The University of Wisconsin Press
Slavic & Eastern European Studies / Literature & Criticism
The Modernist Masquerade
Stylizing Life, Literature, and Costumes in Russia
“Colleen McQuillen establishes a rich context in which to consider Russian modernism and the cultural practices and artistic tenets of its adherents.”
—Olga Peters Hasty, Princeton University
Masked and costume balls thrived in Russia in the late nineteenth and early twentieth centuries during a period of rich literary and theatrical experimentation. The first study of its kind, The Modernist Masquerade examines the cultural history of masquerades in Russia and their representations in influential literary works.
The masquerade’s widespread appearance as a literary motif in works by such writers as Anna Akhmatova, Leonid Andreev, Andrei Bely, Aleksandr Blok, and Fyodor Sologub mirrored its popularity as a leisure-time activity and illuminated its integral role in the Russian modernist creative consciousness. Colleen McQuillen charts how the political, cultural, and personal significance of lavish costumes and other forms of self-stylizing evolved in Russia over time. She shows how their representations in literature engaged in dialog with the diverse aesthetic trends of Decadence, Symbolism, and Futurism and with the era’s artistic philosophies.
Colleen McQuillen is assistant professor in the Department of Slavic and Baltic Languages and Literatures at the University of Illinois at Chicago.
For more information regarding publicity and reviews contact our publicity manager, phone: (608) 263-0734, email: firstname.lastname@example.org
Of related interest
Novel and City, 1900-1921
Edited by Olga Matich
LC: 2013015052 PG
298 pp. 6 x 9 32 b/w illus.
Paper $29.95 s
eBook $24.95 s
Adobe Digital Edition
About our e-books
Printing and cut/paste allowed, access on six different devices.
Click here for a further explanation of the shopping cart feature.
“Colleen McQuillen captures a unique moment in late Imperial Russian culture and politics, when costuming, masquerading, and dressing up was the rage among writers, artists, performers, and even terrorists. She considers everything from high society and popular culture to literature and the antics of the Futurists. The book is a pleasure to read and intellectually stimulating as well. What a delight.”
—Jeffrey Brooks, author of When Russia Learned to Read
Home | Books | Journals | Events | Textbooks | Authors | Related | Search | Order | Contact
If you have trouble accessing any page in this web site, contact our Web manager.
Updated June 4, 2013© 2013 The Board of Regents of the University of Wisconsin System