

The prize is open to original, previously unpublished monographs of historical scholarship in English (whether written in English or translated), and aims to support and engage early-career scholars writing on topics related to the history of European culture, sexuality, or ideas.

“We are excited to continue the Mosse prize for the second year,” says UW Press editor in chief Nathan MacBrien. “This is an opportunity for UW Press to acknowledge the innovative work of an early career scholar and for the selected author to publish a book that will reach a broad audience of scholars and students.”

Proposals will be accepted between March 22 and June 15, 2022; all submissions will be reviewed by the Press and series advisors. A short list of finalists will be chosen in July 2022, and those manuscripts will be read by a jury of expert readers, who will select the winning project. The winner will be announced after successful peer review of the manuscript.

Entrants should begin by sending a proposal to UW Press editor in chief Nathan MacBrien, at macbrien@wisc.edu. The subject line should contain “Mosse First Book Prize” as well as the author’s last name and a keyword. Please do not send the complete manuscript until requested to do so. Proposals should follow the guidelines detailed at https://uwpress.wisc.edu/proposal.html and should include the following elements:

the scope and rationale for the book and its main contributions,
how the work fits with the Mosse Series,
the audience and market for the book,
the manuscript’s word count,
an annotated table of contents,
two sample chapters (ideally an introductory chapter and one interior chapter), and
a curriculum vitae.

Please note whether the book is under consideration elsewhere at the time of prize submission; work submitted for consideration must not be under contract elsewhere and should be complete at the time of submission.

About the University of Wisconsin Press

About the George L. Mosse Series in the History of European Culture, Sexuality, and Ideas

The Mosse series promotes the vibrant international collaboration and community that historian George L. Mosse created during his lifetime by publishing major innovative works by outstanding scholars in European cultural and intellectual history.

About George L. Mosse

A legendary scholar, teacher, and mentor, Mosse (1918–1999) joined the Department of History at UW–Madison in 1955. He was an early leader in the study of modern European culture, fascism, and the history of sexuality and masculinity. In 1965 Mosse was honored for his exceptional teaching by being named UW’s first John C. Bascom Professor. He remained famous among students and colleagues for his popular and engaging lectures, which were often standing-room only. A Jewish refugee from prewar Germany, Mosse was appointed a visiting professor at the Hebrew University of Jerusalem in 1969 and spent the final decades of his career traveling frequently between Madison and Jerusalem.

ANNOUNCING CHANGES TO THE WISCONSIN POETRY SERIES: NEW EDITORSHIP, NEW TRANSLATION PRIZE

The University of Wisconsin Press and the Creative Writing Program at the University of Wisconsin–Madison today announced that Ron Wallace, founding editor of the Wisconsin Poetry Series, has stepped down as editor of the series. Jesse Lee Kercheval has joined Sean Bishop as series coeditor, effective early 2022.

Founder and former director of UW’s Program in Creative Writing, Ron Wallace is Felix Pollak Professor Emeritus of Poetry and Halls-Bascom Professor of English at UW–Madison. In 1985, Professor Wallace proposed the idea of a poetry prize to then UW Press director Allen Fitchen, and the Brittingham Prize was established. Creation of the Felix Pollak and Four Lakes Prizes followed. Sean Bishop began working on the series a number of years ago; in recognition of his efforts and contributions, he was named coeditor in 2019. The series receives nearly 1,000 submissions annually.

Series founder Ron Wallace, who retires from his editorship after thirty-seven years, is the author of several scholarly books and a book of short stories as well as nine full-length books of poetry and eight chapbooks of poetry and fiction. His most recent poetry collections are The Uses of Adversity, Long for This World: New & Selected Poems, For a Limited Time Only, and For Dear Life, and he is the author of a major anthology, Vital Signs: Contemporary Poetry from the University Presses. Hailed for his wit, good humor, and observational powers, Professor Wallace has been the recipient of such awards as the Banta Book Prize, the Posner Book-Length Poetry Award, and the Wisconsin Library Association Outstanding Achievement Award. His numerous accolades include three UW distinguished teaching awards and the George Garrett Award from the Association of Writers and Writing Programs.

Sean Bishop says, “Ron Wallace has been the heart of the Wisconsin Poetry Series for almost forty years, expanding the series from just one slim volume per year to six annual titles. Ron prided himself on reading at least a portion of every book submitted to our annual competition—roughly twenty-five thousand manuscripts in the lifetime of the series—and his personal notes to applicants were legendary for their insight and generosity. Incoming editor Jesse Lee Kercheval and I are excited to carry Ron’s legacy forward for many years to come, and we hope we can live up to his stunning precedent.”

Incoming series coeditor Jesse Lee Kercheval, Zona Gale Emeritus Professor of English at UW–Madison, is the author of six collections of poetry as well as a translator. Her latest poetry collections are America that island off the coast of France (Tupelo Press, 2019), winner of the Dorset Prize; and La crisis es el cuerpo, translated by Ezequiel Zaidenwerg (Editorial Bajo la luna, Argentina, 2021). Her collection I Want to Tell You is forthcoming from the University of Pittsburgh Press. As a translator, she specializes in Uruguayan and South American poetry; her translations include Love Poems by Idea Vilariño (University of Pittsburgh Press, 2020), which was long-listed for the PEN Translation Award. She is also the editor of several anthologies, including América invertida: An Anthology of Emerging Uruguayan Poets (University of New Mexico Press, 2016). She has been awarded fellowships from the National Endowment of the Arts in both fiction and translation.

Along with the editorial changes, the University of Wisconsin Press also announced the establishment of a new prize for a collection of poetry in translation. The winning collection will be published in the series, alongside the winners of the Brittingham, Felix Pollak, and Four Lakes Prizes and three finalist collections. Manuscripts submitted for the translation prize will be judged during the same period as those submitted for the other prizes, and the winner will receive a $1,500 prize in addition to publication in the series.

“Over the years, I’ve watched with great admiration as Ron Wallace built the Wisconsin Poetry Series,” says Jesse Lee Kercheval. “As he steps down, I am honored to become coeditor of the series with Sean Bishop and, as a translator and poet, truly excited for the launch of the new translation prize.”

“It is with mixed emotions that I face this transition in the leadership of the Wisconsin Poetry Series. Joy over having the opportunity to work with Ron for several years, and sadness that those days are coming to an end. I have learned so much from him as an editor, watching the way he celebrates strong work and encourages authors to improve to find their greatest potential,” says UW Press director Dennis Lloyd. “At the same time, I’m very enthusiastic about working with Sean and Jesse Lee in the years to come, especially as we launch the new poetry in translation prize. With this announcement, we’ve managed to complete a long-planned goal of increasing the annual output of the series from three titles to seven.”

The winners of this year’s competition were announced earlier this month. Submissions for the next competition, including the first translation prize, will be accepted between July 15 and September 15, 2022.

About the University of Wisconsin Press

For more information on the Wisconsin Poetry Prizes, please visit https://uwpress.wisc.edu/series/wi-poetry.html.

ANNOUNCING THE RESULTS OF THE WISCONSIN POETRY PRIZE COMPETITION

Out of more than 900 entrants, Jameka Williams has been selected as the winner of the Brittingham Prize in Poetry and Emily Bludworth de Barrios has been named the winner of the Felix Pollak Prize in Poetry. Each will receive $1,500, and their collections will be published this fall by the University of Wisconsin Press. In addition, Betsy Sholl has been named winner of the Four Lakes Poetry Prize, and her collection also will be published this fall. Next spring, the University of Wisconsin Press will publish finalist collections by Joshua Burton, Dante di Stefano, and Celeste Lipkes.

Brian Teare, editor of Albion Books, served as this year’s contest judge. He is the author of six poetry collections, including Doomstead Days (2019), which was longlisted for the National Book Award and named a finalist for the National Book Critics Circle Award; The Empty Form Goes All the Way to Heaven (2015); and Companion Grasses (2013).

Jameka Williams holds an MFA in poetry from Northwestern University. Her poetry has been published in Prelude Magazine, Gigantic Sequins, Muzzle Magazine, Yemassee Journal, Tupelo Quarterly, Jet Fuel Review, and Oyez Review, among others. A Pushcart Prize nominee, she has performed her poetry at AWP in 2016 and POETRY Magazine’s Open Door Reading Series in 2021. She is a Best New Poets 2020 finalist, published annually by the University of Virginia, and is featured in New American Press’s New Poetry of the Midwest 2019. She resides in Chicago, Illinois.

About the Brittingham-winning volume, Brian Teare says, “Split between the love of watching and the fear created by it, American Sex Tape guides us through celebrity’s media empire, where ‘men / are cameras’ and the objectified self reproduces the dominant culture one selfie at a time. ‘I think a lot about empires,’ Jameka Williams writes, ‘& how I am supposed / to finish erecting this one,’ before she demolishes misogynist, racist logic with weaponized line breaks and wrecking-ball wit. And then does something stranger, braver: she looks into the camera. Because this is a book about taking back power, it’s also about the thin line between pleasure and collusion. ‘I love to see it,’ she admits, ‘I love to live inside that camera’s eye orgasm.’ Complex and messy and necessary in all the ways sex is, American Sex Tape is brilliant Black feminist truth.”

Emily Bludworth de Barrios, winner of the Felix Pollak Prize, is a poet whose books and chapbooks include Women, Money, Children, Ghosts (Sixth Finch, 2016), Splendor (H_NGM_N, 2015), and Extraordinary Power (Factory Hollow Press, 2014). Her poems have recently appeared in publications such as the Poetry Review, Harvard Review, and the Cincinnati Review. She was raised in Houston, Cairo, and Caracas, and now lives in Santa Cruz de la Sierra, Bolivia, with her husband and three children.

“Marrying novelistic breadth and autobiographical intimacy, Shopping or The End of Time invents a new poetic genre: the sociolyric,” says Brian Teare. “Impersonal and personal at once, these poems shift from collective to individual experience with dizzying rapidity. Their deft lines jump-cut across social experiences connected inequitably by a consumer culture thriving on violence against women and the Earth’s accelerating destruction. And yet buying power is ‘such an intricate trick that we felt that we were finally entering ourselves,’ Emily Bludworth de Barrios writes, ‘our human inheritance.’ Refusing to remain fooled about the ways our psyches are manipulated by capitalism and complicit with its destructive power, her speakers insist on documenting the pleasures and collateral damage of such inheritance, each ‘jagged poem’ fashioned ‘to put the remnants in.’ This is an innovative collection with impressive critical and emotional range.”

Betsy Sholl’s As if a Song Could Save You, winner of the Four Lakes Poetry Prize, will also be published this fall. Sholl is the author of nine previous poetry collections, including House of Sparrows: New and Selected Poems (winner of the 2019 Four Lakes Prize), Otherwise Unseeable (winner of the 2014 Four Lakes Prize), Rough Cradle, Late Psalm, Don’t Explain (winner of the 1997 Felix Pollak Prize), and The Red Line. A former poet laureate of Maine, Sholl teaches at the Vermont College of Fine Arts.

“Attuned as she is to harmony—musical, spiritual, earthly—Sholl weaves seemingly miscellaneous notes into vibrant wholes. She references Dante more than once and it’s apt, for she is very much a pilgrim, someone who conveys the feeling of being in it—the tangle that is a moment, a street scene, a biblical incident. It could be anything—and is—and that is a key to her achievement, her openness to the ways of being, the here and now, the terribly lost and barely found. Great compassion marks these poems, that inestimable talent for tracing the ways of kinship, how one occasion graces another,” says Baron Wormser.

Joshua Burton is a poet and educator from Houston, Texas, and received his MFA in poetry at Syracuse University. He is a 2019 Tin House Winter Workshop Scholar, 2019 Juniper Summer Writing Institute scholarship winner, and 2019 Center for African American Poetry and Poetics fellowship finalist. He received the Honorable Mention for the 2018 Toi Derricotte and Cornelius Eady Chapbook Prize and was a 2020 Wisconsin Institute for Creative Writing finalist. His work can be found in Mississippi Review, Gulf Coast, The Rumpus, Conduit, and TriQuarterly, and is forthcoming in Black Warrior Review, Grist, and Indiana Review. He has a chapbook forthcoming in the fall of 2022. Mary Karr says, “No poet I’ve worked with in forty years’ teaching has wowed me more with his talent & smarts & heart than young Joshua Burton. His first collection, Grace Engine, is destined to be this year’s star debut.”

Brian Teare adds, “Grace Engine documents the ravages of internalized antiblackness in restless lines whose ‘Language is like a month ending / with a fire.’ To aid in reclaiming himself from Black social and literal death, Joshua Burton assembles an archive of Black men whose minds were troubled by antiblackness and Black folks whose lives were ended by it. In confronting textual and visual evidence of white supremacy, in placing family history alongside it, his speakers confront the decision of whether to stay in a world inseparable from racist violence. Ultimately coming to understand ‘how much my indecision is decision,’ he enters into a tentative, complex relation with Black aliveness. Burton might write ‘in the language of breakdown,’ but his speakers ‘choose to fill my hands with stay here.’ The way to bless once meant to mark with blood, this book is both balm and wound.”

Dante Di Stefano is the author of three previous poetry collections: Love Is a Stone Endlessly in Flight, Ill Angels, and Lullaby with Incendiary Device, which was published in a three-in-one volume titled Generations, also featuring work by William Heyen and H. L. Hix.

Along with María Isabel Álvarez, he coedited the anthology Misrepresented People: Poetic Responses to Trump’s America. The poetry editor for the DIALOGIST, Di Stefano holds a PhD in English Literature from Binghamton University. He teaches high school English in Upstate New York and lives in Endwell, New York, with his wife, Christina; their daughter, Luciana; their son, Dante; and their dog, Sunny. Di Stefano’s book-length poem, Midwhistle, is a sprawling digressive love note to an unborn son, a map of the anxieties and ecstasies of poetic influence, and an exploration of selfhood and memory in an era of pandemic, social upheaval, and political uncertainty, written in stepped septasyllabic cinquains, a form he invented.

H. L. Hix says, “Midwhistle proves Dante Di Stefano ‘a child / of cello, air, & mint spears.’ In this refulgent homage, Di Stefano honors ‘what loves / have been thrummed forth & nurtured / into shining’ by poet William Heyen’s august work and person. Surely any reader will leave this book, as I did, more alert and alive, more ‘in love / with the gray undersides of / mulberry leaves & the way / the grass ekes toward twilight.’”

Celeste Lipkes is a writer and psychiatrist residing in Asheville, North Carolina. Prior to medical school, she received an MFA in poetry from the University of Virginia. Radium Girl is her first book.

Lisa Spaar says, “In the breathtaking ‘escape room’ of Celeste Lipkes’s Radium Girl, our ardent guide dons, by turns, the snow-flaked robe of patient, the white coat of physician, the lustrous cape of magician. The word ‘magic’ is rooted in the PIE ‘magh’—‘to be able, to have power’—and in this radiant debut, body and mystery exchange their secrets about what can and cannot be controlled—in illness, in love, and in the salvific art of poetry itself.”

Submissions for the next competition will be accepted between July 15 and September 15, 2022.

About the University of Wisconsin Press

For more information on the Wisconsin Poetry Prizes, please visit https://uwpress.wisc.edu/series/wi-poetry.html.

Call for Papers: Psychedelic Capitalism: From Forest Retreat to Fortune 500 and Pharmacies

History of Pharmacy and Pharmaceuticals, the official journal of the American Institute of the History of Pharmacy (AIHP), is pleased to announce a call for papers for a special issue: “Psychedelic Capitalism: From Forest Retreat to Fortune 500 and Pharmacies.” The issue is anticipated to appear in 2023. Guest editors for the special issue will be Drs. Neşe Devenot and Brian Pace, both of The Ohio State University.

Submission Guidelines

To submit a proposal for the special issue, authors must submit a 500-word abstract and 100-word biography by April 4, 2022. For guaranteed consideration for the special issue, the preferred deadline is August 15; after August 15, submissions will be accepted on a rolling basis. The editors anticipate publication in 2023. The final research papers must range from 6,000–8,000 words in length. Commentaries and discussion pieces, ranging from 1,500–3,000 words, will also be considered. All submissions must conform to HoPP style, available here.

Call for Papers

Buoyed by calls for medical access, social justice, and regulation, psychedelic substances and products are becoming more socially acceptable in various jurisdictions, and support for regulatory changes, in some countries at least, continues to grow. Several estimates suggest that the psychedelic industry may hit roughly $10 billion annually by 2027. Recent academic scholarship germane to psychedelics, meanwhile, is expanding rapidly but has remained largely North America-centric and focused on medico-scientific and socio-political developments rather than the business history.

The aim of this CFP and special issue is to contribute to critical discussions around relatively underexplored socio-economic, business, and capitalist histories of psychedelics. Such substances, broadly conceived, exist at the intersection of legality and criminality, domestic and transnational markets, medicine and recreation, and scientific study and sensationalism. To build upon recent literature and foster new critical dialogues, we propose a business/economic history approach that connects circuits of psychedelic capitalism to engage with themes of commodification and coercion, as well as the open scientific questions and ongoing struggles in politics and society that will impact psychedelics in the marketplace.

This special issue of History of Pharmacy and Pharmaceuticals will address some of the following questions: How have these businesses evolved, and who has directed and financed this development? What methods and models are being used in pharmaceutical and recreational enterprises to promote, sell, and/or study the drugs? How has the media participated in selling psychedelics to new consumer markets? Are there parallels between movements of enclosure and the commodification of Indigenous psychedelic medicine and religious traditions? How are Indigenous approaches to psychedelics being appropriated to administer and sell psychedelic services? How will the concept of social justice fare under an increasingly profit-oriented system? What contributes to the belief that psychedelics would be different than any other commodity within capitalism? Are we witnessing the development of new psychedelic empires, and what will the effects of this transformation be? How are mental and public health issues being treated, and what happens to patient-consumers in a legalized personal use market? What are the international effects of a shifting market, and how does legalization, along with a growing gray market, affect issues like access and adherence in the medical marketplace? Given that for-profit healthcare functionally denies healthcare to millions, should psychedelics continue to be touted as a solution to the mental health crisis?

Possible paper topics include:

Organizational histories
Indigenous appropriation in branding, marketing, and advertising
Media representations of psychedelics
Government regulation of psychedelic businesses
Underground and illegal markets
Corporatization, industry, and its impacts
Transnational trafficking, regulations and sales
Biographies of influential business persons and companies
Comparisons of Indigenous modes of psychedelic production and exchange with market proposals
The problem of biopiracy and its proposed solutions, including the Nagoya Protocol

We invite submissions that deal with one or more of the above-mentioned topics or other possible topics that focus on the themes of this special issue. We particularly encourage submissions, based on primary and archivally-based research, from an interdisciplinary perspective.

Landscape Journal Welcomes New Editor James LaGro Jr.

UW Press is pleased to welcome James LaGro Jr. as the new editor of Landscape Journal: Design, Planning, and Management of the Land. LaGro began his editorial tenure in June of 2021, succeeding former interim editor Katherine Melcher.

James LaGro Jr. is a professor in the Department of Planning and Landscape Architecture at the University of Wisconsin–Madison. He received his MLA and PhD from Cornell University, and he has also worked in private practice as a professional land planner. Prior to joining the faculty of UW–Madison, he served as a 2008-09 AAAS Science and Technology Policy Fellow with the U.S. Environmental Protection Agency’s National Center for Environmental Assessment – Global Change Research Program. His 2008 book, Site Analysis: A Contextual Approach to Sustainable Site Planning and Design, was selected by Planetizen as one of the top planning books of that year.

The following interview with LaGro was conducted by Jennifer Tse of the Council of Educators in Landscape Architecture (CELA) and published on the CELA website, and we are republishing it here with their permission. In it, LaGro details some of his exciting plans for the future of the journal.

ARE THERE ANY SEMINAL MOMENTS IN YOUR EDUCATION OR PROFESSIONAL CAREER THAT INFLUENCED YOUR PATH?

Yes, I certainly have had moments where I knew it was time to close one chapter of my career and move on to the next.

For example, my undergraduate degree is in urban horticulture, so I studied plant ecology and plant physiology, and soils and pathology, and all the things that contribute to healthy plants. I started a business in my senior year—a landscape contracting and gardening business—but within about a year I became much more interested in the design and construction aspects. So that led me to go back to school for my Master’s in Landscape Architecture.

I then worked for five years in private practice. When I was in South Florida with EDSA, I began to see the connections between public policy and land use change and impacts on the environment. And that got me interested in going back to school yet again for my PhD in Natural Resources Policy and Planning with a focus on urbanizing landscapes. Each step was a progression up in scale, looking at increasingly bigger issues.

I have also had good mentors along the way—in universities and in private practice. They influenced my career path by helping me visualize what my next steps could be.

IT SEEMS LIKE YOU’RE COMING INTO THIS POSITION AT THE PERFECT TIME.

I hope so. My experiences as a researcher, educator, and practitioner all help to broaden my perspective on land planning, design, policy, and management. I’ve planted trees and built patios with my own hands. But I’ve also worked on teams that planned new communities on sites as large as 5,000 acres.

AND YOU ALSO WORKED IN SWITZERLAND.

Yes, I did. I learned a lot about green roofs in Switzerland. The Swiss are fantastic in horticulture and in using space very efficiently. So that was fun because I spent time up on rooftops—sometimes five, six, eight stories up, overseeing the construction and planting. Because it was a design-build firm, I would be in the field about half of the time, supervising crews that were always international. These skilled workers came from several European countries.

WHAT INTERESTED YOU IN BECOMING EDITOR-IN-CHIEF OF LANDSCAPE JOURNAL?

One of the reasons is that I love to write. I am continuously trying to improve my craft. I enjoy the writing process. I enjoy editing. And I enjoy helping other people write well. I often review graduate student writing, but I also peer-review journal and book manuscripts. So, this opportunity really appealed to me—a leadership position focusing on writing for publication. Frankly, I was impressed by the position description because it was clear to me that there had been considerable thought given to where the journal has been, where the journal is currently, and where it could go in the future. That came through very clearly. I was impressed by the level of analysis, but also by the visionary aspect—that the task force envisioned a new model for editorial oversight and leadership. It was also clear that this wasn’t just a caretaker role, but an opportunity to provide innovative leadership. So that attracted me very much.

AS EDITOR-IN-CHIEF, ARE THERE ANY TYPES OF SCHOLARSHIP, GENRES, OR TOPICS THAT YOU ARE MOST INTERESTED IN EXPANDING OR EMPHASIZING IN THE FUTURE?

Yes, definitely. I would like to encourage scholarship from a broad range of authors. Original research articles, obviously. Those are the mainstays of an academic journal. But I also would like to find ways to encourage review papers that synthesize the literature and articulate the state-of-the-art on important issues for the profession and discipline. Different practice types, educational pedagogies, and research methods could be examined. I would also like to encourage reflective and speculative essays, to encourage more practitioners to write for Landscape Journal.

I also think there’s a role for advocacy scholarship in landscape architecture. Public policy plays a huge role in shaping the built and the natural environment. So, public policy briefs that are evidence-based and analytical could be published in the journal. These policy briefs might look at two or three policy scenarios: compare the pros and cons, and then make recommendations for policy reforms. These could focus on federal, state, or local-level policies. Landscape architecture, as a profession, could play a more assertive role in public policy conversations in this country and across the world.

HAVE YOU SEEN A LOT OF LANDSCAPE ARCHITECTS ADVOCATING FOR THIS AS WELL?

The New Landscape Declaration addresses this issue and that’s one of the reasons why I’m excited to serve as Editor-in-Chief. So, I do think some of the aspirational aspects of what the LAF (Landscape Architecture Foundation) and the Landscape Declaration are saying are outcomes that I can help bring to fruition.

We also can learn from critiques of built works—projects that have been implemented. LAF’s landscape performance case studies, for example, assess the social, economic, and environmental benefits of selected built projects. These increase our collective knowledge base. And in the best traditions of design criticism (I’m thinking, here, of Ada Louise Huxtable), critiques of built works could offer interesting new perspectives and insights.

IS THAT AN AREA WHERE PRACTITIONERS WOULD COME IN?

They absolutely could. This is an area where both practitioners and educators can contribute—including students.

WHY DO YOU THINK THAT PRACTITIONERS HAVE BEEN LESS REPRESENTED IN THE JOURNAL?

I think it has to do with the traditional expectations for publishable scholarship. And this is one area where I can help. I plan to reach out to practitioners in the field and invite them to reflect upon and write from their experience. These would not be 8,000-word articles reporting on scientific research. But shorter pieces—1,000 or 1,500 words—reflective essays that encapsulate the views and insights that they’ve developed through practice. This scholarship can have benefits not only for students, but for academics who are teaching the next generation of practitioners. I’m hoping this is a mutually beneficial dialogue that helps to shape the field’s future research agenda.

DO YOU SEE THEM AS PLAYING A SPECIAL ROLE WHEN IT COMES TO PUBLIC POLICY DISCUSSIONS?

Practitioners confront public policies in terms of regulatory requirements and ensuring that their projects meet local permitting and approval standards. Practitioners also have an interest in understanding the performance of implemented projects. Research collaborations—between academics and practitioners—could generate useful new knowledge. That kind of information can be good for business and also influential in shaping policy reforms.

Ideally, we will have authors from the research community and the practitioner community writing from their experiences in different contexts. I’m interested in the perspectives of practitioners working in the private sector, but also in the public and non-profit sectors. This is an under-tapped resource. In the city of Madison, the community where I live, there are landscape architects who are or have been in influential positions within local government. They have a story to tell, too, that I think would be interesting and useful.

DO YOU THINK THAT THE GREATER PUBLIC WOULD BENEFIT FROM HEARING FROM PEOPLE SUCH AS YOURSELF AND THESE PRACTITIONERS?

Absolutely. I often tell my students that, as future professionals, they will have a responsibility to be civically engaged. When opportunities arise to serve on committees or advisory boards, they should take them because they have a unique lens for looking at community issues. They can contribute to the greater good if they use their knowledge and values to weigh in on local policy decisions.

IS THERE ANYTHING ELSE THAT YOU WOULD LIKE TO SHARE WITH THE MEMBERS OF CELA?

I’m excited about this new role. The plan is to increase the annual number of Landscape Journal’s issues from two to four. This will happen incrementally. So, all these changes will increase opportunities for publishing scholarship from CELA members, from practitioners, and from other disciplines. More information on the journal’s revised aims and scope and author guidelines will be forthcoming.

WHAT IS YOUR OVERALL GOAL FOR YOUR EDITORSHIP?

Increasing Landscape Journal’s impact factor is a key goal. As an international outlet for scholarship on land planning, design, and management, the journal should be a respected resource for scholars and practitioners, not just in landscape architecture but in other disciplines as well.

An image of the cover of Landscape Journal vol. 40 no. 1

Landscape Journal is the official journal of the Council of Educators in Landscape Architecture (CELA). Landscape Journal offers in-depth exploration of ideas and challenges that are central to contemporary design, planning, and teaching. Besides scholarly features, Landscape Journal includes editorial columns, creative work, and reviews of books, conferences, technology, and exhibitions. In publication since 1982, Landscape Journal continues to be a valuable resource for academics and practitioners.

The Journal of Human Resources Will Now Publish Six Issues Per Year

Beginning in 2022, the Journal of Human Resources will increase the number of issues published per year from four to six. This change allows the journal to accommodate a steady increase in top quality research submissions over the last several years.

The Journal of Human Resources publishes articles that use a lens of microeconomics to study everything from healthcare, to the labor market, to early childhood development and education, to government-sponsored programs in various nations. Though the journal’s title may seem to signal a connection with the field of human resources, it actually predates the popularization of this term, which didn’t occur until the 1970s. The JHR was started in 1965 to study “the effects of education, manpower, and welfare policies in the classroom, in the labor market, in the community, and in the lives of human beings,” as Gerald G. Somers, then the chairman of JHR’s board of editors, wrote in his introduction to the first issue. In effect, the use of “human resources” in the journal’s title relates to scholarly examination and evaluation of the US government’s investment in its citizens (its “human resources”) through such policies as the Manpower Development and Training Act (1962), the Vocational Education Act (1963), and the Economic Opportunity Act (1964).

Over time, the journal expanded its focus beyond the US, and now each issue of JHR features research from around the world. For example, the current issue includes studies on air pollution reduction efforts in Sweden, labor issues in Colombia, Italian high school students’ development of personality traits, survey methods to measure cognitive and noncognitive skills in Kenya and Colombia, and the economic impacts experienced by Malawian farmers from a change in their children’s annual school start date.

With such a broad relevance, it’s no wonder that the journal has seen an increase in article submissions in recent years. Adding two more issues per year will expand JHR’s capacity to publish this globally important and timely research. In addition to a full slate of issues, two supplementary special issues are in the works: one on monopsony in the labor market will be published in 2022, and another on child mental health will appear in 2023.

The Journal of Human Resources is among the leading journals in empirical microeconomics. Intended for scholars, policy makers, and practitioners, each issue examines research in a variety of fields, including labor economics, development economics, health economics, and the economics of education, discrimination, and retirement. Founded in 1965, the Journal of Human Resources features articles that make scientific contributions in research relevant to public policy practitioners.