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Art / Art History

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Special $70 Pre-publication Price

For a limited time, you may purchase this title for $70.00 (discounted from the $85.00 list price) if you order by September 30, 2009. Click on "add this book to cart" in the right hand column below. Then type “9COLE2” in the promo code box on the shopping cart page and you will receive your discount.

The Prints of Warrington Colescott A Catalogue Raisonné, 1948–2008 Mary Weaver Chapin Foreword by Daniel T. Keegan A master printmaker and a satirist in the tradition of Hogarth, Goya, Daumier, and Grosz Since the 1940s, printmaker Warrington Colescott has trained his brilliant artistic eye on the fashions and foibles of human behavior. A satirist in the tradition of William Hogarth, Francisco Goya, Honoré Daumier, and George Grosz, Colescott utilizes his sharp wit and vivid imagination to interpret contemporary and historical events, from the personal to the public, the local to the international. He is especially noted for his exceptional command of complex printmaking techniques and for his innovative approach to intaglio printing. The Prints of Warrington Colescott: A Catalogue Raisonné, 1948–2008 is the first fully illustrated catalogue to document Colescott’s extensive and varied graphic career. Author and curator Mary Weaver Chapin has worked closely with Colescott, interviewed him at length, and had unique access to his private papers and archives. She documents his personal and artistic life in a detailed biographic sketch, and her extensive essay “Research Printmaker and Mad-Dog Attack Artist” examines the evolution of his printmaking career, focusing on his technique, iconography, and his place in American printmaking. The catalogue documents and depicts all 359 of Colescott’s editioned prints, providing title, date, media, dimensions, and selected exhibition history and collections for each print, along with comments and anecdotes by Chapin and Colescott. Warrington Colescott (b. 1921) was born and educated in California. He served in the anti-aircraft artillery and the infantry in World War II and was professor of art at the University of Wisconsin– Madison from 1949 to 1986. His work is in the permanent collections of the Metropolitan Museum of Art, National Gallery of Art, Art Institute of Chicago, Museum of Modern Art, Milwaukee Art Museum, Victoria and Albert Museum, Tate, and Bibliothèque Nationale de France, and many other museums. Colescott is still actively making art in his home studio in Hollandale, Wisconsin. He is co-author, with Art Hove, of the book Progressive Printmakers: Wisconsin Artists and the Print Renaissance, also published by the University of Wisconsin Press. Mary Weaver Chapin is associate curator of prints and drawings at the Milwaukee Art Museum. She earned her doctorate from the Institute of Fine Arts, New York University and trained in the Department of Drawings and Prints at the Metropolitan Museum of Art. She has also worked at the Art Institute of Chicago, where she coauthored the exhibition catalogue Toulouse-Lautrec and Montmartre.             Published in collaboration with the Milwaukee Art Museum. For more information regarding publicity and reviews contact our publicity manager, Chris Caldwell, phone: (608) 263-0734, email: publicity@uwpress.wisc.edu

March 2010 LC: 2009010514 NE 352 pp.   9 1/2 x 12 1/2 415 color illus. ISBN 978-0-299-23300-6 Cloth $85.00 t (Discounted to $70.00 as a pre-publication discount) Add titles to your shopping cart by clicking on the "Add this book to cart" link above. You can submit your order electronically, paying for it with your credit card. Click here for a further explanation of the shopping cart feature Never ordered from us before? Read this first. • This book is the companion to the Milwaukee Art Museum's June 17, 2010 exhibition "Out of Line - The Satirical Prints of Warrington Colescott." Visit www.mam.org The exhibit is from June 17 through September 26. “Colescott is one of the most fortunate and revered artists of his generation, who has excelled as a teacher, an influential artist, and a contributor to the critical mass of modern print history.” —Mark Pascale, curator of prints and drawings, the Art Institute of Chicago

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